tag:blogger.com,1999:blog-22175532571286828512024-03-13T15:28:38.142-07:00Dmitry Pruss: tango links & listsMOCKBAhttp://www.blogger.com/profile/05150628026789690963noreply@blogger.comBlogger137125tag:blogger.com,1999:blog-2217553257128682851.post-63460322986945747392023-09-21T20:31:00.003-07:002023-09-21T20:40:10.138-07:00Montana Tango Festival - Under the Big Sky, September 2023<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEj2pnQJG1Vy5iMvLWPYaUZhTRJFJ_GhZj7TVfr27RzuhZ0Can34zY8vBcLGztSbKrGx3mUpm3vTf6Ldow0zxk65w0vIZ6uRR-0jnkVSiZJZJwrNGmG8giLFJhMMtN9R9ESsqtSKGhq-tJIjOkNRiJSDAEUDeTmXzFpzyvQ8w0ISBt_zQnq6coA-aGQs1IOQ" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img alt="" data-original-height="398" data-original-width="763" height="166" src="https://blogger.googleusercontent.com/img/a/AVvXsEj2pnQJG1Vy5iMvLWPYaUZhTRJFJ_GhZj7TVfr27RzuhZ0Can34zY8vBcLGztSbKrGx3mUpm3vTf6Ldow0zxk65w0vIZ6uRR-0jnkVSiZJZJwrNGmG8giLFJhMMtN9R9ESsqtSKGhq-tJIjOkNRiJSDAEUDeTmXzFpzyvQ8w0ISBt_zQnq6coA-aGQs1IOQ=w320-h166" width="320" /></a></div>Montana Tango Festival 2023 has become my best tango adventure in years, with its emphasis on communion with Nature, its trails and its hot springs liberally scheduled around the milongas and classes. And the tango yurt pre-party set the right mood from the day 1. Oh the smell of pines! Oh the billion stars of Montana's Big Night Sky! We spent five nights in Missoula and in the end, it was too little. Looking forward to coming to dance and explore Montana again!<p></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjG5qDTGIZ2D2lJpqgOEFTjfjfVh9nVCiItjEOQ4FSkMsVBqgeM4RJh58WPoIr59_6jlIsDYA-x5R7nX_rRAxbc3wq18D-U8oqpvairFj7qwyIXMPOttDUpNaYj9q8DXItXaE1UIwHIqnAjyHLjZM8SVHyDRHlAloTiKvEL-N1hYPd6TLjY-P1dfh4Y0s97" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="2048" data-original-width="1577" height="240" src="https://blogger.googleusercontent.com/img/a/AVvXsEjG5qDTGIZ2D2lJpqgOEFTjfjfVh9nVCiItjEOQ4FSkMsVBqgeM4RJh58WPoIr59_6jlIsDYA-x5R7nX_rRAxbc3wq18D-U8oqpvairFj7qwyIXMPOttDUpNaYj9q8DXItXaE1UIwHIqnAjyHLjZM8SVHyDRHlAloTiKvEL-N1hYPd6TLjY-P1dfh4Y0s97" width="185" /></a><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiRCWnr7X-2WRp_p3RN6F12tjLdqxyqeUWuIg8Kd6BKs1nwipYBPhLSDCjNiNco70NlvCR2nYuQTvfbMjWy8fbghJvXZaCcFc7Qwn0plvjdfIW14OEHMs2JCujaw6Dw1_lTySsuQSMPYu9l4KTsinwMjHlQ4Jmxx4avBJ4wNF2sXpj3yMTFutAbBdhFcbef" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="2048" data-original-width="1536" height="240" src="https://blogger.googleusercontent.com/img/a/AVvXsEiRCWnr7X-2WRp_p3RN6F12tjLdqxyqeUWuIg8Kd6BKs1nwipYBPhLSDCjNiNco70NlvCR2nYuQTvfbMjWy8fbghJvXZaCcFc7Qwn0plvjdfIW14OEHMs2JCujaw6Dw1_lTySsuQSMPYu9l4KTsinwMjHlQ4Jmxx4avBJ4wNF2sXpj3yMTFutAbBdhFcbef" width="180" /><div class="separator" style="clear: both; text-align: center;"><br /></div></a><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiRCWnr7X-2WRp_p3RN6F12tjLdqxyqeUWuIg8Kd6BKs1nwipYBPhLSDCjNiNco70NlvCR2nYuQTvfbMjWy8fbghJvXZaCcFc7Qwn0plvjdfIW14OEHMs2JCujaw6Dw1_lTySsuQSMPYu9l4KTsinwMjHlQ4Jmxx4avBJ4wNF2sXpj3yMTFutAbBdhFcbef" style="margin-left: 1em; margin-right: 1em;"></a><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiInyO4JBmHiV4wITHA32ihbk1ZnxEGRMYnrXQ3VkfUCE9JrQXZzYzBJpbNsWQbnxaOFT42d5WgQq6FDrQjgEESgnkm7QjrDTUqq0SzgJoqSwRDCK1CvSmCKS6HDgXmIir6h49HFoL44S1egicZnY07MyXEAvz_Eh2vTDDaz6XikrcPGCUMWELsxF3_nYvW" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="2048" data-original-width="1536" height="240" src="https://blogger.googleusercontent.com/img/a/AVvXsEiInyO4JBmHiV4wITHA32ihbk1ZnxEGRMYnrXQ3VkfUCE9JrQXZzYzBJpbNsWQbnxaOFT42d5WgQq6FDrQjgEESgnkm7QjrDTUqq0SzgJoqSwRDCK1CvSmCKS6HDgXmIir6h49HFoL44S1egicZnY07MyXEAvz_Eh2vTDDaz6XikrcPGCUMWELsxF3_nYvW" width="180" /></a> <a href="https://blogger.googleusercontent.com/img/a/AVvXsEiDXCYsV5C2ytTgX4ux0swIQPo5a6NugYabzT1-7l_2f_3KE69aiR8zpXZC6Jas1EyK1jnbus-ji1rtNcehZVbQZ41jDuVKT_Ti4cY-4DwEkZpxSOyKvr55n_UV_aXgWfBfqBykpv8fUVHv-QoJxvzMXBpSwrRZlcZACTmn4KAwK98nvLEOlyqelwqai4jw" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="704" data-original-width="841" height="240" src="https://blogger.googleusercontent.com/img/a/AVvXsEiDXCYsV5C2ytTgX4ux0swIQPo5a6NugYabzT1-7l_2f_3KE69aiR8zpXZC6Jas1EyK1jnbus-ji1rtNcehZVbQZ41jDuVKT_Ti4cY-4DwEkZpxSOyKvr55n_UV_aXgWfBfqBykpv8fUVHv-QoJxvzMXBpSwrRZlcZACTmn4KAwK98nvLEOlyqelwqai4jw" width="287" /></a><br /><br /></div></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEg1W_8pSiVqsiM5NjRahmUs6GIzG4tJ5_yQxo61ITItA2jDlYEWxHHt0Qk2g8PHM5ixUMkALChZpnFJCSlkzOX7kJr6YDtDzClFWMsdETEb4CwGO0fMuexHnhyzNQKMFgkFUBNJ0JxTAe3vekD7b0TRd4bG5Sj_t95KjNQJDBufbj8ZxB57-OzyqgHGqKCi" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="" data-original-height="1086" data-original-width="843" height="240" src="https://blogger.googleusercontent.com/img/a/AVvXsEg1W_8pSiVqsiM5NjRahmUs6GIzG4tJ5_yQxo61ITItA2jDlYEWxHHt0Qk2g8PHM5ixUMkALChZpnFJCSlkzOX7kJr6YDtDzClFWMsdETEb4CwGO0fMuexHnhyzNQKMFgkFUBNJ0JxTAe3vekD7b0TRd4bG5Sj_t95KjNQJDBufbj8ZxB57-OzyqgHGqKCi" width="186" /></a></div>So many tangueros asked me about specific tandas or said nice things about the music I played for the Opening Milonga, and I kept answering that I will post the whole list soon. Apologies for making you wait almost two weeks. The list, with comments, follows. I used to share entire setlists every time I DJ'd, but haven't posted complete annotated setlists for a while. This time, I want to focus my tanda comments on the special things I see in many of these tandas, on what I hope the dancers can sense in them, and on what I feel in my own heart.<div><br /><span style="color: red;">One of Canaro's famous quintets, the late 1930s "Don Pancho" (named after one of Francisco's nicknames), has a surprisingly modern sound:</span><br />001. Quinteto Don Pancho - Instrumental "El garron" 1938 2:27<br />002. Quinteto Don Pancho - Instrumental "Alma en pena" 1938 2:46<br />003. Quinteto Don Pancho - Instrumental "Champagne tango" 1938 2:30<br />004. Gilda "No Me Arrepiento de Éste Amor cortina" <br />005. Enrique Rodríguez - Armando Moreno "Cómo Has Cambiado Pebeta" 1942 2:37<br />006. Enrique Rodríguez - Armando Moreno "El encopao" 1942 2:34<br />007. Enrique Rodríguez - Armando Morena "Cómo Se Pianta la Vida" 1940 2:23<br />008. Los Naufragos "Zapatos Rotos rock cortina" 0:34<br /><span style="color: red;">First time I played this tanda of valses, united by their unusual musical texture:<br /></span>009. Francisco Lomuto - Jorge Omar "Damisela encantadora" 1936 2:58<br />010. Juan de Dios Filiberto - Instrumental "Pensando En Ti" 1935 2:50<br />011. Alfredo De Angelis - Juan Carlos Godoy "Angélica" 1961 2:43<br />012. Los Iracundos "Puerto Montt rock cortina" 1971"<br /><span style="color: red;">Recuerdos de Paris" has a special meaning to my heart, with its tale of regaining lost faith and love in a strange place, really a metaphor of my own path into the strange world of tango</span><br />013. Francisco Canaro - Roberto Maida "Recuerdos De París" 1937 3:12<br />014. Francisco Canaro - Roberto Maida "Ciego" 1935 2:57<br />015. Francisco Canaro - Roberto Maida "Nada Más" 1938 3:02<br />016. Viktor Tsoy "Kukushka rock cortina" <br /><span style="color: red;">The voice of Lita, the singer consigned to oblivion by the tango society of her cruel age!<br /></span>017. Edgardo Donato - Horacio Lagos y Lita Morales "Sinsabor" 1939 2:53<br />018. Edgardo Donato - Lita Morales y Romeo Gavioli "Yo Te Amo" 1940 2:50<br />019. Edgardo Donato - Horacio Lagos, Lita Morales, Romeo Gavioli "Triqui trá" 1940 2:34<br />020. Boney M "Daddy Cool cortina" <br /><span style="color: red;">Di Sarli's milongas wonderfully combine contratiempo with musical suspenses<br /></span>021. Carlos Di Sarli - Roberto Rufino "Zorzal" 1941 2:40<br />022. Carlos Di Sarli - Roberto Rufino "Pena Mulata" 1941 2:27<br />023. Carlos Di Sarli - Roberto Rufino "La Mulateada" 1941 2:22<br />024. Sandro de America "Yo te amo cortina" <br />025. Miguel Caló - Raúl Berón "Jamás Retornarás" 1942 2:28<br />026. Miguel Caló - Raúl Berón "Cuatro compases" 1942 2:43<br />027. Miguel Caló - Raúl Berón "Que te importa que te llore" 1942 2:44<br />028. Zhanna Aguzarova "Miracle Land cortina"<br /><span style="color: red;">When Di Sarli's elegance met the choppiness of "D'Arienzo revolution", it yielded intensely rhythmic but complex instrumentals:<br /></span>029. Carlos Di Sarli - Instrumental "La Trilla" 1940 2:21<br />030. Carlos Di Sarli - Instrumental "Shusheta" 1940 2:22<br />031. Carlos Di Sarli - Instrumental "Nobleza De Arrabal" 1940 2:07<br />032. Desireless "Voyage Voyage cortina"<br />033. Aníbal Troilo - Edmundo Rivero y Floreal Ruiz "Lagrimitas De Mi Corazón" 1948 3:00<br />034. Aníbal Troilo - Floreal Ruiz "Romance De Barrio" 1947 2:37<br />035. Anibal Troilo - Edmundo Rivero y Aldo Calderón "A unos ojos" 1949 3:10<br />036. Alla Pugacheva "Etot mir cortina" <br />037. Francisco Canaro - Ernesto Fama "Tormenta" 1939 2:38<br />038. Francisco Canaro - Ernesto Fama "No me pregunten porque" 1939 2:51<br />039. Francisco Canaro - Ernesto Fama "Te quiero todavia" 1939 2:54<br />040. Eruption "One way ticket cortina" <br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhGVRDd4kID7M7DlPEjg7PRnfhU81IQZTqgmWUzSqgYsHDP90_6PykZIPX0rzo1DJZuWTNfgGVtvU2MtdTdLlLU5rt_lxF9HqfRxAR0bJd01zABa8A3Y8nM5Gdqxr91dJkSSemX1T600vbNk_-U1gxWxrREnC37cYpZfH0HpkWjn7-hdpQIhz6pFZ6vLP_W" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="707" data-original-width="837" height="338" src="https://blogger.googleusercontent.com/img/a/AVvXsEhGVRDd4kID7M7DlPEjg7PRnfhU81IQZTqgmWUzSqgYsHDP90_6PykZIPX0rzo1DJZuWTNfgGVtvU2MtdTdLlLU5rt_lxF9HqfRxAR0bJd01zABa8A3Y8nM5Gdqxr91dJkSSemX1T600vbNk_-U1gxWxrREnC37cYpZfH0HpkWjn7-hdpQIhz6pFZ6vLP_W=w400-h338" width="400" /></a></div><br />And now a break for a story and performances. The storyteller is <a href="https://www.teaguegoodvoice.com/" target="_blank">Teague Goodvoice</a>, a musician and dancer from the Blackfeet People. The Grass Song Dance reminds us about the age when the bison roamed and the Native Americans followed their herds, moving their teepees from one traditional site to another. The teepee sites were used generation after generation, and the "tipi rings" of stones for holding down the edges of the teepees also remained in use for generations. Even now there are over 200 tipi rings on Blackfeet Reservation. </div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgh4t5lBVoYm_KTbjislJ6SZF-msGXhgbmE_PjqROyQhL04iAG7RqU8-6ZdC3bBckfC6UKF0aLEMYku5DPGQtXoiOIWZjpxEpjF1XcsFKLsw-mGHxa6N8DOpW1qHq3ig99a1-_w2fNtbJqpnnAEhFgEtNKzgTBfeW_ZDHFaZCHz6YfEdk84DIftRBEKzWVA" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="252" data-original-width="380" height="265" src="https://blogger.googleusercontent.com/img/a/AVvXsEgh4t5lBVoYm_KTbjislJ6SZF-msGXhgbmE_PjqROyQhL04iAG7RqU8-6ZdC3bBckfC6UKF0aLEMYku5DPGQtXoiOIWZjpxEpjF1XcsFKLsw-mGHxa6N8DOpW1qHq3ig99a1-_w2fNtbJqpnnAEhFgEtNKzgTBfeW_ZDHFaZCHz6YfEdk84DIftRBEKzWVA=w400-h265" width="400" /></a></div><br /></div><div>Coming to an overgrown tipi ring which hasn't been used for a long time, a traveling band would send its boys to stomp down the grass and to reveal the stones. That's what the Grass Song and jumping-and-stomping dance are about.<br />After Teague's amazing, haunting flute music, time comes for two more traditional tango pieces for the performance of <a href="https://connectiontango.com/" target="_blank">Lindsey and Ricardo</a>: Pugliese's "Farol", and a great 2018 cover of milonga "El puntazo" by Tango Bardo. <br /><span style="color: red;">And then, as always, it's up to D'Arienzo to return the dancers to the floor!<br /></span>041. Juan D'Arienzo - Héctor Mauré "Infamia" 1941 3:07<br />042. Juan D'Arienzo - Héctor Mauré "El olivo (El olvido)" 1941 2:51<br />043. Juan D'Arienzo - Héctor Mauré "Enamorado (Metido)" 1943 2:33<br />044. ZZ Top "Sharp Dressed Man cortina" <br /><span style="color: red;">"El Rey del Fox" is how Enrique Rodriguez was feted in Buenos Aires:<br /></span>045. Enrique Rodriquez - Armando Moreno "Se ve el tren" 1942 3:11<br />046. Enrique Rodriguez - Armando Moreno "No Te Apures Por Dios Postillón" 1945 2:59<br />047. Enrique Rodriguez - Armando Moreno "Maruska" 1943 2:07<br />048. Viktor Tsoy "Good morning, last Hero cortina" 1989<br />049. Ángel D'Agostino - Ángel Vargas "Ahora No Me Conocés" 1940 2:35<br />050. Ángel D'Agostino - Ángel Vargas "Solo compasión" 1941 2:58<br />051. Ángel D'Agostino - Ángel Vargas "Ninguna" 1942 2:59<br />052. Los Naufragos "Zapatos Rotos rock" <br /><span style="color: red;">a seldom played set of Biagi, tragic, powerful, with Rodolfo's beautiful piano taking second roles <br /></span>053. Rodolfo Biagi - Hugo Duval "Alguien" 1956 3:14<br />054. Rodolfo Biagi - Hugo Duval "Esperame en el cielo" 1958 2:52<br />055. Rodolfo Biagi - Hugo Duval "Solamente dios y yo" 1958 2:33<br />056. Carlitos Rolan "Cuarteto1" <br />057. Orquesta Tipica Victor - Lita Morales "Noches de invierno" 1937 2:47<br />058. Orquesta Típica Víctor - Angel Vargas "Sin Rumbo Fijo" 1938 2:18<br />059. Orquesta Típica Victor - Mario Pomar "Temo" 1940 2:55<br />060. Victor Tsoy "Gruppa Krovi (cortina)" <br /><span style="color: red;">Although Racciatti made a living playing D'Arienzo hits live, it is his own compositions and his two feminine vocals which make my heart skip a beat. Racciatti's piano player remains in a full D'Arienzo mode in these more melodic songs - what a powerful contrast!<br /></span>061. Donato Racciatti - Olga Delgrossi "Hasta siempre amor" 1958 2:57<br />062. Donato Racciatti - Olga Delgrossi "Queriendote" 1955 2:49<br />063. Donato Racciatti - Olga Delgrossi "Sus Ojos Se Cerraron" 1956 2:47<br />064. Los Iracundos "Puerto Montt rock" 1971<br /><span style="color: red;">A more rhythmic tanda ought to lead the way to the milongas. Many orchestras had to adopt fiercely rhythmic styles in the years immediately after "D'Arienzo revolution", and Láurenz's response for this challenge was unique and beautiful, contrasting the sadness of his bandoneon with the crazy a-la D'Arienzo vibe.<br /></span>065. Pedro Láurenz - Juan Carlos Casas "Vieja Amiga" 1938 3:11<br />066. Pedro Láurenz - Martin Podesta "Al verla pasar" 1942 3:23<br />067. Pedro Láurenz - Juan Carlos Casas "No me extraña" 1940 2:44<br />068. Boney M "Daddy Cool cortina" <br /><span style="color: red;">Alex Krebs explains that in the XXI century, it became utterly impossible to make money selling tango records, and he doesn't record anymore. The more grateful I am to him for the albums they released!<br /></span>069. The Alex Krebs Tango Sextet "Ella Es Asi (feat. Enrique "El Peru" Chavez)" 2011 2:32<br />070. The Alex Krebs Tango Sextet "Largas las Penas" 2011 3:02<br />071. The Alex Krebs Tango Sextet "Negrito" 2011 1:53<br />072. Carlitos Rolan "Cuarteto1" <br /><span style="color: red;">The Malerba tanda culminates with a composition from Ukraine, whose author, a violin teacher from Uman called Savely (Shevel) Zhadan, was killed in the Holocaust months before his son, a bright Argentine journalist Demetrio Zadan, introduced its score to the tango community there. I continue to research the history of this amazing song and people who made it possible, and feel privileged to play this tango, rescued from the jaws of death.<br /></span>073. Ricardo Malerba - Orlando Medina "Embrujamiento" 1943 2:52<br />074. Ricardo Malerba - Antonio Maida "Encuentro" 1944 2:20<br />075. Ricardo Malerba - Orlando Medina "Gitana Rusa" 1942 2:47<br />076. Alla Pugacheva "Million Scarlet Roses (cortina)" <br /><span style="color: red;">D'Arienzo outdoes himself for the crazy final minutes of the night<br /></span>077. Juan D'Arienzo - Instrumental "La torcacita" 1971 2:31<br />078. Juan D'Arienzo - Instrumental "Zorro gris" 1973 2:03<br />079. Juan D'Arienzo - Instrumental "Este Es El Rey" 1971 3:10<br />080. Zhanna Aguzarova "Old Hotel cortina " <br /><span style="color: red;">The Donato vals tands is built to lead to its final, deranged piece (inspired by the accordion rhythms of the Volga Germans who found safety in Argentina)<br /></span>081. Edgardo Donato - Horacio Lagos "Quien Sera" 1941 2:14<br />082. Edgardo Donato - Horacio Lagos, Lita Morales, Romeo Gavioli "La shunca" 1941 2:35<br />083. Edgardo Donato - Horacio Lagos, Lita Morales, Romeo Gavioli "Noches Correntinas" 1939 2:23<br />084. AR Rahman "Ringa Ringa cortina" <br /><span style="color: red;">This tanda owes its power to the first song, a cover of an antebellum tango from Riga, Latvia, composed by their "King of Tango" Oscar (Osher) Strok after a lurid escape to the 1920s Paris.<br /></span>085. Florindo Sassone - Instrumental "Ojos Negros (Oscar Strok)" 1968 2:28<br />086. Florindo Sassone - Instrumental "Adios corazon" 1968 2:16<br />087. Florindo Sassone - Instrumental "Bar Exposicion" 1959 3:26<br />088. Viktor Tsoy "Kukushka cortina 2" <br /><span style="color: red;">It starts extremely grounded ... and then the extremes rise to new highs:<br /></span>089. Orquesta Típica Fervor de Buenos Aires - Instrumental "Quien Sos" 2007 3:08<br />090. Orquesta Típica Fervor de Buenos Aires - Instrumental "E.G.B." 2007 2:26<br />091. Analíá Goldberg y Sexteto Ojos De Tango - Instrumental "El Adios" 2011 3:13<br />092. Gilda "No Me Arrepiento de Éste Amor cortina" 0:40I <br /><span style="color: red;">love valses of de Angelis, but remain skeptical about much of his tango output. But de Angelis's powerful late instrumentals are to die for!<br /></span>093. Alfredo de Angelis - Instrumental "Pavadita" 1958 2:53<br />094. Alfredo de Angelis - Instrumental "Felicia" 1969 2:48<br />095. Alfredo de Angelis - Instrumental "El Tango Club" 1957 2:40<br />096. Queen "The show must go on cortina" <br /><span style="color: red;">Fulvio Salamanca was "the" piano sound of Juan D'Arienzo for decades, but for his own orchestra, he found an amazing, and decidedly non-D'Arienzo vibe, perhaps in a string of beautiful coincidences. Salamanca overheard Guerrico singing his own composition in Uruguay and hired him on the spot. Salamanca's arrangement of the song caught the attention of tango's greatest violinist, Elvino Vardaro. And just then, the quality of records improved and allowed recording haunting high-pitch violin solos. Stunning!<br /></span>097. Fulvio Salamanca - Armando Guerrico "Adiós Corazón" 1957 2:40<br />098. Fulvio Salamanca - Armando Guerrico "Todo Es Amor" 1958 2:47<br />099. Fulvio Salamanca - Armando Guerrico "Bomboncito" 1958 3:22<br /><span style="color: red;">the one Cumparsita which comes with amazing pizzicato:<br /></span>100. Enrique Rodríguez - Instrumental "La cumparsita" 1953 2:43<br />101. "silence30s" 0:31<br /><span style="color: red;">And after silence, come a few more minutes of post-Cumparsita alternative tango / final hugs music, which I would describe as "anti-grounded" for sending our energy up to the sky rather than down into the floor:<br /></span>102. Jason Mraz "I'm Yours" 2008 4:20<br />103. Damour Vocal Band "Sway - danceable cortina cut" 1:39<p></p><div><br /></div>
</div>MOCKBAhttp://www.blogger.com/profile/05150628026789690963noreply@blogger.com1tag:blogger.com,1999:blog-2217553257128682851.post-28286721607106232602023-05-01T14:51:00.000-07:002023-05-02T09:50:36.099-07:00Tango at a factory where my grandfather made WWII submachine guns...<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvdfEumn2uch7np8EHxTS7YaZ5LEVJ75OhVbDIAJjCyroJSHpQsbATt-YptD4snn8IhTePesd7zO4wMz87XEXQ96ltJYR-AQy_C51l_AU3uRG0tlq6aYeXXUS0GI1erB8egAVQtXlr1L0vSSmzQeAbbpqSMoAKfh2EQ5SxSo1AWbU--KsC845XbDmnuw/s1719/Karl-Pruss-1942.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1144" data-original-width="1719" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvdfEumn2uch7np8EHxTS7YaZ5LEVJ75OhVbDIAJjCyroJSHpQsbATt-YptD4snn8IhTePesd7zO4wMz87XEXQ96ltJYR-AQy_C51l_AU3uRG0tlq6aYeXXUS0GI1erB8egAVQtXlr1L0vSSmzQeAbbpqSMoAKfh2EQ5SxSo1AWbU--KsC845XbDmnuw/s320/Karl-Pruss-1942.jpg" width="320" /></a></div>I don't know anymore if I will ever return to my hometown in Russia, but I used to visit often when my Dad was alive. And I hardly ever missed the vibrant tango scene there, and its cornerstone, the Planetango Club at a converted industrial space in my old neighborhood. Back when we lived there in a dreary shared flat off Spartacus Street, two of our roommates, a hard-drinking, hard-working childless couple, worked at this sprawling factory compound a block away, making some radioelectronics components for the military. It never even registered with me, what factory it was. The city was full of such nearly-nameless defence contractors. In the decades that followed, its core business collapsed, and new tenants moved into its giant compound, with a section of bldg. #59 becoming Moscow's most prominent tango club.<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLms2CwfSU9_yuQGT2MseDcE-8VOE4J7WXH76RLwMj58PxCDmCpYokLcHsAoJY8f6BlRn_lLEKch4Z7eiC8eoYA10i7Jwp6rcRIwtPFHax-9fgvY-FrGR9EY1H3i3kIlTJBsiSRDKSc-zpZ8BhpkUpuYUJtnxVQrCq-rx0KHdvr3JrLx3mvN4nR4SsjA/s2048/295994093_10223232290698913_5138965066840171542_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1536" data-original-width="2048" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLms2CwfSU9_yuQGT2MseDcE-8VOE4J7WXH76RLwMj58PxCDmCpYokLcHsAoJY8f6BlRn_lLEKch4Z7eiC8eoYA10i7Jwp6rcRIwtPFHax-9fgvY-FrGR9EY1H3i3kIlTJBsiSRDKSc-zpZ8BhpkUpuYUJtnxVQrCq-rx0KHdvr3JrLx3mvN4nR4SsjA/w640-h480/295994093_10223232290698913_5138965066840171542_n.jpg" width="640" /></a></div><br /><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBKdslc2xL7c0YdI747ajBXz8gV6xJ-9BkstSuZfrDPuITcJ2fVnzjxs_yetafVsLerr3Nzpvo99Ur-upczzwGQGI2J7sEbrPXGvqcrssVr9PnWzKCKktfmlPoTY_Le9qdL795A1CgmnLfCHKerr_CCkSepyyBn9WLr3b0vNvGBXbPdZaFcPOJ0an2aA/s884/295909590_10223232291698938_6765055791000143127_n.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="662" data-original-width="884" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBKdslc2xL7c0YdI747ajBXz8gV6xJ-9BkstSuZfrDPuITcJ2fVnzjxs_yetafVsLerr3Nzpvo99Ur-upczzwGQGI2J7sEbrPXGvqcrssVr9PnWzKCKktfmlPoTY_Le9qdL795A1CgmnLfCHKerr_CCkSepyyBn9WLr3b0vNvGBXbPdZaFcPOJ0an2aA/s320/295909590_10223232291698938_6765055791000143127_n.jpg" width="320" /></a></div>Imagine my surprise when, going through my grandfather's papers, I saw the familiar street names and realized that he worked at this very factory - and loved telling about this page of his amazing life, how he was making WWII's ikonic PPSh submachine guns even as the city's defenses crumbled and Germans advanced on Moscow's outskirts.</div><div><br /></div><div>My gramps Karl Pruss wasn't even supposed to be in Russia. He was born in Bern, Switzerland, on May 1 1911. His parents fled political persecution in Russia, but they didn't teach Karl any Russian. He grew up fluent in German and French (after the family moved to Geneva, Karl became Charles Prousse; that's how my grandma called him, "Charles" pronounced the French way). He was about to start his senior year in College Calvin when his mom Genya, against better judgement, decided to spend a year in the old country. Karl's father Wulf Pruss, a watchmaker and a teacher, has already been in Russia, after 20 years of absence, on a temporary job with a crazy American NGO, teaching institutionalized Russian street children how to make watches. After months of separation, Genya was restless and simply didn't think about the risks of getting stuck in Russia... As I am told, Karl would have become eligible for Swiss citizenship after graduation, in a year's time, but an extended stay away from Switzerland could jeopardize it. The school's headmaster loved his talented student and begged Genya to let Karl stay at his place, to continue the studies, and to apply for citizenship, but she wouldn't budge. Well, in Russia, their "Nansen passports" of noncitizens were confiscated, and they never left the USSR again.</div><div><br /></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWJqUK-WPLVIffjL9xmwrckHbSEliIEAbdx5tJ2nTb-GH43kRtk3HKrstwJVeVWVSbUcmJOa7lmcUhUVBObXzbbKJnYcBLQ5e0LSWvsCBo7QvJQ_CoCFUGkEFrzW9G2lYJi4sIL5PFFlPASedjqFFZDPM1h-OibDpNKClh2UTfdinilT-XomTTJ5lPTg/s3458/Genya,Karl,Shifra.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="3458" data-original-width="2381" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWJqUK-WPLVIffjL9xmwrckHbSEliIEAbdx5tJ2nTb-GH43kRtk3HKrstwJVeVWVSbUcmJOa7lmcUhUVBObXzbbKJnYcBLQ5e0LSWvsCBo7QvJQ_CoCFUGkEFrzW9G2lYJi4sIL5PFFlPASedjqFFZDPM1h-OibDpNKClh2UTfdinilT-XomTTJ5lPTg/s320/Genya,Karl,Shifra.jpg" width="220" /></a></div>There were many bright and funny episodes but even more horrible pages of Karl's 50 years in the USSR. He didn't like to talk about his father's and brother's deaths in Stalin's terror, and even less so, about his own stint in the Gulag, expulsions from schools and jobs... But a story of being a young translator to a group of Francophone foreign Communist cadres, apparently including Comrade Ho Chi Minh, and going with them on a Volga river cruise, with all the funny mishaps, was a favorite. </div><div><br /></div><div>The story about submachine gun production in besieged Moscow was told as a funny vignette, "just imagine, a precision mechanical engineer jerry-rigging production lines to churn out these crudely stamped sheet metal monstrosities!". But even as a kid, I understood that it was not so funny, that everyone believed that the city was destined to fall and its Jewish residents would all be dead. That my dad, just shy of two years old then, has been displaced to the hinterland of Russia and nobody expected the toddler to ever see his father again. I know a lot more poignant and scary context now.</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0JcMeaEhKjZQVoVkVBwRfiEaoadaBicKHr0lqo3lDbqZLZ42f_BVa9osQ8uKAiPzZQWUmFpCgxBto2iEBMfrdOdNQZWKgNowFjBg53b1reYRqANvC-09DDf5ZDCzhUQzH02h5zBvlStjlMG7lzZU2P41FmfmnTVjkNnrlrr33kLf1t6z01FhKRNNLCA/s600/Diappsh41.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="257" data-original-width="600" height="171" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0JcMeaEhKjZQVoVkVBwRfiEaoadaBicKHr0lqo3lDbqZLZ42f_BVa9osQ8uKAiPzZQWUmFpCgxBto2iEBMfrdOdNQZWKgNowFjBg53b1reYRqANvC-09DDf5ZDCzhUQzH02h5zBvlStjlMG7lzZU2P41FmfmnTVjkNnrlrr33kLf1t6z01FhKRNNLCA/w400-h171/Diappsh41.png" width="400" /></a></div><br /><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1oFzYNK_FnRnJgXJnvGdajRCK-9eRKkyJUsyo1WGpVNd3Y5tGbgPCogJ0RE2l1Jk-7IT4-6nBn-av2kOeE4ONdhNzJMEZIoOytp0AL2tAZqSmx4T-bkaWP-NnETNi7xB6lVLOrnplg3sftTwLg4mhFm85Q1T2d3Z7RFBFkZi9iwBwdy1fBHc2-oxgaA/s2048/295930365_10223232294859017_7561101836111054896_n.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1171" data-original-width="2048" height="183" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1oFzYNK_FnRnJgXJnvGdajRCK-9eRKkyJUsyo1WGpVNd3Y5tGbgPCogJ0RE2l1Jk-7IT4-6nBn-av2kOeE4ONdhNzJMEZIoOytp0AL2tAZqSmx4T-bkaWP-NnETNi7xB6lVLOrnplg3sftTwLg4mhFm85Q1T2d3Z7RFBFkZi9iwBwdy1fBHc2-oxgaA/s320/295930365_10223232294859017_7561101836111054896_n.jpg" width="320" /></a></div>Karl Pruss graduated from the "Moscow Tech", the prestigious Bauman University, from the Precision Mechanics Department organized a decade earlier by his own father. Before his execution, Wolf Pruss managed to build Russia's first watchmaking factories, to hire foreign specialists and to train their domestic replacements. The whole family worked across the giant country at these fledgling plants, which quickly turned into "watchmaking in the name only". The USSR was rapidly militarizing, and almost all the industries were dual-purpose civilian and military production centers. Time fuses, aviation instruments etc. were becoming the main output of the watchmaking factories, and Wolf Pruss's Precision Mechanics Trust was folded into the munitions administration of the People's Commissariat of Heavy Industries. Everything was now defense and classified. Karl's Master's Thesis was on a new design of a recording chronograph, and he seemed destined for military-industrial work. </div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidWH8Z3ReJLyxpD2TWMp3Jexr8gXhJoIoAlj0RuwUgeJb4hks21aaZQ8mWH22IuMMTHZU0ZRD2ILHSfD3QSLpTzUZ0MzkjqsfHwj7SxdXEFAuqO6GYsi6cW8BF5xGyAkeSvdelbL4ZbOzBLiT-toGk5WOkGx-Lujswp9FmRjDbym3e4RwOPAKuYuIvCQ/s2048/295575806_10223232294739014_4764257868845057973_n.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1441" data-original-width="2048" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidWH8Z3ReJLyxpD2TWMp3Jexr8gXhJoIoAlj0RuwUgeJb4hks21aaZQ8mWH22IuMMTHZU0ZRD2ILHSfD3QSLpTzUZ0MzkjqsfHwj7SxdXEFAuqO6GYsi6cW8BF5xGyAkeSvdelbL4ZbOzBLiT-toGk5WOkGx-Lujswp9FmRjDbym3e4RwOPAKuYuIvCQ/s320/295575806_10223232294739014_4764257868845057973_n.jpg" width="320" /></a></div><br />But the calculus changed when, at 26, he suddenly became a son and a brother of the condemned enemies of the people. With the top-clearance jobs now out of reach, Karl settled for a far less glorious engineering position at SAM, a factory manufacturing mechanical calculators and typewriters. When the Wehrmacht invaded Russia, he was on a launch team of a mechanical cash register production. These decidedly civilian products were being hurriedly replaced by war materiel, and by August 1941, less than two months after the invasion started, SAM started making submachine guns on a trial basis. By then the Germans had already advanced over 300 miles. Karl's aunts and cousins in Belarus were trapped behind the German lines; none will survive the war. Hundreds thousand draft-ineligible men from Moscow were sent to People's Militia divisions to man an additional line of defense around Moscow, just in case the Germans break through. Karl was ordered to keep his job, now deemed too important for the defense effort. </div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVC4nmw0-qNA5x2s6KKHsZ-_RTceH95Dt5myNIq9QDvHWb3VTQoYSF1xYhMXvqkJpnovvDXo9aQYLddU3kCuNevOR0Zck8qgNs-V2Py5ieCebY5W9NvgE0hXNieRKe9WjfrKO33-ndFLhcev17_nzyn19xsgMMWGKr5DXYi9GzUbFBVaz5x74drv-syQ/s1024/RIAN_archive_887721_Defense_of_Moscow.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="718" data-original-width="1024" height="448" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVC4nmw0-qNA5x2s6KKHsZ-_RTceH95Dt5myNIq9QDvHWb3VTQoYSF1xYhMXvqkJpnovvDXo9aQYLddU3kCuNevOR0Zck8qgNs-V2Py5ieCebY5W9NvgE0hXNieRKe9WjfrKO33-ndFLhcev17_nzyn19xsgMMWGKr5DXYi9GzUbFBVaz5x74drv-syQ/w640-h448/RIAN_archive_887721_Defense_of_Moscow.jpg" width="640" /></a></div><br /><div><br /></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgh-oJiW_F1iJIQEBIL9c_xZ9kByUYeKU8-iIsJ3mjlXFm8mCnlIb8WYLOnWlNfJWQ36DWbKW-pH3IuNfNIgKLeEy3DoNmXsOgARG5Jz3n8TIk3ABXK3e0QOukWKzt3mPqbBiTqF3nKDelsAUFjgwuyu9e2Hgk0-dJKX81zwQE4z4NaF7LH5GYpgzYKyQ/s2550/Karl-Pruss-propusk-1942.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="2075" data-original-width="2550" height="260" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgh-oJiW_F1iJIQEBIL9c_xZ9kByUYeKU8-iIsJ3mjlXFm8mCnlIb8WYLOnWlNfJWQ36DWbKW-pH3IuNfNIgKLeEy3DoNmXsOgARG5Jz3n8TIk3ABXK3e0QOukWKzt3mPqbBiTqF3nKDelsAUFjgwuyu9e2Hgk0-dJKX81zwQE4z4NaF7LH5GYpgzYKyQ/s320/Karl-Pruss-propusk-1942.jpg" width="320" /></a></div>The German breakthrough came in late September. By October 7, both Red Army's forces of the main defense line and the poorly equipped Militia at the 2nd line were encircled. Moscow was just over 100 miles away, with hardly any Red troops left to stop the onslaught. A motley collection of cadets and police forces tried their best to slow down the German war machine, but on October 15 Stalin made a decision to prepare Moscow to surrender. The government, the factories, the research centers were ordered to be relocated East the following day, October 16th, known as Moscow's Black Day. Only Stalin himself and his closest minions, as well as production factories of immediate relevance to the front, were to stay. On the morning of the 16th, the city was in chaos, enveloped by smoke and soot of the burning archives. The subway and the street cars didn't run. People lined up at the factory offices to receive their last pay. Looting started, and the leaflets calling for a pogrom appeared. </div><div><br /></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBbg9M3yK5NTmQ9DDlZx1KZU9_XjcqW2S4HH12qGrKBPi4uckT_xdII5adFvAeS1T-GYbzvmVCI6Y5dUWWDTf-D00hl4-DAH6L1y6RaxYYdKMx4jd7LacCRgC3MPfSDbrcu7iKLhox23X-bqKoJjh2IZKX6vwZES45dyW_KKZYr1tg2HglGBXaSF0Djw/s2870/Karl-Pruss-zavod-828.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="2393" data-original-width="2870" height="267" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBbg9M3yK5NTmQ9DDlZx1KZU9_XjcqW2S4HH12qGrKBPi4uckT_xdII5adFvAeS1T-GYbzvmVCI6Y5dUWWDTf-D00hl4-DAH6L1y6RaxYYdKMx4jd7LacCRgC3MPfSDbrcu7iKLhox23X-bqKoJjh2IZKX6vwZES45dyW_KKZYr1tg2HglGBXaSF0Djw/s320/Karl-Pruss-zavod-828.jpg" width="320" /></a></div>Karl's wife, then a grad student, received an order to relocate with her school. By the end of the day, she was with her 1 year old son, my father, in a cattle car of a freight train slowly going East. Karl's SAM factory also received an order to relocate. But not him. The troops on the outskirts of Moscow needed every gun they could get right now, and wouldn't allow the production to be shut even for a few weeks for relocation. The submachine guns were being sent to the front literally as they were being assembled. The logic of the moment was that even if the production line and its workers become a total less with the expected fall of the city in two or three weeks, the guns they produce in the meantime would justify the loss. </div><div><br /></div><div>Then, a miracle happened. Two days after the Black Day, the fall season arrived in force with torrential rains, turning Russian roads into rivers of mud. By the time the mud froze in two more weeks, the Russians brought in enough reinforcements to save their capital city. And SAM's production, now called Factory #828 of People's Commissariat of Mortar Munitions, started expanding, gradually filling the other buildings left behind by the relocated factory, and then into the buildings of adjacent factories. It was manned by 14, 15 years old boys and by women. The PPSh was a cutting-edge model, just commissioned a year earlier, and the whole 1941 production at all sites amounted to 90 thousand guns. But with the scale-up, they soon made more of these guns in one months. The old SAM remained a bit player. At the height of the production, the 828th was churning out 5,000 guns a month. </div><div><br /></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhN5ZoqA_8AAATxCieR_WHYBVmESZ44oVGy4I_IrToSjHEubuGnmysIgzeKQgmjUKRZk3eipLEkQJByrkGzc6_I9IzCZLjJI_ZsiKLIkm-2Td1JVFSAbQ7tolux_2HwZoPHGhfRkC2UIe23JP511zgbUkMQTXWTyRumyw3FXfeABrw7tC5-YisGDmU3dA/s3491/Karl_Pruss_project_manager.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="3491" data-original-width="2771" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhN5ZoqA_8AAATxCieR_WHYBVmESZ44oVGy4I_IrToSjHEubuGnmysIgzeKQgmjUKRZk3eipLEkQJByrkGzc6_I9IzCZLjJI_ZsiKLIkm-2Td1JVFSAbQ7tolux_2HwZoPHGhfRkC2UIe23JP511zgbUkMQTXWTyRumyw3FXfeABrw7tC5-YisGDmU3dA/s320/Karl_Pruss_project_manager.jpg" width="254" /></a></div>But Karl Pruss was stuck at the 828th for 3 more years, all this time resenting the fact that his unique watchmaking engineering skills were being squandered for something as technologically primitive as the PPSh guns. Only in 1944 the factory finally allowed him a job transfer to the National Time Synchronization Service.</div><div><br /></div><div>And the factory? It shifted into digital calculators, and eventually, into all sorts of military electronic equipment. But it kept on shrinking in the post-Soviet times, and its best buildings are occupied by restaurants and boutiques now. And one venerable tango venue, too.</div><div><br /></div><div>It may be hard to even conceptualize the role of tango in today's Russia, amidst all the mushrooming hate and the unending war. It is first and foremost an escape, an illusory world away from the daily horrors, a way to keep on pretending that life is whole, unbroken. I needed its embraces for this escape and this illusion, for my sanity. It's a good, positive role in many ways. But it isn't guilt-free, not at all. The government also wants its sheeple to be contented in the same illusion of unbroken life. There are endless celebrations, festivals and talent shows in town, a veritable Feast in the Times of Plague. And tango, perhaps unwittingly, plays along. Perhaps a milonga is more of a simple act of spiritual healing, but what about the performances and the festivals which still go on? Almost all of the showcased talents are local now, but occasional Argentines, like Alejandra Mantignan, come to teach and perform, too, and I find it extremely objectionable. And then, there is no escape from the horrors of the outside world even in the cloistered space of a milonga. People aren't always silent. And they don't always limit their talk to the music and the steps. I haven't heard anything full-bore militantly patriotic; it looks like almost everyone fears the war or hates it. But it isn't so simple. There is a lot of xenophobia directed at the Ukrainians and the West in general, a lot of regime-fanned grievances. They did this to us, they did that to us, we didn't deserve any of it kind of stuff. There is a widespread belief that the Russian forces behave impeccably, never target any civilians, that all the war crimes are either fakes or false-flag operations by the Ukrainians themselves. Occasionally people open out and whisper how they hate Putin, but even then, it's all someone else's fault, not Russia's. I mean, in America we sort of tiptoe around conspiracies and crazy beliefs, be it about politics, vaccines, or some other health and wellness issue. It's happening outside of the ronda, especially in the social networks, and it slowly poisons our pure world of dance and music from the outside, but sometimes it invades the milonga halls too. It's something similar in Russia, but more crude, more powerful, and more dangerous there. A simple careless word gives you years in prison, and if it is found to indirectly contribute to Western sanctions, then it's life in prison. How much worse is it going to get before it gets better?</div><div class="separator" style="clear: both; text-align: center;"><br /></div><br />MOCKBAhttp://www.blogger.com/profile/05150628026789690963noreply@blogger.com2tag:blogger.com,1999:blog-2217553257128682851.post-55387773434286561072023-04-30T12:14:00.001-07:002023-05-02T09:49:10.389-07:00Mixed vals tandas<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMvR-Ec4NSOb3HoreBpJDJnkBh4X7zSUXbsJrcCD-S8ghi0i5d9cb70seMmRZ2nYgCHqglwkQ5tytE1N2hbvm24G-Ku1byqzUyqwoSOSOc45gxahoKbfdbCjep1w1SKXkL1hxw2J5LG6Zh3s5Tix3jdWoXskire3PfSpIrIvofAzVRCJVZBXaOZMYWxA/s2048/DJing.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1536" data-original-width="2048" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMvR-Ec4NSOb3HoreBpJDJnkBh4X7zSUXbsJrcCD-S8ghi0i5d9cb70seMmRZ2nYgCHqglwkQ5tytE1N2hbvm24G-Ku1byqzUyqwoSOSOc45gxahoKbfdbCjep1w1SKXkL1hxw2J5LG6Zh3s5Tix3jdWoXskire3PfSpIrIvofAzVRCJVZBXaOZMYWxA/s320/DJing.jpg" width="320" /></a></div>I played several experimental mixed-orchestra sets in recent weeks, and people asked about them. It may be a good reason to bring this blog back from its slumber...<p></p><p>A fiery tanda with Castillo's voice but without the nearly-obligatory Violetas:</p><p>1. Orquesta Tipica los Provincianos (Ciriaco Ortiz) - Alberto Gomez "Samaritana" 1932 2:58</p><p>2. Alberto Castillo "Idilio Trunco" 1946 2:08</p><p>3. Edgardo Donato - Horacio Lagos, Lita Morales, Romeo Gavioli "La shunca" 1941 2:35</p><p>An instrumental and surprisingly modern-sounding tanda:</p><p>1. Juan De Dios Filiberto - Instrumental "Tus Ojos Me Embelesan" 1935 2:34</p><p>2. Cuarteto Roberto Firpo - Instrumental "Para Las Chicas" 1942 2:11</p><p>3. Cuarteto Tipico Los Ases (Juan Carlos Cambon) - Instrumental "Invernal" 1941 2:42</p><p>Excellent songs joined together:</p><p>1. Francisco Lomuto - Fernando Diaz "Cuando estaba enamorado" 1940 2:19</p><p>2. Enrique Rodriguez - Roberto Flores "Salud Dinero Y Amor" 1939 2:39</p><p>3. Orquesta Típica Víctor - Ángel Vargas "Sin Rumbo Fijo" 1938 2:18</p><p>Rich, complex, breathtaking:</p><p>1. Alfredo de Angelis - Juan Carlos Godoy "Angélica" 1961 2:41</p><p>2. Héctor Varela - Argentino Ledesma y Rodolfo Lesica "Igual Que Dos Palomas" 1953 2:36</p><p>3. Enrique Rodriguez - El "Chato" Flores "Las Espigadoras" 1938 2:47</p>MOCKBAhttp://www.blogger.com/profile/05150628026789690963noreply@blogger.com1tag:blogger.com,1999:blog-2217553257128682851.post-5909380058479830752020-01-07T17:59:00.000-08:002020-04-01T16:45:31.460-07:00Joaquina Carreras - the first female tango estribillista?<div dir="ltr" style="text-align: left;" trbidi="on">
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<tr><td class="tr-caption" style="text-align: center;">Joaquina Carreras sings. A frame of Ariel's audiovisual recording</td></tr>
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A discussion at the T.I.A. (<a href="https://www.facebook.com/groups/119582564880321/" target="_blank">Tango Investigation Agency</a> group) led me to a discovery of the voice of Joaquina Carreras, who sang with the tango orchestra of "El lecherito" Guido in the late 1920s. The quality of Argentine domestic audio recordings was still quite haphazard then, and as a result, we hear only a few songs of this Old Guard period at our milongas today. But still, it stunned me that I've never come across this awesome voice in my decade of researching tango music and DJing. It stunned me even more that I couldn't find a word about her at Todotango website. Not a year of birth. Not a picture. Not even a mention of her name in the articles about Guido's orchestra.<br />
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The parallels with the suppressed story of Lita Morales were uncanny, and left no doubt that, like Lita, Joaquina Carreras must have quit the world of tango, and possibly with bad blood. So at a first spare moment, I went searching for "the real Joaquina" - but unlike the mystery case of Lita Morales, the life path of Joaquina Carreras came to light relatively quickly. She turned out to be a bit of a transient, only coming to BsAs in the second half of the 1920s, and leaving when the Great Depression decimated the artistic world of Argentina. I still don't know what pushed the Argentine tango world to forget her, but possibly it was just the fact that she was a foreign interloper - and a woman in the genre of tango-for-dancing which continued to adamantly reject women for another decade... Of many feminine voices in tango then, all without an exception sang "tango for listening", for the radio and the concert, for the daylight hours. No decent women were yet allowed at night in the sacred and obscene universe of the milongas. So let's pay tribute to the female trailblazer, Joaquina Carreras Torres!<br />
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<iframe allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/Kwjxl3f8iJE" width="560"></iframe><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPZfHkIf_ZejtrIGfLNtGsQ0FM9sjznwVjDu7S5j_VAkeh69GjNq-wpNiZ-YvGPhLRT56mgU3SQ-pGZgsIJW9TsLob6-od22nYrV6ThIR_2j7Db4GjuxJNazcyQ9w_eVMdsHBZeQmcloCi/s1600/Joaquina-Carreras.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><br /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPZfHkIf_ZejtrIGfLNtGsQ0FM9sjznwVjDu7S5j_VAkeh69GjNq-wpNiZ-YvGPhLRT56mgU3SQ-pGZgsIJW9TsLob6-od22nYrV6ThIR_2j7Db4GjuxJNazcyQ9w_eVMdsHBZeQmcloCi/s1600/Joaquina-Carreras.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPZfHkIf_ZejtrIGfLNtGsQ0FM9sjznwVjDu7S5j_VAkeh69GjNq-wpNiZ-YvGPhLRT56mgU3SQ-pGZgsIJW9TsLob6-od22nYrV6ThIR_2j7Db4GjuxJNazcyQ9w_eVMdsHBZeQmcloCi/s320/Joaquina-Carreras.jpg" width="148" /></a>Joaquina was born in 1892 in Seville in the family of a well-known actor Emilio Carreras López. Her father died when she was 23, and in the early news clips about Joaquina, she is invariably called "a beautiful daughter of her untimely departed father". Like her father, Joaquina Carreras acted in comedies,in the theater plays and in the movies, but she's become best known for her soprano voice and her love of folk songs.<br />
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Her first known foreign tour was to Cuba in 1921 in a large artistic troupe with her new husband Jose Encinas and their just-born first baby Joaquina Jr. The 21 Sep 1921 New York arrival record of S.S. "Buenos Aires" from Barcelona (in transit for Havana) lists Joaquina as a 20 years old resident of Madrid with blue eyes, 4 ft 11" (some later accounts describe her as a psychologically towering presence, no doubt with an element of a pun). Of course her real age was closer to 29 then, but since her actor husband was several years younger, she must have preferred a little adjustment of age. Joaquina's husband tragically died in 1923, but in the 1924 and 1925 we find her in the entertainment sections of Spanish newspapers as an actress and singer based in Madrid.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqZgIBXTZEmv79npjYOfQYkcO7a2qktcojhsI66cAJxrCeUTwBeaUA4Gs6G1oSPfFFtDrfJyVHLHJIbwQ4UPw1tXs3uhLsCpLacxs1-SeDi-P8dB5L3PL_mAEhEUXWlrfmfI4pKKHgekjK/s1600/Joaquina-Carreras-Union-Radio-La-Palabras-May-10-1936.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><br /><img border="0" data-original-height="779" data-original-width="284" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqZgIBXTZEmv79npjYOfQYkcO7a2qktcojhsI66cAJxrCeUTwBeaUA4Gs6G1oSPfFFtDrfJyVHLHJIbwQ4UPw1tXs3uhLsCpLacxs1-SeDi-P8dB5L3PL_mAEhEUXWlrfmfI4pKKHgekjK/s400/Joaquina-Carreras-Union-Radio-La-Palabras-May-10-1936.png" width="145" /></a><br />
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In 1929 she records 3 valses and 2 tangos with Guido, in her trademark folk-song style especially evident in their "Valsecito del Antes". The most surprising thing about these records is that she sings <i>estribillo solamente</i>, only the bridge, without the stanzas. This approach was introduced specifically for the dancers by the ever-experimenting Francisco Canaro only a few years earlier, in 1924 (until then, tangos for dancing were strictly instrumental, while vocal tangos for listening, initially also known as <i>tango milongas</i>, always used the complete text with all the stanzas). Estribillista singing is stricktly <i>para bailar</i>, yet no women were allowed to sing for the dancers ever before or for many years after! In the same year Joaquina Carreras takes part in an <a href="https://www.cinemargentino.com/en/films/914988648-mosaico-criollo" target="_blank">experimental audiovisual recording</a> of the Ariel studio. Then she records a few pasodobles and fado with Carabellli. And in 1932 she participates in the <a href="https://lagalenadelsur.wordpress.com/2019/07/26/television-mecanica-en-argentina-en-1932-las-experiencias-de-ignacio-m-gomez-por-lr4-radio-splendid-de-buenos-aires/" target="_blank">first experimental TV broadcast</a> in South America!<br />
<br />
By 1934, Joaquina Carreras is back in Madrid, singing with the studio sextet of the Union Radio La Palabra and performing in comedies I couldn't resist adding one of the radio program clippings here, because there, in May 1936, she sings "Ojos negros - cancion popular rusa". Of course it must be the tango remix of the famous "Dark Eyes" premiered a year earlier by the spectacular Imperio Argentina (see an earlier story <a href="https://humilitan.blogspot.com/2018/01/ojos-negros-que-fascinan-from-1830s-to.html" target="_blank">on this blog</a>) As the nation is ravaged by the Civil War and Madrid is besieged, Joaquina briefly disappears from sight again, but beginning in 1940, she's back again, acting in Spanish movie comedies. She died on Nov 20, 1954 in Madrid. Interestingly, her daughter Joaquina "Jr." Encines Carreras moved to Buenos Aires after her mother's death!<br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvq8pTmVilkJl9RFYmpHNjy78j46X8TVtJuS1jx36YRFcUX_42A7xQdYl8eimT2FVaIj46-xuffEZ_VoblBIe4mBZan5R-_A2xn7MBCywJ8crKMN14RUUeQicMqVzHKH109zWMLSCxgJvn/s1600/record-image_+%25283%2529.jpg" imageanchor="1"><img border="0" height="273" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvq8pTmVilkJl9RFYmpHNjy78j46X8TVtJuS1jx36YRFcUX_42A7xQdYl8eimT2FVaIj46-xuffEZ_VoblBIe4mBZan5R-_A2xn7MBCywJ8crKMN14RUUeQicMqVzHKH109zWMLSCxgJvn/s400/record-image_+%25283%2529.jpg" width="400" /></a></div>
MOCKBAhttp://www.blogger.com/profile/05150628026789690963noreply@blogger.com3tag:blogger.com,1999:blog-2217553257128682851.post-33179205706204456842020-01-05T18:55:00.001-08:002020-01-06T18:47:31.061-08:00The Melodists: the family at the roots of Polish jazz and tango<div dir="ltr" style="text-align: left;" trbidi="on">
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As you may know, I am very fond of the twisted, tragic, and largely forgotten stories of the pre-WWII tango in Eastern Europe. And one of my favorite heroes of this amazing and lost era is Jerzy Petersburski, the musical soul of the boisterous cabaret culture of Warsaw, and the composer of such global tango hits as"Donna Clara" (originally "<a href="https://www.youtube.com/watch?v=d3dE8wDk-aA" target="_blank">Tango Milonga</a>", 1928) and "Ostatnia niedziela" ("Last Sunday", 1936, which took Russia by storm under a Russian title, "The tired Sun"), as well as Poland and Russia's most beloved waltz,"Blekitna Chusteczka" ("Blue Handkerchief"), a song which came to epitomize the heartbreak of the War. Unlike many of his colleagues, Jerzy was spared of both Nazi death camps and Stalin's Gulag. After the fall of Poland he joined the Belorussian State Jazz, an amazing project worth its own story, and eventually escaped the Soviet Union with the Polish Corps of General Anders, playing for the military audiences in Persia, Palestine and Egypt, and rebuilding a new musical career for himself in faraway Buenos Aires<br />
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I knew that Jerzy Petersburski belonged to the storied clan of Jewish musicians whose surname, the Melodists, speaks for itself. I also understood that the famous Gold-Petersburski band included Jerzy's brother and several cousins, and somehow I assumed that Petersburski was just a scenic name, a capital-city calling card adopted for publicity (just like another trailblazer of Polish jazz and tango was a Warszawski after Poland's illustrious capital). But a chance conversation about (extremely rare) Jewish surnames derived from the cities in Russia's hinterland - such as St. Petersburg - made me revisit the family story of the Peterburskis and the Melodists, and discover the pivotal role the family ties played in birth of Polish jazz and tango. Oh, and yes, the surname "Petersburski" turned out to be a real family name, not a marketing invention at all!<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOKe96mzCbEd5EHV1fF_gcVCcAa0B3OFq08GpxLp0DZUD9sE3LnjGlfk9yiCYC9Kb4lFVEycGa9pmM9sMjCS6Dtr6G88iqsm1RqRzvOK_UwRCxX6vN0ABRRKUSDsbyaIqkhyphenhyphen5g0vcCw6kx/s1600/1904-Melodist.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1200" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOKe96mzCbEd5EHV1fF_gcVCcAa0B3OFq08GpxLp0DZUD9sE3LnjGlfk9yiCYC9Kb4lFVEycGa9pmM9sMjCS6Dtr6G88iqsm1RqRzvOK_UwRCxX6vN0ABRRKUSDsbyaIqkhyphenhyphen5g0vcCw6kx/s200/1904-Melodist.jpg" width="150" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Jakub-Lejzer Melodysta's<br />
forgotten, broken <br />
gravestone in Warsaw</td></tr>
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OK, maybe "just a little bit of a marketing invention", and the one made by Jerzy's father Jakub, a jeweler who probably wanted his original family name, "Peterburg" (which stands for St. Petersburg, but in Russian) to sound more authentically Polish.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPW3KRwu9WAITItFTpVqon4hfYUcvqh1jV0kstTT3Br25Nf0Uhj7ANlpYBV1lk4bS-LtIaNOeQzRxb_zgkOSdm7qUrE_szzAPQ1S6beAqHC8CCBj0aRulU589kF0qr8P3SKEbEz7WJb7-v/s1600/melodist-eleonora-yakovlevna.jpg" imageanchor="1" style="clear: left; display: inline !important; margin-bottom: 1em; margin-left: auto; margin-right: auto; text-align: center;"><img border="0" data-original-height="636" data-original-width="475" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPW3KRwu9WAITItFTpVqon4hfYUcvqh1jV0kstTT3Br25Nf0Uhj7ANlpYBV1lk4bS-LtIaNOeQzRxb_zgkOSdm7qUrE_szzAPQ1S6beAqHC8CCBj0aRulU589kF0qr8P3SKEbEz7WJb7-v/s200/melodist-eleonora-yakovlevna.jpg" width="148" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Eleonora Melodist, a<br />
Soviet opera star, was the<br />
most famous of <br />
Jakub-Lejzer's children</td></tr>
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Jakub Petersburski married Paulina (Pesse) Melodysta, a piano player from the branch of the Melodist musician dynasty which stayed in their ancestral town of Radom. It probably wasn't an old-time dynasty as the Jews of Poland only started taking government-mandated surnames in the 1820s, after the Napoleonic wars. The first Melodist on record was Paulina grandfather Chaskiel, a fiddler born in 1802.<br />
Three of Paulina's brothers were musicians in Radom, but for our story it's more important to know that Paulina's uncle, Jakub-Lejzer Melodysta, a violinist, moved to Warsaw. Later on, Paulina's husband bought a bronze wares factory in Warsaw and moved there too. So the Petersburski kids became closely associated with Jakub-Lejzer's musician children and grandchildren in Warsaw.And what a constellation of talents it was! Jakub's sons Panfyl played alt in the Philharmonic and Ignacy lead bands, and daughters Maria and Eleonora starred in the opera. And Jakub's son-in-law Michel Gold played flute in the Warsaw Opera.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjirdDCYgpybiynjMyYcmVBRBj1aK9dNSA7hXcaSxKp9WHXHuuGV4ncx3wztA5jXhFITuh1LeFekPoAS8rdubhHsLHK2LyBAG4PbC0rbOQpsZG6OdIr1a9rLUbBW0PGmaFXAaJtgD1kyNYR/s1600/Melodysta-Ermitage1.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="259" data-original-width="927" height="111" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjirdDCYgpybiynjMyYcmVBRBj1aK9dNSA7hXcaSxKp9WHXHuuGV4ncx3wztA5jXhFITuh1LeFekPoAS8rdubhHsLHK2LyBAG4PbC0rbOQpsZG6OdIr1a9rLUbBW0PGmaFXAaJtgD1kyNYR/s400/Melodysta-Ermitage1.png" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">The 1922 ads for Danzig's Ermitage restaurant featured "first class jazzband trio of Karasinski"<br />
in German, or "Karasinski-Melodyst-Petersburski trio" in Polish</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgl3uq6asd6_14TqKnFErHHNExmJYnJk6EKkts_wTWTEfRXJF_v1VR8YJlMmw_L63kClmU-318dfmUYDFGCVojHd0JSIwsPIflhSK3QrRu-8z7GB_O9iggal_AsceBYdZeajb2ASn1MUfgZ/s1600/alfred-melodyst.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1063" data-original-width="1600" height="212" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgl3uq6asd6_14TqKnFErHHNExmJYnJk6EKkts_wTWTEfRXJF_v1VR8YJlMmw_L63kClmU-318dfmUYDFGCVojHd0JSIwsPIflhSK3QrRu-8z7GB_O9iggal_AsceBYdZeajb2ASn1MUfgZ/s320/alfred-melodyst.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Fred Melodyst (banjo) with his 1927 jazz band at a<br />
Polish mountain resort of Zakopane</td></tr>
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<span style="text-align: left;">Jerzy Petersburski was the 5th child on his family, born Israel Petersburski in 1895. By the time Jerzy graduated from Warsaw Conservatory, the city has been overrun by the advancing German troops. As the young pianist continued his studies in Vienna, The WWI ended with the surrender of Germany and Austro-Hungary, Poland has won independence, and the Austrian Empire shattered. Jerzy went home, and his first gig in Poland was with his 2nd cousin, cellist Alfred Melodist (Panfyl's son), and an even younger and crazier violinist Zygmunt Karasiński who has just returned to Poland from Berlin where he played in a real American-inspired jazz band. The Jazz trio of Karasiński - Melodysta - Petersburski debuted in 1922 in the Free City of Danzig (Gdansk). The jazz craze didn't quite take over the Free City, but within a year, our jazz trailblazers made it to Warsaw where the cabaret and jazz scene really took off. Karasiński will later, after the dismemberment of Poland in 1939, invite his old pals to join the Belorussian State Jazz in Belostok; he ended up in Warsaw Ghetto during the war, but the music fans helped him escaped and hide in Lwow. </span><span style="text-align: left;">Fred Melodist escaped both the Nazis and Soviets together with Jerzy Petersburski; they played together with their cousin Henryk Gold in Palestine and Egypt before Fred settled in liberated France and, eventually, in Israel.</span><br />
OK, now it's time to tell more about the Golds (sons of Helena (Chaske) Melodysta and Michel Gold).<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQraxEKcYMACsnBRyD1UCW4YfInJ4O4C2iECHgygfZ5f6IIuRLFsCJ7LDy2oUJXCOaslsf4UY6hXSlk7uwvsgfupY-iEDGS6CcJBH-bOXC8F7aRkj6sqqGh-lEuP6ynQBn8hJZOBKwW76i/s1600/Orkiestra_Artura_Golda_i_Jerzego_Petersburskiego.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1022" data-original-width="1600" height="408" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQraxEKcYMACsnBRyD1UCW4YfInJ4O4C2iECHgygfZ5f6IIuRLFsCJ7LDy2oUJXCOaslsf4UY6hXSlk7uwvsgfupY-iEDGS6CcJBH-bOXC8F7aRkj6sqqGh-lEuP6ynQBn8hJZOBKwW76i/s640/Orkiestra_Artura_Golda_i_Jerzego_Petersburskiego.jpg" width="640" /></a></div>
<br />
Henryk Gold was the mastermind and his brother Artur Gold (violin) and Jerzy Petersburski, the top talents of the Gold-Petersburski band which recorded so many tango hits; Stanislaw Petersburski (piano) played there as well. Their names were so synonymous with the music of the Warsaw nightlife that they even had a special song recorded about them:<br />
<table><tbody>
<tr><td><br />
Gdy Petersburski razem z Goldem gra<br />
Muzyka: Artur Gold<br />
Slowa: Andrzej Włast<br />
1926<br />
<br />
Strajkuje ten i ów<br />
Podskoczył dolar znów<br />
A pan Zdziechowski miał w komisji<br />
Kilka nowych mów<br />
<br />
Nie przejmuj tem się nic<br />
Uważaj to za witz<br />
I słuchaj sobie w „Qui Pro Quo”<br />
Z pogodą lic<br />
<br />
Jak Petersburski razem z Goldem gra<br />
Z jazzbandu te Ajaksy dwa<br />
Sam pan Świejkowski<br />
W humor wpada boski<br />
I przy małżonce swej<br />
Szalejmy, krzyknie, hej<br />
<br />
Gdy Petersburski razem z Goldem gra<br />
Nie zaśniesz w nocy, aż do dnia<br />
I podczas tańca będziesz myślał<br />
Że minęła chwila zła<br />
Gdy Petersburski z Goldem gra<br />
<br />
Mąż pewien w nocy raz<br />
Do sal Oazy wlazł<br />
A widząc żonę z gachem<br />
Krzykną: Ach! Złapałem was!<br />
<br />
Rewolwer wyjął i<br />
Ponuro zmarszczył brwi<br />
Lecz nagle zaczął śmiać się<br />
Mówiąc: przebacz mi<br />
<br /></td><td>Where Petersburski and Gold play together<br />
Music by Artur Gold<br />
Lyrics by Andrzej Włast (Gustaw Baumritter)<br />
1926<br />
<br />
Strikes here and there,<br />
The dollar jumped again,<br />
And the Treasury Secretary Zdziechowski<br />
Said so many new words about it<br />
<br />
Don't you worry about anything<br />
Take it all as a joke<br />
And enjoy listening at "Qui Pro Quo"<br />
With the most serene faces<br />
<br />
How Petersburski plays with Gold,<br />
The jazzband's two Ajaxes.<br />
Even Mr. Świejkowski the mortician<br />
Falls into a jolly mood<br />
And in the presence of his wife<br />
Yells "Hey!" like a madman<br />
<br />
When Petersburski plays with Gold<br />
You won't fall asleep at night until daylight<br />
And while you are dancing you will think<br />
That the evil moments have passed<br />
When Petersburski and Gold play<br />
<br />
One night, a certain husband<br />
Entered the halls of the Oasis<br />
And, seeing his wife with a lover.<br />
Shouted: "Aha! Gotcha!"<br />
<br />
He pulled out a handgun and<br />
Frowned dejectedly,<br />
But suddenly burst into laughing<br />
Saying: forgive me</td></tr>
</tbody></table>
<iframe allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/IJ9ctcNh5lA" width="560"></iframe><br />
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<tr><td class="tr-caption" style="text-align: center;">Eddie Rosner with the State Jazz of Belorussia, 1941</td></tr>
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The two Ajaxes of Homer's "Iliad" met their tragic ends but our two cousins, Jerzy Petersburski and Henryk Gold, lived to their old age despite the annihilation of the war. They fled Warsaw under the German bombs and made as far East as Białystok, which was soon occupied by the Red Army and annexed to Belarus. There, Zygmunt Karasiński hatched a brilliant and crazy idea, to rebrand the Warsaw Jazz as the First State Jazz Ensemble of Belorussia. Soon, jazz trombonist Eddie Rosner, "the Armstrong of Eastern Europe", took it over. Born in Berlin, he cut his "Jazz teeth" there, before fleeing the Nazis. As a stateless Jew stripped of his German citizenship by the Reich, Eddie Rosner wasn't allowed to join the Polish Liberation Army together with his fellow Warsaw jazzmen, and ended up marooned in Russia. My most beloved Russian tango, "<a href="https://www.youtube.com/watch?v=t1dU0-l4lwc" target="_blank">Zachem</a>", belongs to Rosner's wartime band. But after the war he ended up in the Gulag labor camps, and, upon return, suffered from blacklisting. Only right before Eddie's death, the Soviet government finally allowed him to leave to join his family in Western Berlin...Of the Melodist jazz clan, Henryk Gold's brother Artur remained in the Warsaw Ghetto, and was killed in Treblinka death camp (but not before being forced to entertain the Nazi camp command while dressed as a clown!). Jerzy Petersburski's brother Stanislaw settled in New York City.<br />
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<tr><td class="tr-caption" style="text-align: center;">A concert program in the Polish Library of Buenos Aires<br />
featured the compositions of Jorge Petersburski...</td></tr>
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While traveling across the Middle East with the Polish Corps, Jerzy got himself a Palestinian passport in Tel Aviv and a Brazilian entry visa in Cairo. And in March 1947 he disembarked in Rio de Janeiro and took a job at Boite Picadilli. A stint at Radio El Mundo in Buenos Aires followed (Jerzy composed a jingle for this station!) and then directing the orchestra of Teatro Nacional. But no tango anymore. 20 years later, after his wife was killed in a catastrophic Argentinian earthquake of 1967, Petersburski decided to return home to Warsaw. He was 74 when he met a 40 years old opera singer Sylwia Klejdysz (in the clip below, Sylwia sings the Blue Handkerchief, the most famous hit from her husband's stint at the Belorussian State Jazz). Their only son, Jerzy Jr., also a pianist and a composer whose Masters Thesis was on his father's life and music, is maintaining <a href="http://www.jerzypetersburski.pl/otacie.html" target="_blank">a virtual museum of the Petersburskis</a> now. We got in touch when I was just starting to figure out how all the Melodists were related to one another.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimciW0VTRodIGr2nnWv_IAiPMNEUOdRLOPuULlJTNPuR_2skA86LKlfOFIZombPf-q4fKnCtIo9KZjsa0hkXr81Zb7FA2f1xgYipgZpdsii6utqnyDQ_3SpY9VN7Cur55LxrO_e5Mm1L4t/s1600/white-black-ball.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="345" data-original-width="367" height="299" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimciW0VTRodIGr2nnWv_IAiPMNEUOdRLOPuULlJTNPuR_2skA86LKlfOFIZombPf-q4fKnCtIo9KZjsa0hkXr81Zb7FA2f1xgYipgZpdsii6utqnyDQ_3SpY9VN7Cur55LxrO_e5Mm1L4t/s320/white-black-ball.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Black and White Ball of 1966, the high mark of New York<br />
opulence (from the Plaza hotel <a href="https://www.theplazany.com/" target="_blank">website</a>)</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjn52JZS2BUruMGAt0G33nwY7gOt5TSq-73OaUptj1c8wJJI2oqoOPXuJrc8COj1S1syMSVUwpGs7we62hmyz3JwUfPVjaZGz6ohGdsK1zDA-iBUMPYocA0JaY3Xl8Gd-2-aRFPAJRuVsE7/s1600/Gold-arrival.png" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="139" data-original-width="819" height="33" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjn52JZS2BUruMGAt0G33nwY7gOt5TSq-73OaUptj1c8wJJI2oqoOPXuJrc8COj1S1syMSVUwpGs7we62hmyz3JwUfPVjaZGz6ohGdsK1zDA-iBUMPYocA0JaY3Xl8Gd-2-aRFPAJRuVsE7/s200/Gold-arrival.png" width="200" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">The Golds' US immigration record</td></tr>
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After their travels across the Middle East, Henryk Gold remained in Palestine after the war, and composed a few Hebrew hits, then tried his luck in Brazil and in France, but in 1953 he moved to America as well, winning a bandleader job in New York's iconic Plaza Hotel, then the site of the legendary Black and White Ball (and now most often remembered as the obscenely posh hotel in Home Alone 2 with a 10-second appearance of the hotel's then-owner Donald Trump, who bankrupted the property almost as soon as he bought it)<br />
<br />
But the most improbable escape from the claws of death was pulled by the family of another Polish jazz and tango pioneer Henryk Wars (Warszawski), the creator of a 1928 hit, "<i><a href="https://www.youtube.com/watch?v=cMF1apf_V0w" target="_blank">Zatańczmy tango</a></i>" ("Let's Dance Tango!"). Henryk was called up to the Polish Army at the start of WWII, and taken prisoner by the Nazis, but escaped and reached Russian-controlled areas. But his wife and two kids remained trapped in Warsaw ghetto. Luckily, Henryk Wars was based in Lwow early in his jazz career, and composed some of the city most beloved songs, including its unofficial anthem, "Tylko we Lwowie" ("Only in Lvov").<br />
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<tr><td class="tr-caption" style="text-align: center;">Henry Wars's marching band in Tehran (from <a href="https://polishmusic.usc.edu/research/pmc-archives/wars-collection/" target="_blank">USC archive</a>)</td></tr>
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So instead of joining the Belarussian State Jazz like most of the Warsowians, he managed to create a band of his own in Lvov, and to remix his hits in Russian! His outfit was called the Lvov Tea-Jazz, with "Tea" standing for "Theater" rather than for a drink :) Having thus become a respected Soviet manager, Henryk Wars succeeded in getting an official request from the Soviet Government to have his family released from the Ghetto! They arrived to Lwow just days before the hostilities broke up between the erstwhile allies, the Reich and the USSR. Henryk was out of town, but his wife and kids managed to escape the Nazi advance by the breadth of a hair. They toured the USSR for several more moths, before leaving to the Middle East (and famously entertaining the Shah of Persia) and Italy with the Polish Liberation Army. </div>
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<tr><td class="tr-caption" style="text-align: center;">Diana Mitchell and Robert Vars talk about the life of their father at a<br />
<a href="https://polishmusic.usc.edu/newsletter/2017/aug-2017/pmc-lamoth-collaborations-continue-henry-vars-anniversary-concert/" target="_blank">memorial concert</a> featuring his music at the LAMOTH in 2017</td></tr>
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Henry Warszawski arrived to New York from Naples in February 1947, penniless and stateless, on a transit visa to San Domingo with a ticket paid by the Jewish refugee agency HIAS. But only a few months later, the Warszawskis were processed for permanent residence in Los Angeles, and a long Hollywood streak of Wars's career got underway, under a changed name of Henry Vars. He ascended through the Hollywood ranks, from being an anonymous arranger to, most famously, the fully credited soundtrack of the "Flipper". His Polish waltz famously made it to the soundtrack of Schindler's List!<br />
In the late 1960s Vars returned to Poland, almost at the same time as Jerzy Petersburski. But it was more like a celebrity tour, recording and conducting before coming back to Hollywood. Henry Vars's children Diana (Danuta) Mitchell and Robert Vars and grandson Dennis Mitchell are still in Los Angeles, and keep Henry's memory alive (although the family business is law rather than the music now). They are even working on getting Henry's unknown symphonic compositions to the public!</div>
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<br /></div>
Still, nothing of their bygone epoch captures contemporary Poland's imagination better than Gold-Petersburski tangos, and especially "The last Sunday" wits its incredible variety of modern covers in all genres from hard rock to techno :) The spirit of the Melodists lives on!<br />
<br /></div>
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MOCKBAhttp://www.blogger.com/profile/05150628026789690963noreply@blogger.com0tag:blogger.com,1999:blog-2217553257128682851.post-57497791267916507072019-09-29T21:29:00.000-07:002019-09-29T21:29:13.918-07:00The inherent contradictions of following...<div dir="ltr" style="text-align: left;" trbidi="on">
Another pearl of wisdom from Igor Zabuta's blog - but this one is <a href="http://tango-therapy.com.ua/wp/2019/07/zachem-zhenshhinam-tango/" target="_blank">penned by his partner, Emma Kologrivova</a>. She writes about all the cool things which draw women into tango, including "a desire to be lead, to relax, to immerse into the dance, the body and the music" ... and then continues (translation is mine):<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNptnCQXGcJmMhxgPLmmEJ4KurlC1y3sCN6VxffXxKbWH2ENUwzsn6GKBQxHeJyB1IA-WzNajDLlzYkxglSBF_BNJIrWsgp7n4Clybavhj1al1mPGd4kXGXtsmSvA_ObSETFhAFJff4nn0/s1600/kittenball1.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1000" data-original-width="1600" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNptnCQXGcJmMhxgPLmmEJ4KurlC1y3sCN6VxffXxKbWH2ENUwzsn6GKBQxHeJyB1IA-WzNajDLlzYkxglSBF_BNJIrWsgp7n4Clybavhj1al1mPGd4kXGXtsmSvA_ObSETFhAFJff4nn0/s320/kittenball1.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Maybe for my lack of imagination, I reused an image<br />from my other "translated wisdom" blog post about<br /><a href="https://humilitan.blogspot.com/2014/11/active-followers-theory-and-practice.html" target="_blank">the art of active following.</a></td></tr>
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<span style="font-size: large;">Truth be said, with the experience comes an understanding that following is a complicated skill. It requires a sense of one's own axis and boundaries. An ability to let the partner's energy in - but not to dissolve in it. An ability to follow the suggestions - but not to guess, hurriedly. To listen to the leader - but also to sense one's own desires. To be whole, letting every signal to pass through the body, but also to have an inspiration to add your own personality to the moves. To be lead, but never to be forced.</span></div>
MOCKBAhttp://www.blogger.com/profile/05150628026789690963noreply@blogger.com0tag:blogger.com,1999:blog-2217553257128682851.post-72477202520924340212019-09-28T12:37:00.000-07:002019-09-28T12:54:48.526-07:00Unusual and experimental tandas<div dir="ltr" style="text-align: left;" trbidi="on">
Back in January, I wrote that I have already introduced all the important musicians in tango's history in the comments to my playlists on this blog, and it's a good enough reason to stop publishing playlists altogether (not to mention the obvious fact that most of the new tandas look very familiar after so many years of DJing :) ) Still, occasionally I find a thread of history worth writing about, or try a new orchestra or an unusual era of a better-known orchestra, or start "reinventing the bicycle" of the tandas which feel far too familiar. Here I'm going through the 10 playlists I added since the decision to stop set-blogging, to pick the few tandas worth writing about.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsTxGb0TXBQsRB4iUpJdir2sQqw0sovCWA7TYJph10NXWincJ_dLP8gdtYxxZwnYcpCOX-b1DJahFQgOCSK1xt3mk2Ls2mYcI5YtotFjPSDJeZekl4EhYWa0c04Hb7vwLvFfAVunaH1NcQ/s1600/fissore-y-julio-sosa.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="438" data-original-width="325" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsTxGb0TXBQsRB4iUpJdir2sQqw0sovCWA7TYJph10NXWincJ_dLP8gdtYxxZwnYcpCOX-b1DJahFQgOCSK1xt3mk2Ls2mYcI5YtotFjPSDJeZekl4EhYWa0c04Hb7vwLvFfAVunaH1NcQ/s400/fissore-y-julio-sosa.jpg" width="296" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Julio Sosa with his DKW-Sissore, a German-designed<br />
sports car with an Italian body manufactured at a<br />
short-lived small car factory in the Argentinian province<br />
of Santa Fe in the 1960s. The singer didn't survive a<br />
crash of this beauty. He was 38. </td></tr>
</tbody></table>
<br />
For Julio Sosas's February birthday, I went through tons of his recording and ended up building just one mixed tanda with a lone Sosa track for the Junando practica. We don't hear much Julio Sosa at our milongas, obviously, but it could have been very different, had El Varon del Tango not died so early, at 38! Julio Sosa was born on February 2, 1926, in the poverty-stricken outskirts of Montevideo in Uruguay. One of his many early jobs was with a provincial orchestras there, but it paid too little to make ends meet, and at 23, Julio quit it to sing in the cafes of BsAs. Soon, he was noticed, and got a succession of jobs with the 2nd tier tango bands, and finally, in 1960, convened his own orchestra. By all accounts, it was a wrong time to start a tango band. The government support for the national music of tango disappeared with the violent overthrow of Peron's populist regime, and the new happy-and-patronizing music of La Nueva Ola was all the rage. Even the master records of the Golden Age tango orchestras ended up destroyed to make room for more Nueva Ola studios! I wrote about <a href="http://humilitan.blogspot.com/2014/12/the-dark-ages-from-days-of-burned.html" target="_blank">the Dark Ages of Tango</a> on this blog before, but I failed to mention that for a while, Julio Sosa held the lines against the onslaught of the new commercial music. Tall, masculine, young and charismatic, Sosa continued to attract the youth to tango - and not just to listen, but also to dance like himself. His disc sales rivaled those of La Nueva Ola! It all ended on November 26, 1964, when Julio crashed his Argentine-built sports car into a traffic light, the third speed car he totaled in quick succession, only this time it was fatal. With the death of its last iconic singer, tango never stood a chance...<br />
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The verdict: it is a passable vals tanda, good for a charged crowd later at night. But only Angelica really stands out...<br />
Francini-Pontier - Alberto Podestá y Julio Sosa "El Hijo Triste" 1949 3:49<br />
Alfredo de Angelis - Juan Carlos Godoy "Angélica" 1961 2:41<br />
Héctor Varela - Argentino Ledesma y Rodolfo Lesica "Igual Que Dos Palomas" 1953 2:36<br />
<br />
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The most legendary tango dancer of the pre-Golden Age fame, Ovidio José "Benito" Bianquet, better known as El Cachafaz ("The Troublesome" / "The Outrageous" as the lunfardo word may be translated) was born Feb 14, 1885). El Cachafaz is celebrated in the lyrics of "Adiós, Arrabal", and that's why I decided to play the following relatively standard D'Agostino tanda during the same practica. Follow <a href="https://humilitan.blogspot.com/search/label/El%20Cachafaz" target="_blank">El Cachafaz label</a> to read more about this awesome dancer who conquered the affections of the Parisians and triumphantly returned hone, only to lose it all in the post-Great Depression chaos. Who then rebuilt a show dancer's career from scratch when tango started to return to life, but died at 56 without witnessing the full bloom of tango's Golden Age.<br />
<br />
Ángel D'Agostino - Ángel Vargas "Ahora No Me Conocés" 1940 2:35<br />
Ángel D'Agostino - Ángel Vargas "Adios Arrabal" 1941 3:08<br />
Ángel D'Agostino - Ángel Vargas "Ninguna" 1942 2:59<br />
<br />
In March, I tried a really experimental - and not really recommended - tanda of super-late Calo instrumentals which are all the rage in Europe (it went OK really late at night though):<br />
Miguel Caló - Instrumental "Luna del viejo castillo" 1964 2:37<br />
Miguel Caló - Instrumental "Elegante papirusa" 1966<br />
Miguel Caló - Instrumental "Para Osmar Maderna" 1963<br />
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You may know that I am not a big Troilo fan, and I usually stick to the few most reliable tracks of his, but in April I wasin the mood to experiment:<br />
Anibal Troilo - Francisco Fiorentino "Pa Que Bailen Los Muchachos" 1942 2:49<br />
Anibal Troilo - Francisco Fiorentino "No Le Digas Que La Quiero" 1941 2:51<br />
Anibal Troilo - Francisco Fiorentino "Una Carta" 1941 2:48<br />
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The month of May is always a good reason to play more, and more varied, Fresedo than usual, since Osvaldo Fresedo was born on May 5, 1887. A son of a wealthy family, Fresedo created elegant music for the upper crust throughout his 60+ years-long tango career. In 1920, Fresedo has become the first tango bandoneonist ever to record in the United States when RCA Victor sent him to New York (they didn't yet have an up-to-date recording studio in South America then; the US-made record's, in Victor's typical anonymous house band fashion, went for sale in Latin America as "Orquesta Tipica Select"). Before the Great Depression, Fresedo's success was so great that he simultaneously maintained 5 "Fresedo orchestras" in Buenos Aires! One of these bands was directed by 24 years old Carlos Di Sarli, an admitted disciple of Osvaldo Fresedo who, in time, far surpassed his teacher. The economic collapse in Argentina put a stop to this exuberance, but Fresedo kept on playing, largely for the upper-class functions. He wouldn't play live for the dancers again, missing the tango dancing boom of the Golden Era, and he remains kind of shunned by the BsAs tangueros for this reason, although he recorded tangos through the 1980s. But nothing could be more mellifluous than Fresedo's 1930s and the early 1940s! This May, one of my Fresedo tandas was with the voice of Ruiz rather than with the "usual" Roberto Ray<br />
Osvaldo Fresedo - Ricardo Ruiz "Y no puede ser" 1939 2:26<br />
Osvaldo Fresedo - Ricardo Ruiz "Plegaria" 1940 2:24<br />
Osvaldo Fresedo - Ricardo Ruiz "Buscándote" 1941 2:49<br />
<br />
In June at Junando practica, it was time to return to De Angelis's Angelica which I already mentioned on this page:<br />
Rodolfo Biagi - Hugo Duval y Carlos Heredia "Adoracion" 1951 2:52<br />
Francisco Rotundo - Enrique Campos y Floreal Ruiz "El viejo vals" 1951 2:56<br />
Alfredo De Angelis - Juan Carlos Godoy "Angélica (Vals)" 1961 2:43<br />
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There, I also put to test a fiery vals tanda with the voice of Alberto Castillo:<br />
1. Ricardo Tanturi - Alberto Castillo "La Serenata (Mi Amor)" 1941 2:29<br />
2. Alberto Castillo "Idilio Trunco" 1946 2:08<br />
3. Alberto Castillo "Violetas" 1948 2:38<br />
(3 total)<br />
<br />
To start the playlists of September, I tried a more or less regular tanda but in an unusual place - as an opening tanda of Milonga sin nombre:<br />
1. Orquesta Tipica Victor (dir. A. Carabelli) - Alberto Gomez "Ventarron" 1933 3:03<br />
2. Orquesta Tipica Victor (dir. A. Carabelli) - Instrumental "Nino bien" 1928 2:43<br />
3. Orquesta Tipica Victor (dir. A. Carabelli) - Instrumental "El chamuyo" 1930 2:46<br />
<br />
September is a good time to remember the great singer Alberto Podesta (b. Sep. 22, 1924), who contributed so much to the success of the orchestras of Di Sarli, Calo, and Laurenz. And what would be a better fit to the themes of Podesta and September than his "Roses of Autumn"? Alas, I always had a hard time building a good tanda of Di Sarli's valses with this great hit. Trying to fix it now with a mixed-ochestra set:<br />
1. Angel D'Agostino - Angel Vargas "Que Me Pasara" 1941 2:30<br />
2. Manuel Buzon - Osvaldo Moreno "Pichon enamorado" 1942 2:18<br />
3. Carlos Di Sarli - Alberto Podesta "Rosas De Otono" 1942 2:17<br />
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<br />
I also returned to the valses with the vocals of Castillo, then an ObGyn by day but a veritable mob lord voice by night.<br />
1. Ricardo Tanturi - Alberto Castillo "Marisabel" 1942 2:23<br />
2. Ricardo Tanturi - Alberto Castillo "Recuerdo" 1942 2:22<br />
3. Ricardo Tanturi - Alberto Castillo "Mi Romance" 1941 2:16<br />
<br />
Racciatti's tracks with the voice of Nina Miranda are a kind of a flashback to me. I first danced to Racciatti's when a Japanese DJ played a tanda with Nina Miranda's vocals, fell in love with her "Gloria" and "Tu corazon", and played them myself - good 5 years ago. But the quality of these 1952-1953 records in my hands then was substandard, and I started playing later-years Racciatti's tango with the voice of Olga Delgrossi instead. With a better recordings now, I return to Nina Miranda's hits. And what a pianist they had, by the way!<br />
1. Donato Racciatti - Nina Miranda "Tu corazón" 1953 2:32<br />
2. Donato Racciatti - Nina Miranda "Vencida" 1953 2:47<br />
3. Donato Racciatti - Nina Miranda "No quiero ni acordarme" 1953 2:25<br />
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<br />
Then at Mestizos I returned to the valses of D'Agostino - one of which I tried a few days earlier in a mixed tanda above - and also to mid-paced Canaro's.<br />
1. Francisco Canaro - Ernesto Fama "El Vals Del Estudiante"1939 3:01<br />
2. Francisco Canaro - Ernesto Fama y Mirna Mores "Tormenta En El Alma" 1940 2:33<br />
3. Francisco Canaro - Ernesto Fama "Noche De Estrellas" 1939 2:29<br />
<br />
1. Ángel D'Agostino - Ángel Vargas "Que Me Pasara" 1941 2:30<br />
2. Ángel D'Agostino - Ángel Vargas "Tristeza criolla" 1945 2:27<br />
3. Ángel D'Agostino - Ángel Vargas "El Espejo De Tus Ojos" 1944 2:49<br />
<br />
And lastly, at Two Flames practica, I asked tangueros for suggestions, and one of them was for the OTV valses. The challenge is that only want to play the same three beloved valses of Victor (Noches de invierno, Sin rumbo fijo, and Temo) and I already played it a bit too often :) So I set out to build mixed-orchestra tandas with OTV - and ended up playing not just one tanda but two:<br />
1. Francisco Lomuto - Fernando Diaz "Cuando estaba enamorado" 1940 2:19<br />
2. Enrique Rodriguez - Roberto Flores "Salud, Dinero Y Amor" 1939 2:39<br />
3. Orquesta Típica Víctor - Ángel Vargas "Sin Rumbo Fijo" 1938 2:18<br />
<br />
1. Cuarteto Roberto Firpo - Instrumental "El Aeroplano" 1936 2:14<br />
2. Enrique Rodriguez - Armando Moreno "En el Volga yo te espero" 1943 2:40<br />
3. Orquesta Tipica Victor - Mario Pomar "Temo" 1940 2:55<br />
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MOCKBAhttp://www.blogger.com/profile/05150628026789690963noreply@blogger.com2tag:blogger.com,1999:blog-2217553257128682851.post-31874814342683647132019-09-25T21:25:00.000-07:002019-09-26T11:05:09.806-07:00TTVTTM and the flow of the final tandas<div dir="ltr" style="text-align: left;" trbidi="on">
We the tango DJs don't have any doubts about beginning a milonga with back-to-back tango tandas, the initial two T's of the obligatory TTVTTM tanda sequence of the genres. And why doubt, why overthink the thing, if there are usually too few dancers on the floor at the beginning of a night anyway. The early birds of tango are a special minority in any case, and a DJ is supposed to build the energy flow which works for the majority.<br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-YzteH4JTBePZUX9iePfgT_koA_44N3n_DNJQfe8RwMux3ZAms1wmzBFIaoFEhijFFWgoAgHyL-rfkuhJFQUC1qmDIVPJ4wF9B32rrjA-Ozg6WvA2EkDWxzkCHXzdeBScbW4qxUrT556_/s1600/last-tango.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-YzteH4JTBePZUX9iePfgT_koA_44N3n_DNJQfe8RwMux3ZAms1wmzBFIaoFEhijFFWgoAgHyL-rfkuhJFQUC1qmDIVPJ4wF9B32rrjA-Ozg6WvA2EkDWxzkCHXzdeBScbW4qxUrT556_/s320/last-tango.jpg" width="320" /></a><br />
But what about the <b>ending</b> of a milonga, the crescendo of the Cumparsita, the dimmed lights and <a href="https://tango-therapist.blogspot.com/2011/02/very-last-tanda-poem.html" target="_blank">the overpowering emotions of love and sadness</a>? If you keep repeating TTVTTMs, wouldn't the randomness of added track times mean that sometimes, the scheduled end-time comes with a boisterous laughter of a milonga instead of some poignant tango? Nah, of course we wouldn't do THAT to our beloved dancers :) A DJ may do something, perhaps scrapping the out-of-place milonga tanda, or adding more tangos after it, that's more or less clear. The question is, what is it exactly that you do?<br />
<br />
The reason why I started musing about it was very mathematical. I spotted an arithmetic error of sorts in my <a href="http://humilitan.blogspot.com/2015/06/the-big-5-orchestras-statisticians-quest.html" target="_blank">statistical/fun analysis of the BsAs set-lists</a>. Back then, I calculated that an average milonga had 13 tango tandas and 2.6 milonga tandas, and I was like, hmm, the number of the milonga tandas is less that 13/4, so their flow is probably not a perfect TTVTTM ... they must be skipping or replacing a milonga tanda here and there.<br />
<br />
Sheesh. Now I saw the numbers in a different light. 2.6 milonga tandas (or 2.7 vals tandas), on average, would mean that approximately 10.5 tango tandas took place in the regular TTVTTM groupings. To add up to 13 average tango tandas, one would need to add, on average, 2.5 more tandas of tango. And it occurred to me that it's exactly what's happening ... at the end of a night!<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkVFl4WpkIVEAnrNeJOvihbmBri2ZEluc1b3hyphenhyphen0E9sZo3Tk5szzGbP0oyXNd4wbNYsqBs3fR-fpFAOfW3fKQD-KLAZvFXtW_YK6TJLerZ_XBq1vDtRSCk4S_N8lZmfYG3_F4uwjgztZbZp/s1600/MelinaDJ1-300x197.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkVFl4WpkIVEAnrNeJOvihbmBri2ZEluc1b3hyphenhyphen0E9sZo3Tk5szzGbP0oyXNd4wbNYsqBs3fR-fpFAOfW3fKQD-KLAZvFXtW_YK6TJLerZ_XBq1vDtRSCk4S_N8lZmfYG3_F4uwjgztZbZp/s400/MelinaDJ1-300x197.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Melina Sedo, the Encuentro warrior and DJ</td></tr>
</tbody></table>
Is it "in the books" or just a commonsense thing? My first thought was, <i>I couldn't have invented it</i>, I must have read about the "best ways to end a tango night" somewhere. But the only "DJing manual" detailing proper selection of the last tandas I found was a <a href="http://www.melinasedo.com/wp-content/uploads/2019/08/HeroesoftheSilverDisc.pdf" target="_blank">super-micromanaging article by Melina Sedo</a> (and I definitely haven't read it before!)<br />
<br />
Melina writes: "The 2 or 3 last tandas are those especially determining the emotional state people leave the milonga in. The final tanda should be tango, not vals and never milonga." (Big-name DJs occasionally - rarely - do play valses at the end, and perhaps a slow and dreamy milonga campera may fit occasionally, when the mood is right).<br />
<div>
<br /></div>
<div>
Since I have a good collection of published playlists, I couldn't resist quantifying what *I* do.</div>
<div>
<br /></div>
<div>
It turned that my pre-Cumparsita tanda is <b>always</b> a tango. And in the majority of my playlists, <b>at least 3 final tandas</b> are tango (but I often play danceable music after the Cumparsita ... often energetic and upbeat music, since I picked the habit from Momo Smitt who explained that it was the "furniture-moving music"). The numbers average at 2.5 final tango sets, perfectly paralleling the prediction from the BsAs statistics.</div>
<div>
<br /></div>
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<tr><td style="text-align: center;"><img height="247" 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" style="margin-left: auto; margin-right: auto;" width="400" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;">How many tango tandas before the Cumparsita?</td></tr>
</tbody></table>
<div>
I also tallied the orchestras I select for the final two tandas. I knew that Pugliese would be a winner, since his orchestra is so perfect for the crescendo build-up. And surely it was:</div>
<div>
<br /></div>
<div>
<div>
Pugliese 64 tandas (!) (and most of the lists without Pugliese in the final tandas had a Pugliese tanda right before them)</div>
<div>
De Angelis 22 (mostly late instrumentals)</div>
<div>
D'Arienzo 9 (mostly late instrumentals)</div>
<div>
Racciatti 9 (mostly female vocals)</div>
<div>
Donato 8 (mostly lyrical)</div>
<div>
Laurenz 6</div>
<div>
Demare, Canaro 5 tandas ea</div>
<div>
Di Sarli 4</div>
<div>
Calo, Rodriguez, Salamanca 2</div>
<div>
Troilo, D'Agostino, Malerba, OTV, Biagi, Tanturi, Fresedo, Varela 1 tanda ea</div>
<div>
Mixed ultimate and penultimate tandas - 11 incl Sassone, Firpo, late-era bands including Color Tango, Ojos de Tango, Fervor de BsAs, Krebsian Orchestra, Nuevo Quinteto Real, as well as some of the above orchestras (this clearly defies Melina's advice to play only true-and-tried classic sets in the end...)</div>
</div>
<div>
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I can clearly see that I am biased against Di Sarli for the crescendo-building sets, and it's probably explained by my overexposure to late, dramatic Di Sarli's in my beginner classes. It's just hard to overcome the kryptonite "I'm a beginner all over again" vibe of this uncommonly elegant music. But as a cancer professional, I also find it hard not to see the specter of cancer in Di Sarli's perfect, late-period pieces. The Senior of Tango must have known that his pancreatic tumor doesn't leave him much time, and he was in a race against time to bring the rough, crude hits of his youth to an elegant perfection - an almost morbid perfection. Have you read Pushkin's "Exegi Monumentum"? "The monument I’ve built is not in chiseled stone"? For someone on the oncology field, it may be painful to sense. Forgive me.</div>
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MOCKBAhttp://www.blogger.com/profile/05150628026789690963noreply@blogger.com3tag:blogger.com,1999:blog-2217553257128682851.post-64000349970506033142019-09-20T19:25:00.000-07:002019-09-28T16:53:18.054-07:00Limitless musicality as a shared obsession :)<div dir="ltr" style="text-align: left;" trbidi="on">
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I've just discovered the new star of the tango blogosphere, a super sharp and eloquent <a href="http://tango-therapy.com.ua/wp/2019/09/chto-meshaet-xorosho-tancevat-tango/" target="_blank">Igor Zabuta of Ukraine</a>. And couldn't help remembering one obsessively and mutually musical tanda at last years <a href="https://www.connecttangofest.com/" target="_blank">Connect</a>, and translating a passage from one of Igor's beautiful posts. Photo credits to <a href="http://photography.tango-voyage.com/" target="_blank">Kyle Asher</a><br />
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<span style="font-size: large;">There are pairs who feel a kind of a split challenge to dance musically, come what may. They step onto the dance floor with a mission to express the music together. It takes a special respect to the music and a peculiar courage. It is so understandable ... indeed, what could be more helpful for a great connection between people than a lucky overlap of their obsessions :)</span></div>
MOCKBAhttp://www.blogger.com/profile/05150628026789690963noreply@blogger.com0tag:blogger.com,1999:blog-2217553257128682851.post-51808556209034509182019-05-16T16:57:00.001-07:002019-05-16T20:21:49.015-07:00Tango Poetry: Past to Present. Missoula Spring Tango 2019. <div dir="ltr" style="text-align: left;" trbidi="on">
I was very excited and a bit scared when the organizers of Missoula Spring Tango fest invited me to give a multimedia presentation on the lyrics of tango. I lectured on tango poetry before, but only in my native Russian, and always with the extensive use of <a href="http://letras-de-tango-en-ruso.blogspot.com/" target="_blank">metric-and-rhymed translations of tango into Russian</a>. English language is a much harder medium for the metered poetry, and I only have <a href="https://letras-de-tango-en-ruso.blogspot.com/2015/11/invierno-english.html" target="_blank">one tango translation in English</a>. So - uh oh - the May 2019 poetry talk would have to get by without actually reciting verses! And with as much multimedia as possible, for the ease of understanding (the slides are available <a href="https://drive.google.com/file/d/1tUEmIC2ocQb66FYdGDmemRMl1tAnK3Ti/view?usp=sharing" target="_blank">here</a> and a partial live-streamed video of the 1.5 hour-long talk, <a href="https://www.facebook.com/dmitry.pruss/videos/10215434149670261/" target="_blank">here</a>). What a nice opportunity to think more about my fav subject! It's a go! The summary of the presentation is below.<br />
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<span style="background-color: transparent; color: black; font-family: "arial"; font-size: 52pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">Tango Poetry: </span><span style="background-color: transparent; color: black; font-family: "arial"; font-size: 52pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;"><br /></span><span style="background-color: transparent; color: black; font-family: "arial"; font-size: 52pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">Past to Present</span></div>
"Explore self-expression in tango through song lyrics. During this multi-media lecture, travel through time beginning with sung poetry illustrating the universe of urban migrants during the Great Depression and their despairs and longs for bygone days. Learn how lyrical language is reborn with exuberance, threatened again by the censorship of the morality police, and finally reaches a beautiful synthesis at the zenith of the Golden age"<br />
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Humble street origins: sailor’s taverns of the port… black neighborhoods … <i>prostibulos</i><br />
<a href="https://lh4.googleusercontent.com/U2f2HJ0Bnw48ubrdJSLMfII4Fp0BTsZonqW7z4VAH-Rf4TGgS5xgGNOXKDGKt8PYYaaap0YFOcEXg7_8xGGKeIyj-PSTc_bxWvU_Kz3-fR-ORNuCWe1kEJYW-z4Uf1CtJvkTV8N6G1g" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="320" src="https://lh4.googleusercontent.com/U2f2HJ0Bnw48ubrdJSLMfII4Fp0BTsZonqW7z4VAH-Rf4TGgS5xgGNOXKDGKt8PYYaaap0YFOcEXg7_8xGGKeIyj-PSTc_bxWvU_Kz3-fR-ORNuCWe1kEJYW-z4Uf1CtJvkTV8N6G1g" style="text-align: left;" width="147" /></a><i><br /></i>
Neither the score nor the lyrics were written down<br />
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In fact even after the musical scores WERE written down, the lyrics remained unprinted … and largely unprintable<br />
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(on the right: the first known written musical score of a tango was composed in the 1880s by Rozendo Mendizabal, an Afro-Argentine pianist and a brothel musician. This tango, "El enterriano", is said to have been dedicated to an influential mobster from the province of Entre Rios)<br />
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<span id="docs-internal-guid-8ab394fc-7fff-6051-d966-d360b96f21c5"><span style="font-family: "arial"; font-size: 28pt; vertical-align: baseline; white-space: pre-wrap;">The men and the women of the XIX c. tango lyrics</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhA787YSs5YzUuhx35zRUUM9YNcWl4QDp_2Augx24Smiry6QqlLEN_uQTD178eAi239jOtTpWK1x50BG_1E-x7UOHAiP3KsW7sWLlyJHvGWK8S7Mp0npurKNKankJ6XQitrxbXtFkrIC8kd/s1600/portenito.png" imageanchor="1" style="clear: right; color: #595959; float: right; font-family: Arial; font-size: 18pt; margin-bottom: 1em; margin-left: 1em; white-space: pre;"><img border="0" data-original-height="379" data-original-width="415" height="292" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhA787YSs5YzUuhx35zRUUM9YNcWl4QDp_2Augx24Smiry6QqlLEN_uQTD178eAi239jOtTpWK1x50BG_1E-x7UOHAiP3KsW7sWLlyJHvGWK8S7Mp0npurKNKankJ6XQitrxbXtFkrIC8kd/s320/portenito.png" width="320" /></a><span style="font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline;"><span style="color: #595959; font-family: "arial";"><span style="font-size: 18pt; white-space: pre-wrap;">El Portenito </span><span style="font-size: 24px; white-space: pre-wrap;">
</span></span>Little Porteño, a bragging song about the toughest and coolest dude on the block, with lyrics which once changed from street to street
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<span style="font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline;"><span style="color: #595959; font-family: "arial";"><span style="font-size: 18pt; white-space: pre-wrap;">La Payanca </span></span>
<br />A rare example of a "folk tango" which has known original lyrics, rather crudely and lewdly praising a popular whore</span></div>
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<span style="font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline;"><span style="color: #595959; font-family: "arial";"><span style="font-size: 18pt; white-space: pre-wrap;">La Morocha</span><span style="font-size: 24px; white-space: pre-wrap;">
</span></span><span style="color: black; font-family: "times new roman"; font-size: small; white-space: normal;">A perfect feminine counterpart to the Little Porteño, also full of bragging superlatives about the sweetest and most beautiful girl on the block, and also not without a dose of </span></span><i>double entendre</i> like La Payanca</div>
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<span id="docs-internal-guid-452fb1c6-7fff-051d-9c19-655bc94eb419"><span style="font-family: "arial"; font-size: 28pt; vertical-align: baseline; white-space: pre-wrap;">Payanca, the Kechua word...</span></span></div>
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<span id="docs-internal-guid-bc8b2b9b-7fff-faed-0a97-b0e02a785aaa"><img height="403px;" src="https://lh6.googleusercontent.com/EypnH-mVTYXQjC8dRrreIyZvWfr_SPoB8n42XMrjo_2Q997_wgWNEsv9JBP3fL3elHS40NOtiEeG6M5FBkfovkZ2ROLbCRRcMOd-ICryI6ug20NN0Scc1Ir25jYJmLphu4xKnz1bT7o" width="640px;" /></span></div>
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The tribal word from Peru - the verb <i>pallar </i>- meant to pick up, to catch from the ground. The gaucho equivalent of battle rap, the <i>payada</i>, was a real-time poetry contest where singers would pick up the thread of the song from each other, a stanza dueling with a stanza. The Kechua tic-tac-toe-like game, played with 5 stones thrown and picked from the ground (above), was called a <i>payana</i>. And a ground lasso, meant to be thrown to the ground to pick up an animal's front legs, was the <i>payanca</i>. This was also a street name of a legendary BsAs prostitute; who or what she picked up from the street, we can only guess, but there was a song dedicated to her, imploring her not to hurry with the paid-for job, because, well, sometimes slower is better.</div>
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Over time, La Payanca got very new, very clean lyrics. Actually, as the XX century arrived, the women stopped being protagonists for the new, cleansed tango lyrics. And the new character of the song was now a guy, an irresistible womanizer catching ladies with his "<i>payanca </i>of love". But much more recently, the genders of this song changed again, and the Payanca has become a girl like of old. Listen to Alex Krebs's gender-restored Payanca below, and read more about the song and about the children's game <a href="http://riowang.blogspot.com/2011/05/five-stones.html" target="_blank">on my old blog here</a>. </div>
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Apropos the last strong female protagonists of tango, I mentioned that it took full 50 years before they reappeared in tango - as in Donato Racciatti's "Gloria", a girl's song about love the money can't buy ... and I just had to jump ahead and to talk about the incomparable Tita Merello and her 1955 movie song "Se dice de mi", "They talk about me". How can one not to show Tita's superb clip? But do you know that she was singing a gender-transformed version of a song which was once written about a guy? Have you noticed that the girl in this song has manners of a <i>compadrón</i>, while the men in this song gossip like crazy and all lose their heads hoping for her affection? I hope that the, ahem, unusual gender stereotypes there all make sense now :)</div>
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</span></span><span style="color: black; font-family: "times new roman"; font-size: small; white-space: normal;">Tango wins wide acceptance among the moneyed and educated classes, but strictly in its instrumental form</span></span></div>
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<span style="font-size: 18pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;">…. And where are the lyrics?? ... Shunned.</span></div>
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The revolution of Carlos Gardel, 1917. </h3>
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Tango receives its first set lyrics, written by a real poetic talent, Pascual Contursi. </div>
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It was a sad song about broken love, which set the tango standards for the decades to come.</div>
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It was also a song written in heavy <i>Lunfardo </i>slang, whose protagonist seems to be a pimp, and whose love suffering is made more painful by the fact that his flat has become all dirty and cluttered now that his girl has left. The slangy opening lines may be translated as "The bitch who dumped me, just as I was having the grandest time of my life..."</div>
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Let's listen to Gardel's voice from a later recording ... and then to a much later recording where the long-dead Gardel sings the same opening line.</div>
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<span id="docs-internal-guid-45f82944-7fff-d175-e888-c403d16fb1dd"><span style="font-family: "arial"; font-size: 28pt; white-space: pre-wrap;">"A sad thought, danceable" ? </span></span></div>
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<ul style="margin-bottom: 0pt; margin-top: 0pt;"><span id="docs-internal-guid-45f82944-7fff-d175-e888-c403d16fb1dd"><span style="font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline;"><span id="docs-internal-guid-474ddbd9-7fff-e509-3309-af00eec8178b">
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<span style="font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline;"><span style="color: #595959; font-family: "arial";"><span style="font-size: 18pt; white-space: pre-wrap;">Quiz, anyone?</span><span style="font-size: 24px; white-space: pre-wrap;">
</span></span><span style="color: black; font-family: "times new roman"; font-size: small; white-space: normal;">Name other tango topics, beyond love / separation / romantic sadness</span></span></div>
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<span style="font-size: 18pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;">The legacy of “Mi noche triste” </span></div>
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<span style="font-size: 18pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;">A fragile macho needs some help...</span></div>
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<span style="font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline;"><span style="color: #595959; font-family: "arial";"><span style="font-size: 18pt; white-space: pre-wrap;">Tango songs as a protective male cocoon?</span><span style="font-size: 24px; white-space: pre-wrap;">
</span></span>Sports (especially soccer and racing!). Airplanes and fast cars. Country living. Drinking amd fighting. Patriotic themes... And, yes, misogyny galore.</span></div>
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</span></span></span></ul>
<span id="docs-internal-guid-45f82944-7fff-d175-e888-c403d16fb1dd"><span style="font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline;"><span id="docs-internal-guid-474ddbd9-7fff-e509-3309-af00eec8178b">
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<span id="docs-internal-guid-c4b6c869-7fff-796b-ef94-ea146258331f"><span style="color: #595959; font-family: "arial"; font-size: 18pt; vertical-align: baseline; white-space: pre-wrap;">Carrerito (1928). </span></span>A tired cart-driver asking his 3 tired horses by name to please go over the last hill before home without any whipping...</div>
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<iframe allowfullscreen="" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/VYCYXJCOC0o/0.jpg" frameborder="0" height="266" src="https://www.youtube.com/embed/VYCYXJCOC0o?feature=player_embedded" width="320"></iframe></div>
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<span id="docs-internal-guid-1a672c4b-7fff-d78b-322b-c69dc825cbb6"><span style="color: #595959; font-family: "arial"; font-size: 18pt; vertical-align: baseline; white-space: pre-wrap;">Chau Pinela (1930) </span></span>Very energetic, very misogynist monologue of a guy who actually ends up losing to the woman despite all the macho bravado. He wants to throw her out in a fit of jealousy. "I will find a million women like you! Stop talking already, who do you think you are? Get you stuff out of here and get lost!" ... but apparently she never does stop talking, and it is he who ends up packing his stuff and leaving for good.</div>
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<span id="docs-internal-guid-09d8cf30-7fff-c545-da4f-37c07246709d"><span style="font-family: "arial"; font-size: 28pt; vertical-align: baseline; white-space: pre-wrap;">Crisis, suffering, perservering and nostalgia: the Great Depression brings tango to its knees...</span></span></div>
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<span id="docs-internal-guid-cd6b7136-7fff-7dad-cf75-0ff37a687b6b" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img height="359px;" src="https://lh5.googleusercontent.com/6zEylncecRG_CJpd008VrEKNGeHkepKM90G2tQRxNLWbR8BaMZu8GkbFgeE6ZNc8HwBxENvd4yBF61S17tItsux423kRPSis-5uX1sCbcTjWZATyXYMBJucScox9zLcOBlOuMT3ONW4" width="289px;" /></span></div>
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<span id="docs-internal-guid-4c68c4b8-7fff-5284-67b1-8ff7a9563133"></span><br />
<ul style="margin-bottom: 0pt; margin-top: 0pt;"><span id="docs-internal-guid-4c68c4b8-7fff-5284-67b1-8ff7a9563133">
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<span style="font-size: 18pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;">The machos don’t cry! Pa’que lagrimear (1931)</span></div>
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<span style="font-size: 18pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;">The world has become a pawnshop… (Cambalache 1934)</span></div>
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<span style="font-size: 18pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;">The revolutionaries of the past got it right… (Milonga del 900)</span></div>
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... this part is already on the saved livestream video, so I will go into fewer details from this point on...</div>
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<span id="docs-internal-guid-9e3e5018-7fff-3680-4c1f-c9e7e6123d91"><span style="font-family: "arial"; font-size: 28pt; vertical-align: baseline; white-space: pre-wrap;">Refuge in the Monmartre, refuge in Ocean Dancing</span></span></div>
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<span id="docs-internal-guid-a4d4c638-7fff-4ac7-5218-9b86bf0cccee"><img height="405px;" src="https://lh6.googleusercontent.com/Irv1oetZQsamuafPYFqKz4tGmkbDCG_eaedeSPz_HNIHn1hYs0PDgU0EY9hJERomb3hnU6qbgO7mJWdzAOlRc4-oB4tyXD-iFMYNAvecDojeY6K533ZjkPMdRMGlTWDyZ82bZYrdDtc" width="577px;" /></span></div>
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Argentine restaurant "Palermo" and night club "El Garron", immortalized in several songs, where tango has found a safe haven during the worst years of Great Depression, when pretty much all the bands in BsAs went bust or stopped playing for the dancers. </div>
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Remembering Paris ... "I came as a wanderer who lost faith. I arrived to Paris, loaded with pain. The City of Light has become like the Sun for me. Your love brought me back to life!"</div>
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Fui…</div>
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Vagabundo sin fe y sin amor.</div>
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Que…</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCbyA1xDptoCLxOGIv7suGM0M-YYAYws9HIyyGTDqta-cLjCy9P1PtLb8GZlVGrya0uZqnuvu91rWSlO0A3VBLQIjim2Lkj2CB4bpBb89D6mrygMEapZFZJDrFgp_WJd420nxF6WFAywxh/s1600/Ocean-dancing.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCbyA1xDptoCLxOGIv7suGM0M-YYAYws9HIyyGTDqta-cLjCy9P1PtLb8GZlVGrya0uZqnuvu91rWSlO0A3VBLQIjim2Lkj2CB4bpBb89D6mrygMEapZFZJDrFgp_WJd420nxF6WFAywxh/s320/Ocean-dancing.jpg" width="208" /></a>Llegué un día a París con mi dolor. </div>
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Yo…</div>
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Te encontré como un sol, mi amor!</div>
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Y…</div>
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Por tu amor yo viví...</div>
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Back home in Buenos Aires, a lone tango band keeps on playing for the dancers in the seediest establishment near the port, called, in English, "Ocean Dancing". The conditions must be too bad for the Argentines to take the job, but these guys are Uruguayans, and their homeland is hit by the economic crisis even harder. So Edgardo Donato and his musicians press on.</div>
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The 1932 "Hurricane" presages the rebirth of tango, planting the seeds of crazy energy. And what a storm it is! This hurricane isn't an atmospheric phenomenon, actually. She is a woman who destroys the metaphorical rose garden of love. Never again shall it bloom!</div>
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<div class="separator" style="clear: both; text-align: center;">
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<span id="docs-internal-guid-f9a5883d-7fff-6ebe-49f3-c81ee3844724"><span style="font-family: "arial"; font-size: 24pt; vertical-align: baseline; white-space: pre-wrap;">Reborn milonga as the only feminine heroine of tango?</span></span></div>
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"Milonga brava". A feminine protagonist, but not really a human being of flesh and blood "I am a milonga, I have no fear. I am a sound motif which progress with a swaggering gait. I was sung by the girl with sweet lips, and then they danced me on the broken flagstones of the tenement with the boy from upstairs".</div>
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<span id="docs-internal-guid-04d0e674-7fff-8a17-c6d9-6ea7e75bd3b6" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img height="385px;" src="https://lh3.googleusercontent.com/H9eFKgZxnWpbsStHcrK7xaUiaF8iTCBvtqL83i2JCsm4vpstCk-PY8y5eFe9qB77_oIb3WQjaw_KwVGD_SqCEGSSLK0mZ01oY0pKSKdpc3CtMLg2aECeINB1fDsrhkpTvmsL9NJgnxU" width="385px;" /></span></div>
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Yo soy la milonga brava</div>
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Candombera y entradora.</div>
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Yo soy la milonga brava</div>
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Candombera y entradora.</div>
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Yo soy la expresión sonora</div>
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Que el progreso deshilacha,</div>
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Canción me hizo una muchacha</div>
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De boca fresca y golosa.</div>
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Y me bailó en la baldosa</div>
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Quebrada del conventillo,</div>
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Con el mozo del altillo</div>
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A quien le dio el corazón.</div>
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<span id="docs-internal-guid-201f7646-7fff-3d81-9edd-993346c9f806"></span><br />
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<span id="docs-internal-guid-201f7646-7fff-3d81-9edd-993346c9f806"><span style="font-family: "arial"; font-size: 28pt; vertical-align: baseline; white-space: pre-wrap;">Young, fun, irreverent … too irreverent?</span></span></div>
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<span id="docs-internal-guid-f7f763d4-7fff-d6e1-c681-43621dff7583" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img height="185" src="https://lh6.googleusercontent.com/1S-edp3bdQm1VTzcqaHk8cfCn81QvBppBenZy4tMWMWFFHwJ_1KoxQi-SWF7I_iP_GRO_UuEnKmmEsZaGO86zF3KX-e9kxo8lNbDngHIGvR6vx4j8GPQz4_0jsbVEvJFjNtoxLWNmXo" width="320" /></span></div>
<div>
Juan D'Arienzo was derided for his youth appeal which, in hindsight, probably saved tango from total destruction. Hes fans were said to be too shallow, too preoccupied with beat, and, well, stupid. Who else would welcome tangos like this one, about hiccups? (Wait, there was one about farts, too).</div>
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A boy meets a girl in a club, but when it's time for sweet talking, he's suddenly overcome by hiccups. ( "I dream of turning into a gentle breeze which will caress your body ... HIC!!!")</div>
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<span id="docs-internal-guid-abf4d77a-7fff-8277-ec32-12c4cd742f17"><span style="font-family: "arial"; font-size: 28pt; vertical-align: baseline; white-space: pre-wrap;">The rumblings of the new, cleansing revolution...</span></span></div>
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Tango director Lucio Demare and his brother, movie director Lucas Demare, set out to change the regime and bring the country back from the morass of corruption and infamy. The social networks aren't there yet, but the brothers have music and movies at their disposal - and in 1942, they accomplish it, and a populist regime takes the reigns of power. A grand cleansing is in order, and one its first targets are the "degraded" lyrics of the tango songs. The following song is Demare's own. Can you figure out what has changed in the recording?</div>
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<span id="docs-internal-guid-b75b2fce-7fff-4c77-e581-486ffa4a688e" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img height="238" src="https://lh6.googleusercontent.com/MxV0SWiyk7D6XpKmNrlL-Kq2J6k-IDvnps3v-2aC9EokPchBrlSKSEgzDP3E0cuTPsrzB0TYgkoPdNd_0iYwuq1I8k_wMLmvPUVbpC0TiUBIh8GuyxpHK0UEgdOrpJDFGw3sXthtWq4" width="320" /></span></div>
<div>
¿Quién pena en el violín?</div>
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¿Qué voz sentimental?</div>
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Cansada de sufrir</div>
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Se ha puesto a sollozar así...</div>
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Tal vez será su voz</div>
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Aquella que una vez,</div>
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De pronto se apagó...</div>
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Tal vez será mi alcohol</div>
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Tal vez...!</div>
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Su voz no puede ser</div>
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Su voz ya se durmió,</div>
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Tendrán que ser, nomás</div>
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Fantasmas de mi alcohol...</div>
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The censorship employs scores of the mediocre "lyrics hacks". Slang, crime, booze, gambling, everything must be removed. Some songs are simply unsalvageable. Luckily, a year later, the government reverses its course. But an amazing thing happens. The music industry realizes that tango doesn't have to be fast, or racy, or risque, to sell!</div>
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<span id="docs-internal-guid-3d983aef-7fff-fdd9-18da-dee36c8eda67"><span style="font-family: "arial"; font-size: 28pt; vertical-align: baseline; white-space: pre-wrap;">Tango itself becomes its own, beautiful subject</span></span></div>
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One of many veritable anthems of tango is :Una emocion", "A feeling", a manifesto song about tango itself... about its being simply a beautiful emotion which wins hearts without a pretense or a special effort...</div>
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translated by Derrick del Pilar</div>
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Wrapped up in a dream last night I heard it—</div>
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an emotion composed of things from my yesterdays:</div>
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The house where I was born,</div>
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the iron fence and the ivy,</div>
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the old carousel, the rosebush.</div>
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Its accent is the song of an emotional voice,</div>
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its rhythm is the measure that lives in my city—</div>
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it has no pretensions,</div>
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it doesn’t want to be lewd,</div>
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it’s called tango, and nothing more.</div>
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MOCKBAhttp://www.blogger.com/profile/05150628026789690963noreply@blogger.com3tag:blogger.com,1999:blog-2217553257128682851.post-76148680355229678682019-03-05T21:36:00.000-08:002019-03-07T21:28:55.392-08:00The time and place of Saverio Sadan<div dir="ltr" style="text-align: left;" trbidi="on">
Just a few months ago I <a href="https://humilitan.blogspot.com/2018/11/tracing-russian-roots-of-argentine-tango.html" target="_blank">lamented that the memory</a> of the legendary Ukrainian tango composer from Ukrane, known in Argentina as "Saverio Sadan", is lost to the ravages of time. His "Gitana Rusa", composed in 1940, soon took Argentine by storm - but the fiddler and composer was no longer around to learn about its success.<br />
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxyPZW6ShA1xx0j0DlbBu93MHBOzLeDKBRO9aj13jrNUukmkWR8LSPp4yeHd0Wdj1uskZseXvnv2nzLpEj_5MlltD8hx4ji2NNBs7x6rfhH3Z9kkaq6r_o53-vWtv40AfxucMR_T4s4_8/s1600/uman-old-01.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="185" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxyPZW6ShA1xx0j0DlbBu93MHBOzLeDKBRO9aj13jrNUukmkWR8LSPp4yeHd0Wdj1uskZseXvnv2nzLpEj_5MlltD8hx4ji2NNBs7x6rfhH3Z9kkaq6r_o53-vWtv40AfxucMR_T4s4_8/s320/uman-old-01.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">The town of Uman is famous for its 220 years old<br />
landlord Potocki's park</td></tr>
</tbody></table>
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The "Russian gypsy girl", as "Gitana rusa" is translated, has a heart-wrenching story. Its author, a violin player from Uman in Ukraine (whose real name was guessed to be Savely Zhadan) was murdered along with the rest of the town's Jews in the mass executions of the "Holocaust by bullets" in the fall 1941. Zhadan's son lived in Buenos Aires. I read that his mom took the boy to Argentina, supposedly in 1921, and that the son of the Ukrainian musician, remembered as Demetrio Sadan in Argentina, grew up to become a banking executive (the reality turned out to be more exciting and more mysterious - read on!). The story went on that when Demetrio fell in love for his secretary Celia, his dad sent him a unique wedding gift: a tango entitled "Your eyes" ("Tus ojos") and dedicated to "beautiful Celia". The musical score had to be smuggled out of the USSR with a friendly merchant marine sailor through the port of Odessa, It arrived late for the wedding, in the end - and it doesn't seem like the groom had much appreciation for the music, even his father's music, anyway. But as the year 1941 dragged on, Demetrio had a clear premonition that his father was no longer alive. At some point, he must have decided to pass Saverio's creation into good hands.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2ZU67FKean_lIa-h2v3T31Pa7qo27s61W_nL2zefbLTT-9aWPaZkjF3pDX0g4tpbdp8aXuRTIdzbXRSJiZad_JYBNOyoOaQljPPPtJEOSaIyH_eiYxSLQba7FYyccL8IH0jKbTBvm-Ko/s1600/gitana-rusa-partition.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2ZU67FKean_lIa-h2v3T31Pa7qo27s61W_nL2zefbLTT-9aWPaZkjF3pDX0g4tpbdp8aXuRTIdzbXRSJiZad_JYBNOyoOaQljPPPtJEOSaIyH_eiYxSLQba7FYyccL8IH0jKbTBvm-Ko/s320/gitana-rusa-partition.png" width="224" /></a>The tango poet Horacio Basterra Sanginetti, a tragic genius of the Castellano verse, rewrote the lyrics of Sadan's tango in Spanish, staying true both to the original title and to the aura of fate born by Sadan's score in the opening lines of the <i>letras</i>: "You eyes are colored jet-black by the pain of suffering". The song goes on about parting forever, about death, sorrow, and the snow-covered steppe...<br />
I must add that there are few tango personalities more mysterious than Horacio Sanginetti. Not a single photograph is known of this poet of "Nada", “Alhucema”, “Liula la misteriosa”, “María Morena”, “El barrio del tambor”, “Macumba”, and “Corazón de tambor”. Doomed to exile, Horacio Sanginetti died in complete oblivion on the age of 43.<br />
But the composer of "Gitana rusa" was a far greater mystery... we didn't even know his real name. Argentine <i>Saverio </i>is a variation of Xavier, but the historians assumed that it really stood for a similar-sounding Russian name Savely (Saul). I would have guessed that the actual name was Shevel. That's how the name of the first Israeli Kind Saul sounded in Yiddish. My own great great grandfather bore this name, which meant "prayed for" or"blessed". But the answer to this riddle was hidden in the death-pits of the Holocaust.<br />
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Nevertheless, the digital age of the XXI century returns the lost names to life, bit by bit. And today, I spotted the name of the musician in the digitized vital records of Cherkassy Regional Archive. This is the August 1922 record of Zhadan's 2nd marriage:<br />
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His name is indeed Shevel Zhadan, son of Israel. He is a teacher at the municipal music school, residing at the Catholic Church Street #5, Shevel is born in 1890 (and we know that he was murdered by the Nazis in 1941). It must be noted that the residence, and the school, still stand (and look as if they didn't have renovations in the 100 years which passed).<br />
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May his soul be bound in the bonds of life.<br />
ת.נ.צ.ב.ה</div>
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Yet I still couldn't find any trace of Demetrio Sadan in Argentina. I used to think that I need to search post-1924 arrivals (since that's when the US slapped its punitive quotas on the Eastern European immigration, and the refugees from Ukraine were re-routed to South America). But even in the early 1920s, searching CEMLA database yielded nothing. Headstone searches, nothing either. Something must have been incorrect about Demetrio's name? Then the light bulb went on: it wasn't a poor family, so perhaps they vacationed in Brazil (and Brazilian immigration cards have been thoroughly digitized). And there I discovered that the musician's son wasn't a Demetrio Sadan, but rather Demetrio Zadán. The S and the Z don't sound any different from one another in Spanish there... His wife was Celia Herminia Piva. The oldest daughter, Angelica Maria Victoria Zadán was born in September 1939 (you can appreciate just how long it took for the news of Demetrio's wedding to rich his father in Ukraine! ). Monica Celia Victoria Zadán in NYC is the youngest of 3 daughters. The 2nd daughter, Alicia Ida Victoria Zadán, was born in 1942 and I can't resist adding at least one of their numerous immigration cards here. Isn't she adorable? </div>
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This Alicia Zadán, an artist, married <a href="https://www.independent.co.uk/news/people/juan-carlos-caceres-musician-who-made-paris-the-second-capital-of-tango-10303141.html" target="_blank">Juan Carlos Cáceres</a> in Paris, and co-organized his Tango Negro events with him. All the billboards of Tango Negro are Alicia's designs! (I'm attaching a video of her interview to the Spanish language service Radio France, given soon after her husband's death). This stuff just makes me speechless. Wow, don't these tango genes skip a generation sometimes?</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2T_geAtlNgIuoiTAA0wZIN9MC9G2uNH6rbGRMxp7XfXSOj1OT-xGFdRwjVVQxnBbnjRN2g4-vqsVXcjw7N6BTUWNEn0E28AToR_yJ3EiXQa_uL4ghNywdPx0VFgITNU-mGcK7y4SAMXA/s1600/Alicia-tango+Negro.jpg" imageanchor="1"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2T_geAtlNgIuoiTAA0wZIN9MC9G2uNH6rbGRMxp7XfXSOj1OT-xGFdRwjVVQxnBbnjRN2g4-vqsVXcjw7N6BTUWNEn0E28AToR_yJ3EiXQa_uL4ghNywdPx0VFgITNU-mGcK7y4SAMXA/s320/Alicia-tango+Negro.jpg" width="213" /></a> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhr7VnSfmTVBrVPfR9KuCNwQkcfLSfH0o2c6RO0EDYxrEByag8Or9ln2yRmaukQSuK75ka4462pn0z3WeEuiXQsRvBFNwPtAs-lOXj7CM9dKgfvyUJaEeiS4ChzUt_VUCTdJEXlBEXxgKA/s1600/Alicia+Zadan+Tango+Negro.jpg" imageanchor="1"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhr7VnSfmTVBrVPfR9KuCNwQkcfLSfH0o2c6RO0EDYxrEByag8Or9ln2yRmaukQSuK75ka4462pn0z3WeEuiXQsRvBFNwPtAs-lOXj7CM9dKgfvyUJaEeiS4ChzUt_VUCTdJEXlBEXxgKA/s320/Alicia+Zadan+Tango+Negro.jpg" width="227" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6cT0FhuHVaCr8AaFLUyNquO6-TEdvQu6GPRSS3MYBQgEZeV5q7A-rLL3nLyvCpEnJRqQ_C8EAqCXrMNVkHEm0JwPsAgI0sjxGpjiKlkWpxsvF5iu0-G8-6F-ZGb5OO25agVPGFb1Tkf1y/s1600/Julio-Nudler.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6cT0FhuHVaCr8AaFLUyNquO6-TEdvQu6GPRSS3MYBQgEZeV5q7A-rLL3nLyvCpEnJRqQ_C8EAqCXrMNVkHEm0JwPsAgI0sjxGpjiKlkWpxsvF5iu0-G8-6F-ZGb5OO25agVPGFb1Tkf1y/s320/Julio-Nudler.jpg" width="224" /></a>Having uncovered all that, I got a feeling that I already read somewhere about the Cáceres connection of "Gitana rusa". Another search and ... I grew speechless! It was right there in late Julio Nudler's 1998 book about the Jewish roots and personalities of Argentine tango. Yes, it was Juan Carlos Cáceres himself who showed Nudler the five yellowed pages of Shaul Zhadan's score, dated August 10, 1940. And Cáceres explained right then how he got into possession of this relic: that Demetrio Zadán was his father-in law! Demetrio the redhead newspaper editor and a friend of the poet Horacio Basterra (who signed his tango's "Sanguinetti"), explained Cáceres. Not some culture-averse financier as I read elsewhere. My interest was piqued.<br />
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The Uman-born son of Shevel Zhadan turned out to be a bright and outrageous journalist and poet, going by nickname Mitia (which is Russian diminutive for Dmitry - Demetrio). He cut his reporter's teeth as a teenage new immigrant under the mentorship of Jorge Luis Borges. The famous author, poet and culturologist worked then as an executive editor of a Saturday section of <i>Crítica.</i> Mitia Zadán joined the paper in June 1929, right out of high school. It was a very unusual paper, in some ways a tabloid with its 300,000 circulation and a gaudy colored design, but at the same time a conduit of high culture directed towards the wide masses of the porteños. The autobiographic sketch of "Mitia" Zadán's first days in journalism appeared there, too, as did his "Streets of Buenos Aires".<br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQYZ8DwIIOUaVn88Zg8xBp0l7zsFkUbfO4QEN3Mwslcfw_qWvLh2ua_HyOcE3qtVNPW5IasvNyNRZZnHRtS8PFsqq1SMc7l9zbVqsk0QDawaJARlS8yTSYF2kw2EYcWWNkWzQfTVln1nvA/s1600/Demetrio-zadan-trapecio.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQYZ8DwIIOUaVn88Zg8xBp0l7zsFkUbfO4QEN3Mwslcfw_qWvLh2ua_HyOcE3qtVNPW5IasvNyNRZZnHRtS8PFsqq1SMc7l9zbVqsk0QDawaJARlS8yTSYF2kw2EYcWWNkWzQfTVln1nvA/s400/Demetrio-zadan-trapecio.jpg" /></a>At the same time Demetrio-Mitia participated in the leftist youth's avant-garde magazine "Brújula" ("Compass"), "the monthly of arts and ideas", wrote poetry, and even published, in 1936, "Trapecio" - "a guide to the BsAs brothels in verse". No wonder he was friends with the great and scandalous tango poet Sanguinetti, who rewrote the lyrics of "Gitana rusa" and found the musicians willing to give the Ukrainian tango a try!<br />
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The details of little Mitia's long trip from Uman to Argentina turned out to be different, and more mysterious, than I thought, too. According to the family, mom abandoned him (and his father) just months after his birth, and went to Argentina. But the WWI flared up and separated the mother from her baby for nearly a decade! At last, the mother, who was by then happily married, sent for her redhead boy. The sources usually say that Demetrio was born in 1910, but sometimes, in 1912. I wondered if I could tell with more certainty about his parents and his birth from the vital records of Uman. Yet the mystery only deepened. I couldn't find his birth record in the Jewish books - but I discovered that Shevel Zhadan had a different boy with his legal wife - a different woman - in July 1913!<br />
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<tr><td class="tr-caption" style="text-align: center;">Motherland Monument at Mamayev Kurgan</td></tr>
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Shevel Zhadan's son Israel, born July 7, 1913, was named after Shevel's deceased father. He went to school in Uman, and in WWII escaped the Nazi offensive which killed his father and was called up for the Battle of Stalingrad. Israel Mikhail Zhadan served in anti-tank artillery and survived the deadly assault on Mamayev Kurgan, the blood-soaked hill overlooking Stalingrad's downtown, and the sweeping attack on Italian and Romanian auxiliaries of Wehrmacht on river Don West of town. But on January 17, 1943 his 6th Guards Army encountered stiff resistance of the regrouped Germans on the outskirts of Rostov. Israel Zhadan was grievously wounded and died in a military hospital 3 months later.<br />
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Israel was a son of Mirlya Zhadan, who acccording to the records was the first of the two legal wives of of Shevel Zhadan (he was a widower when he remarried in 1922). But whose son was "Mitia", then? It sounds like his parents weren't legally married before the break-up. Occasionally, I encountered "illegitimate" births in the Jewish vital books, but it didn't occur to me to check them. And, although cross-confession marriages weren't allowed then, the non-Jewish name Demetrio leaves open a possibility that his mom was Christian and, therefore, that his birth was recorded in different confession's books? Either way, if it was officially an illegitimate birth of a soon-abandoned child, then little Mitia could only have acquired his biological father's surname later, after the Bolshevik Revolution, when these possibilities opened up. The mysteries don't end,,,</div>
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MOCKBAhttp://www.blogger.com/profile/05150628026789690963noreply@blogger.com1tag:blogger.com,1999:blog-2217553257128682851.post-12972038909936634852019-02-20T18:21:00.000-08:002019-02-24T12:59:00.005-08:00Tango Snow and Fire weekend playlist, Jan 2019<div dir="ltr" style="text-align: left;" trbidi="on">
I have a feeling that I'm doing the playlist publication for the final time. The old-fashioned blog format is barely clinging to life in 2019, and my DJ aspirations have shrunk too, as the new generation of the local DJs has grown. And lastly, after so many years of comments about orchestras and songs, I rolled through some of the most important stories about the tango musicians, and the stories still left untold are kind of peripheral. In fact I couldn't make myself to format and comment this list for a whole month... but I finally got to it.<br />
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001. Enrique Rodriguez - Armando Moreno "No te quiero mas" 1940 2:18<br />
002. Enrique Rodriguez - Armando Moreno "En La Buena Y En La Mala" 1940 2:28<br />
003. Enrique Rodriguez - Armando Moreno "Llorar por una mujer" 1941 2:47<br />
004. Carlitos Rolan "Cuarteto2" 0:19<br />
<span style="color: red;">Get prepared to listen to Troilo's beautiful vals, "Flor de lino", "The flower of flax", often :) The beautiful celestial blue flower has become the mascot of our spring festival of tango. Let's all get excited about SLTF 2019 and welcome old friends of our community, Rod Relucio and Jenny Teters from Chicago, and first-time comers to Salt Lake Valley, Erin Malley and Doruk Golcu!!!</span><br />
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005. Anibal Troilo - Floreal Ruiz "Flor De Lino" 1947 2:49<br />
006. Aníbal Troilo - Floreal Ruiz, Edmundo Rivero "Lagrimitas de mi corazón" 1948 2:59<br />
007. Anibal Troilo - Edmundo Rivero "A unos ojos" 1949 3:10<br />
008. Los Iracundos "Puerto Montt rock" 1971 0:27<br />
009. Osvaldo Fresedo - Roberto Ray "Nieblas del riachuelo" 1937 2:25<br />
010. Osvaldo Fresedo - Roberto Ray "Sollozos" 1937 3:27<br />
011. Osvaldo Fresedo - Roberto Ray "Recuerdos De Bohemia" 1935 2:36<br />
012. Maya Kristalinskaya "A za oknom" 0:16<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5uGYjWPQCZ3aRgx2s0bWBGF-66BgU8JG4i7ntxaPJ1vcrAalzaKfPwFrGyBBASBcDpDMPWReyHIt7VmIrNBYCMJSG2setynkjXotMBlfOLNKeWnxHNFTgaTXTOy6drVKa4DoOYor0ix8q/s1600/Carlos%252BDi%252BSarli%252By%252BSu%252BOrquesta%252BTipica%252BCabarets_Orq_Carlos_Di_Sarli.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="268" data-original-width="360" height="238" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5uGYjWPQCZ3aRgx2s0bWBGF-66BgU8JG4i7ntxaPJ1vcrAalzaKfPwFrGyBBASBcDpDMPWReyHIt7VmIrNBYCMJSG2setynkjXotMBlfOLNKeWnxHNFTgaTXTOy6drVKa4DoOYor0ix8q/s320/Carlos%252BDi%252BSarli%252By%252BSu%252BOrquesta%252BTipica%252BCabarets_Orq_Carlos_Di_Sarli.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Di Sarli and his band, from <a href="http://tangosalbardo.blogspot.com/2013/04/los-bandoneones-de-di-sarli.html" target="_blank">tangosalbardo blog</a></td></tr>
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<span style="color: red;">January is a wonderful opportunity to celebrate Carlos Di Sarli, the unsurpassed genius of elegance. He was born in Bahia Blanca on January 7, 1903. From the very first records of his orchestra in 1940 to the very last ones in the late 1950s, Di Sarli had an amazing knack for taking really old, really rough tango of his childhood, and making them shine like gemstones. This trio of Old Guard tangos reinterpreted by Di Sarli some two decades after they were composed is no exception. The first and the last ones are compositions of Ediardo Arolas (who even called his Model T a "Cachila", after a sparrow-like bird), the middle track has been composed by José Martínez. </span><br />
013. Carlos Di Sarli - Instrumental "La Trilla" 1940 2:21<br />
014. Carlos Di Sarli - Instrumental "La Torcacita" 1941 2:37<br />
015. Carlos Di Sarli - Instrumental "La Cachila" 1941 2:46<br />
016. Soda Stereo "Corazon elator" 0:28<br />
<span style="color: red;">Ricardo Tanturi was born on January 27, 1905, in one of the poorest barrios of Buenos Aires. Like his start singer, Alberto Castillo, he was a medical school graduate, but like Castillo, he gave up practicing medicine to play tango. Tanturi didn't call his band an "orquesta tipica". Instead, it was called "Los Indios", "The Indians" - not after the native tribes but after the favorite sports club. They always opened each live performance with the eponymous tango! </span><br />
017. Ricardo Tanturi - Alberto Castillo "La Vida Es Corta" 1941 2:26<br />
018. Ricardo Tanturi - Alberto Castillo "Pocas palabras" 1941 2:27<br />
019. Ricardo Tanturi - Alberto Castillo "La copa del olvido" 1942 2:31<br />
020. Alla Pugacheva "Etot mir" 0:33<br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibhDcBewza9nAzscTjE_rGPsDT2AF7Ticczg6bB-2SDI4m3yM84zVc7iZnksLwzeffleRg1IqfEZ4uLzGn1rhLw6NGbNbENVE7gNvgHWYSm-YvJ_0_8-HgemCojMmssrVzcoCXCrL3vEzl/s1600/Francisco+Amor.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="258" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibhDcBewza9nAzscTjE_rGPsDT2AF7Ticczg6bB-2SDI4m3yM84zVc7iZnksLwzeffleRg1IqfEZ4uLzGn1rhLw6NGbNbENVE7gNvgHWYSm-YvJ_0_8-HgemCojMmssrVzcoCXCrL3vEzl/s320/Francisco+Amor.jpg" width="320" /></a><span style="color: red;">Humorous and energetic valses of the following tanda let me showcase another January birthday boy, the singer Francisco Amor who shares the birthday and the birth place with Carlos Di Sarli (January 7, 1906, Bahia Blanca). Of Amor's long and distinguished career, we remember the most his 3 years with Francisco Canaro.</span><br />
021. Enrique Rodriguez - El "Chato" Flores "Salud, Dinero Y Amor (Vals)" 1939 2:39<br />
022. Francisco Canaro - Francisco Amor "La zandunga" 1939 3:16<br />
023. Francisco Canaro - Francisco Amor "Cuando estaba enamorado" 1940 2:48<br />
024. "Entry of Winter" 0:37<br />
<span style="color: red;">Roberto Rufino, "the kid from Abasto", one of the signature voices of Di Sarli's orchestra, is also a January birthday boy (born January 6, 1922). These hits from the romantic revival period pioneered by Di Sarli late in 1941, and soon adopted by the rest of tango orchestras.</span><br />
025. Carlos Di Sarli - Roberto Rufino "Decíme Que Pasó" 1942 2:39<br />
026. Carlos Di Sarli - Roberto Rufino "Adios te vas" 1943 2:27<br />
027. Carlos Di Sarli - Roberto Rufino "Canta pajarito" 1943 3:16<br />
028. Gilda "Noches Vacias cortina" 0:22<br />
<span style="color: red;">Andrés Falgás, one of the quintessential voices of Biagi's orchestra, was born on January 15, 1916. A first-generation immigrant kid, he won his first tango prize at 17 and cut his first recording at 20. He spent most of his adult life touring Latin America. They made only 11 recordings in his mere 9 months of work together with Biagi, but these songs are spectacular.</span><br />
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<tr><td class="tr-caption" style="text-align: center;">Biagi and Falgas at Luna Park - from <a href="https://tangoarchive.com/2016/07/07/biagi-and-andres-falgas-at-luna-park/" target="_blank">Tangoarchive</a></td></tr>
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029. Rodolfo Biagi - Andrés Falgás "Queja Indiana" 1939 2:24<br />
030. Rodolfo Biagi - Andrés Falgás "A mí no me interesa" 1940 2:43<br />
031. Rodolfo Biagi - Andrés Falgás "Son cosas del bandoneon" 1939 2:44<br />
032. Vitas "7, the element cortina" 2012 0:23<br />
<span style="color: red;">Di Sarli and Rufino again. Favorite milongas.</span><br />
033. Carlos Di Sarli - Roberto Rufino "La Mulateada" 1941 2:22<br />
034. Carlos Di Sarli - Roberto Rufino "Pena Mulata" 1941 2:27<br />
035. Carlos Di Sarli - Roberto Rufino "Yo Soy De San Telmo" 1943 2:20<br />
036. Alla Pugacheva "Winter Night (Svecha gorela) cortina" 0:19<br />
<span style="color: red;">and we return to Francisco Amor's vocals - now in the genre of tango</span><br />
037. Francisco Canaro - Francisco Amor "Cuartito Azul" 1941 2:43<br />
038. Francisco Canaro - Francisco Amor "Copa de ajenjo" 1941 2:28<br />
039. Francisco Canaro - Francisco Amor "En esta tarde gris" 1941 2:58<br />
040. The Red Elvises "Cosmonaut Petrov 2 (-2 dB)" 1999 0:20<br />
041. Edgardo Donato - Horacio Lagos "Se Va La Vida" 1936 2:44<br />
042. Edgardo Donato - Horacio Lagos y Romeo Gavioli "Amando en silencio" 1941 2:51<br />
043. Edgardo Donato - Lita Morales y Romeo Gavioli "Yo Te Amo" 1940 2:50<br />
044. Alla Pugacheva "Etot mir" 0:33<br />
<span style="color: red;">... and to the voice of Andrés Falgás, with valses</span><br />
045. Rodolfo Biagi - Andrés Falgás "El último adiós" 1940 2:09<br />
046. Rodolfo Biagi - Andrés Falgás "Dichas que viví" 1939 2:17<br />
047. Rodolfo Biagi - Andres Falgas "Dejame amarte aunque sea un dia" 1939 2:55<br />
048. Gilda "Noches Vacias cortina" 0:22<br />
<span style="color: red;">Paying homage to Di Sarli's earliest records, from before the Great Depression made him quit the bandleader job for much of the 1930s...</span><br />
049. Sexteto Carlos di Sarli - Instrumental Carlos Di Sarli "Belen" 1929 2:44<br />
050. Sexteto Carlos di Sarli - Ernesto Fama Carlos Di Sarli "Flora" 1930 2:38<br />
051. Orquesta Tipica Victor (dir. A. Carabelli) - Instrumental "Coqueta" 1929 2:47<br />
052. Gogol Bordello "Pala Tute cortina 1" 2012 0:18<br />
<span style="color: red;">Tanturi's orchestra is best known by their vocal records, and when I play his instrumentals, it often ends up being a mixed vocal / instrumental set. But tonight, we are going for a whole tanda</span><br />
053. Ricardo Tanturi - Instrumental "Argañaraz" 1940 2:22<br />
054. Ricardo Tanturi - Instrumental "El buey solo" 1941 2:45<br />
055. Ricardo Tanturi - Instrumental "Una Noche De Garufa" 1941 2:29<br />
056. Lidiya Ruslanova "Valenki 3 (cortina)" 0:24<br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIoSeY3eRoZYN5S2Yl_1C1cOvB6ZBceufxK-stnsKP9dg_OtFV_O3PQMwHYecZZhQMmD7DdOKuMxT06AUaqt5HVvyDcr_I0WBhTZATKUpk-iz4MoA1LIVH_0Qq_85_Zkd9pADb2Nmo36rD/s1600/epellejero.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="187" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIoSeY3eRoZYN5S2Yl_1C1cOvB6ZBceufxK-stnsKP9dg_OtFV_O3PQMwHYecZZhQMmD7DdOKuMxT06AUaqt5HVvyDcr_I0WBhTZATKUpk-iz4MoA1LIVH_0Qq_85_Zkd9pADb2Nmo36rD/s200/epellejero.jpg" width="200" /></a><span style="color: red;">With the Uruguayan milonga tanda, I get a chance to celebrate Emilio Pellejero. As it usually happens with Uruguay, records are sparse (just 7 over 6 years!) and of uneven quality. And bios are a mystery. A birthday of January 1, 1911 is given, and it's about as much as I could figure out. But what a milonga!</span><br />
057. Emilio Pellejero - Enalmar De Maria "Mi Vieja Linda" 1941 2:26<br />
058. Ángel Sica - Roméo Gavioli "Rebeldia" 1942 2:20<br />
059. Miguel Villasboas - Instrumental "La Milonga Que Hacia Falta" 1961 2:18<br />
060. Alla Pugacheva "Winter Night (Svecha gorela) cortina" 0:19<br />
061. Osvaldo Fresedo - Roberto Ray "Ojos tristes | Ojos muertos" 1938 2:37<br />
062. Osvaldo Fresedo - Roberto Ray "Dulce amargura" 1938 2:29<br />
063. Osvaldo Fresedo - Roberto Ray "Angustia" 1938 2:39<br />
064. Victor Tsoy "Gruppa Krovi (cortina long)" 0:36<br />
065. Fervor de Buenos Aires "Quien Sos" 2007 3:08<br />
066. Fervor de Buenos Aires "E.G.B." 2007 2:26<br />
067. Ojos De Tango "El Adios" 2011 3:13<br />
068. Gilda "No Me Arrepiento de Éste Amor cortina long" 0:40<br />
069. Color Tango "Illusion de mi vida" 2005 3:00<br />
070. The Alex Krebs Tango Sextet "Romance de Barrio" 2011 2:41<br />
071. Osváldo Pugliese "Desde El Alma" 1943 2:56<br />
072. Alla Pugacheva "Million Scarlet Roses" 1982 0:19<br />
<span style="color: red;">We return to Tanturi's best hits - now the melodic ones, with the vocal of Enrique Campos</span><br />
073. Ricardo Tanturi - Enrique Campos "La Abandone Y No Sabia" 1944 2:50<br />
074. Ricardo Tanturi - Enrique Campos "Oigo Tu Voz" 1943 3:07<br />
075. Ricardo Tanturi - Enrique Campos "Que Nunca Me Falte" 1943 2:42<br />
076. Alla Pugacheva "Etot mir" 0:33<br />
<span style="color: red;">Hector Varela, born on Jan 29, 1914, with his dramatic hits of the 1950s, is a perfect match for the crazy last hours of a good tango event. One may forget that Varela was a disciple, and arranger for, Juan D'Arienzo, and directed his own rhythmic, youthful tangos in the 1930s. </span><br />
077. Hector Varela - Argentino Ledesma "Fueron tres años" 1956 3:26<br />
078. Hector Varela - Argentino Ledesma "Muchacha" 1956 3:19<br />
079. Hector Varela - Argentino Ledesma "Si me hablaras corazon" 1956 3:18<br />
080. Zhanna Aguzarova "Old Hotel" 1987 0:22<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzU4dZ1KvcmK4sYslYo5ZimVGJNBZlM1dC260w95Die6phI73VnrRBCSMCVZED2Ia_VZwVK_A0Hek_Y-FoAARD_mFmxNDySMRvMrJs3xZ9hcp7wth_IoTwyGsv1BSkR6a3nR61o9pxlS37/s1600/Atahualpa-Yupanqui.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="196" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzU4dZ1KvcmK4sYslYo5ZimVGJNBZlM1dC260w95Die6phI73VnrRBCSMCVZED2Ia_VZwVK_A0Hek_Y-FoAARD_mFmxNDySMRvMrJs3xZ9hcp7wth_IoTwyGsv1BSkR6a3nR61o9pxlS37/s400/Atahualpa-Yupanqui.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Atahualpa Yupanqui in Paris, from <a href="https://www.clarin.com/cultura/guardian-tesoro-atahualpa-yupanqui_0_rJsra5Wcf.html" target="_blank">Clarin</a></td></tr>
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<span style="color: red;">It's time to pay homage to the great Argentine folklore singer Atahualpa Yupanqui (born Héctor Roberto Chavero on Jan 31, 1908). A son of a mestizo father, he adopted the names of Inca royals for his scenic names. Communist beliefs caused Atahualpa Yupanqui many years of exile and many arrests, but he worked tirelessly to promote the folk motifs of the Pampas, including Southern, or Pampas, milonga style which permeates this slow milonga tanda. "Los Ejes De Mi Carreta", composed and frequently performed by Yupanqui, has been recorded by such classic tango orchestras as Canaro and Troilo, but I am more partial to this contemporary Peruvian cover:</span><br />
081. Paco Mendoza & DJ Vadim "Los Ejes De Mi Carreta" 2013 3:23<br />
082. Hugo Diaz Trio "Milonga Para Una Armonica" 1974 4:24<br />
083. QTango Erskine Maytorena Qtango "Milonga Triste" 2011 4:17<br />
084. Zhanna Aguzarova "Miracle Land cortina" 0:31<br />
085. Edgardo Donato - Romeo Gavioli y Lita Morales "Mi Serenata" 1940 3:01<br />
086. Edgardo Donato - Horacio Lagos, Lita Morales y Romeo Gavioli "Sinfonía De Arrabal" 1940 3:09<br />
087. Edgardo Donato - Horacio Lagos y Lita Morales "Carnaval De Mi Barrio" 1939 2:23<br />
088. Edgardo Donato - Horacio Lagos y Lita Morales "Sinsabor" 1939 2:53<br />
089. Zhanna Aguzarova "Zvezda (The Star)" 1984 0:28<br />
<span style="color: red;">Violinist and bandleader Florindo Sassone was born an Jan 12, 1912 in Buenos Aires. A disciple of Fresedo and a fan of Di Sarli, Sassone was a master of melodic elegance in his own right. He made a stellar tango career in the 1930s, but, just as the tango music scene was beginning to get crowded by 1940, the 28 years old musician called it quits. So Sassone missed being a part of Tango's Golden Age. Yet he came back and organized his own orchestra again in the late 40s, and gradually returned to fame. And carried the flame of tango through its darkest era of the 1960 and 1970s, innovating, bringing tango to the international audiences, even remixing several antebellum European hits in the authentic Argentine style. Such tangos as The Song Of The Rose from the movie Casablanca, or Tango Notturno from the eponymous German talkie. But the one most dear to my heart is, of course, his cover of the 1928 Russian hit, "Ojos Negros". </span><br />
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090. Florindo Sassone - Instrumental "Ojos Negros (Oscar Strok)" 1968 2:28<br />
091. Florindo Sassone - Instrumental "Adios corazon" 1968 2:16<br />
092. Florindo Sassone - Instrumental "Bar Exposicion" 1968 3:26<br />
093. Soda Stereo "Profugos" 0:33<br />
094. Enrique Rodriguez - El "Chato" Flores "Las Espigadoras" 1938 2:47<br />
095. Enrique Rodriguez - El "Chato" Flores "Los Piconeros (Vals)" 1939 2:47<br />
096. Enrique Rodriguez - Armando Moreno "En el volga yo te espero" 1943 2:40<br />
097. Alla Pugacheva "Winter Night (Svecha gorela) cortina" 0:19<br />
<span style="color: red;">we close the tributes with a beautiful dramatic vocal tanda of Di Sarli's late years</span><br />
098. Carlos di Sarli - Mario Pomar "Patotero sentimental" 1953 3:02<br />
099. Carlos di Sarli - Mario Pomar "No me pregunten por qué" 1952 3:33<br />
100. Carlos di Sarli - Mario Pomar "Duelo Criollo" 1953 2:25<br />
101. Soda Stereo "En la ciudad de furia" 0:24<br />
102. Donato Racciatti - Olga Delgrossi "Hasta siempre amor" 1958 2:57<br />
103. Donato Racciatti - Olga Delgrossi "Queriendote" 1955 2:49<br />
104. Donato Racciatti - Olga Delgrossi "Sus Ojos Se Cerraron" 1956 2:47<br />
105. Viktor Tsoy "Good morning, last Hero cortina long" 1989 0:35<br />
106. Alfredo de Angelis - Instrumental "Mi Dolor" 1959 2:51<br />
107. Alfredo de Angelis - Instrumental "Pavadita" 1958 2:53<br />
108. Alfredo de Angelis - Instrumental "Felicia" 1969 2:48<br />
109. Alfredo de Angelis - Instrumental "La cumparsita (Matos Rodríguez)" 1961 3:35<br />
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MOCKBAhttp://www.blogger.com/profile/05150628026789690963noreply@blogger.com2tag:blogger.com,1999:blog-2217553257128682851.post-54345645702071254922018-12-21T20:59:00.000-08:002018-12-21T20:59:22.166-08:00Junando Practica playlist, December 2018<div dir="ltr" style="text-align: left;" trbidi="on">
It feels so good to see the friends and fool around with the music :)<br />
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01. Paco Mendoza & DJ Vadim "Los Ejes De Mi Carreta" 2013 3:23<br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4ebGSfxABY8XQ8hv1SEJdV-bIDfNtqfgZaJkSQPM_u7ODmenhCQJihWdVGEiHG0SxxR7-QRMDrdhWHfY4qmjyUYCE_JQWfdQbONR7u0_rBTt6LncQjaV5OR94le22bGceo32Vb-cYck15/s1600/d%2527arienzo.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="212" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4ebGSfxABY8XQ8hv1SEJdV-bIDfNtqfgZaJkSQPM_u7ODmenhCQJihWdVGEiHG0SxxR7-QRMDrdhWHfY4qmjyUYCE_JQWfdQbONR7u0_rBTt6LncQjaV5OR94le22bGceo32Vb-cYck15/s320/d%2527arienzo.jpg" width="320" /></a><span style="color: red;">D'Arienzo's birthday is December 14, and with his decades at the helm of orchestras, evolving styles, and never-wavering dedication to the rhythm, he's a great guy to celebrate in a playlist! And we start with the formative years of his orchestra, when his fresh, exuberant, youthful music exploded the atmosphere at El Chatecler and before his crazy pianist Rodolfo Biago left to convene his own band. </span><br />
02. Juan D'Arienzo - Instrumental "La viruta" 1936 2:20<br />
03. Juan D'Arienzo - Instrumental "Champagne tango" 1938 2:26<br />
04. Juan D'Arienzo - Instrumental "Ataniche" 1936 2:32<br />
05. Zhanna Aguzarova "Zvezda (The Star)" 1984 0:28<br />
06. Carlos Di Sarli - Instrumental "La Trilla" 1940 2:21<br />
07. Carlos Di Sarli - Instrumental "Shusheta" 1940 2:22<br />
08. Carlos Di Sarli - Instrumental "Nobleza De Arrabal" 1940 2:07<br />
09. Carlitos Rolan "Cuarteto2" 0:19<br />
<span style="color: red;">Same eye-opener era of D'Arienzo Revolution. Unbelievable valses.</span><br />
10. Juan D'Arienzo - Instrumental "Pasion" 1937 2:37<br />
11. Juan D'Arienzo - Instrumental "Corazon De Artista" 1936 2:19<br />
12. Juan D'Arienzo - Instrumental "Mentias" 1937 2:19<br />
13. Soda Stereo "En la ciudad de furia" 0:24<br />
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<span style="color: red;">December 11th also marks Carlos Gardel's birthday - and the Day of Tango celebration. Of course Gardel's isn't quite the tango we dance to ... but I am ready to celebrate his with a super-hit which started his tango career in 1917. The song which marked the birth of the genre of tango cancion, of the fusion of poetry and music like never existed in tango before - "Mi noche triste". Let's dance to Canaro's excellent cover!</span><br />
14. Francisco Canaro - Roberto Maida "Mi Noche Triste" 1936 2:44<br />
<span style="color: red;">and the second song of this Canaro-Maida tanda shall be Russian-inspired "Ojos negros", a traveling musical motif to which I devoted <a href="https://humilitan.blogspot.com/2018/01/ojos-negros-que-fascinan-from-1830s-to.html" target="_blank">too many hours of research</a> :)</span><br />
15. Francisco Canaro - Roberto Maida "Ojos negros que fascinan" 1935 2:51<br />
16. Francisco Canaro - Roberto Maida "Condena (S.O.S.)" 1937 2:39<br />
17. Rodrigo "Cuarteto" 0:29<br />
<span style="color: red;">Rhythmic yet complex, the songs of D'Arienzo's mature period are among my top favorites:</span><br />
18. Juan D'Arienzo - Hector Maure "Enamorado (Metido)" 1943 2:33<br />
19. Juan D'Arienzo - Hector Maure "Infamia" 1941 3:05<br />
20. Juan D'Arienzo - Hector Maure "El olivo (El olvido)" 1941 2:51<br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlh10zrKdVbFZHZAuG0wtzCBa1_YSOf_V_X_VynGVgFIk1oD3rssKRNPWkPS6pan-SzrJ9aq9ttEf0yJogb6SG4v7troWlV3znS44ehB8nivAY_iSdXqLguSRgWqg6CAyLGfCuK0mtya8H/s1600/piana.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlh10zrKdVbFZHZAuG0wtzCBa1_YSOf_V_X_VynGVgFIk1oD3rssKRNPWkPS6pan-SzrJ9aq9ttEf0yJogb6SG4v7troWlV3znS44ehB8nivAY_iSdXqLguSRgWqg6CAyLGfCuK0mtya8H/s200/piana.jpg" width="150" /></a>21. Alla Pugacheva "Etot mir" 0:33<br />
<span style="color: red;">We are only 3 weeks past the 115th anniversary of birth of Sebastian Piana, the composer who stubbornly created the whole genre of milongas for dancing, and who just wouldn't let the society reject the newborn milongas. Let's celebrate with Piana's earliest, slowest milonga compositions!</span><br />
22. Francisco Canaro - Ernesto Famá "Milonga Sentimental" 1933, 1933 3:10<br />
23. Francisco Canaro - Ernesto Famá "Milonga Del 900" 1933 2:54<br />
24. Francisco Canaro - Roberto Maida "Milonga criolla" 1936 3:00<br />
25. Tatyana Kabanova "Mama, ya zhulika lyublyu cortina" 0:21<br />
26. Edgardo Donato - Horacio Lagos "El Adios" 1938 3:09<br />
27. Edgardo Donato - Romeo Gavioli y Lita Morales "Mi Serenata" 1940 3:02<br />
28. Edgardo Donato - Horacio Lagos, Lita Morales y Romeo Gavio "Sinfonia de Arrabal" 1940 3:09<br />
29. Soda Stereo "En la ciudad de furia" 0:24<br />
<span style="color: red;">I started a tanda of instrumental music of early D'Arienzo and quickly realized that it's a bit out of place for the middle of the evening ... just a tad too straightforward at a time in the energy wave when something more complexly rhythmic would make a better fit. OK, fixing it mid-tanda then.</span><br />
<span style="color: red;">30. Juan D'Arienzo - Instrumental "Joaquina" 1935 3:01</span><br />
31. Edgardo Donato - Horacio Lagos "A oscuras" 1941 2:48<br />
32. Edgardo Donato - Horacio Lagos "Lagrimas" 1939 2:50<br />
33. Carlitos Rolan "Cuarteto2" 0:19<br />
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<span style="color: red;">Get prepared to listen to Troilo's beautiful vals, "Flor de lino", "The flower of flax", often :) The beautiful celestial blue flower has become the mascot of our spring festival of tango. Let's all get excited about SLTF 2019 and welcome old friends of our community, Rod Relucio and Jenny Teters from Chicago, and first-time comers to Salt Lake Valley, Erin Malley and Doruk Golcu!!!</span><br />
34. Anibal Troilo - Floreal Ruiz "Flor De Lino" 1947 2:49<br />
35. Anibal Troilo - Floreal Ruiz "Romance De Barrio" 1947 2:35<br />
36. Anibal Troilo - Alberto Marino y Floreal Ruiz "Palomita Blanca" 1944 3:20<br />
37. Zhanna Aguzarova "Zvezda (The Star)" 1984 0:28<br />
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<tr><td class="tr-caption" style="text-align: center;">Roberto Ray, 1935.<br />From <a href="http://tangosalbardo.blogspot.com/2013/05/roberto-ray.html" target="_blank">tangos al bardo blog</a></td></tr>
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<span style="color: red;">On December 21, we celebrate the birthday of Roberto Ray, one of the truly indispensable voices of the formative years of vocal tango. In the 1920s, the dancing public believed that vocal tangos were only good for listening, and that a voice of a singer only distracted the dancers; at most, a few lines of a refrain were permitted to be sung. Then, together with such amazing talents as Francisco Fiorentino and Angel Vargas, Roberto Ray helped transformed the early, mostly instrumental danceable tango songs into a seamless union of the vocalist and the orchestra. Having started with Fresedo's orchestra in 1931, Roberto Ray was the first to blaze this path. The Argentines tend to believe that Ray didn't go far enough, that his singing retained too much of the operatic, Italian kind of a sweet flavor, and that only Fiorentino and Vargas mastered the rougher, more national vibe of singing. Still it was Roberto Ray's work which prepared the fertile ground for their success. Let's not forget that very few Argentine orchestras survived the disruptions of the Great Depression and continued to record through the mid-1930s. And in those trying times, Fresedo's remained the most elegant of the surviving bands!</span><br />
<span style="color: red;">Ray was born Roberto Raimondo on December 21, 1912, and he already had strong experience as an estribillista (refrain-singer) when he joined Fresedo's orchestra at the age of 19 in 1931. The times were very tough for the tango musicians, but the sweet, European voice of Ray (which never betrayed his barrio roots) helped Fresedo win the gigs with the rich and famous of the day. They stayed together for 8 years straight, and then Roberto Ray returned to Osvaldo Fresedo two more times. For tonight, I'm going to play the hits of the late 1930s, when Fresedo fully mastered inclusion of harp into the orchestra. It's just so breathtakingly beautiful!</span><br />
38. Osvaldo Fresedo - Roberto Ray "Angustia" 1938 2:<br />
39. Osvaldo Fresedo - Roberto Ray "No Quiero Verte Llorar" 1937 2:42<br />
40. Osvaldo Fresedo - Roberto Ray "Nieblas del riachuelo" 1937 2:25<br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8r4KFSPad_rXteJwVpytERUCDYerT3dMr_oTKS6FNPX3QxTrBwq1GojHfYjy3QcA_O8FeENayQFGBeeQuex9Qwu81rr3WJR0TGh-Hg8RRNJCwXh08LMu0D2uUIKnk5GN6Yfq8DfXeuRAt/s1600/hduval.gif" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8r4KFSPad_rXteJwVpytERUCDYerT3dMr_oTKS6FNPX3QxTrBwq1GojHfYjy3QcA_O8FeENayQFGBeeQuex9Qwu81rr3WJR0TGh-Hg8RRNJCwXh08LMu0D2uUIKnk5GN6Yfq8DfXeuRAt/s400/hduval.gif" /></a>41. Aya RL "Skora" 0:33<br />
<span style="color: red;">Hugo Duval was born on December 13, 1928. This December "birthday kid" was still a little child, indeed, when tango went through the height of its Golden Years. Duval started singing professionally at 17, and at 21, he joined Biagi's orchestra - and stayed with Don Rodolfo until the great pianist's death. Biagi's quarter century at the help of the orchestra had many amazing high points of evolving styles, and Duval's late-1950s hits, tragic and rhythmic at the same time, are definitively among the must-play Biagi recordings.</span><br />
42. Rodolfo Biagi - Hugo Duval "Solamente dios y yo" 1958 2:33<br />
43. Rodolfo Biagi - Hugo Duval "Alguien" 1956 3:14<br />
44. Rodolfo Biagi - Hugo Duval "Esperame en el cielo" 1958 2:52<br />
45. Harry Roy "South American Joe cortina 1" 0:26<br />
<span style="color: red;">I haven't played candombe milongas for too long! (And thank you Laura for a great tanda!)</span><br />
46. Miguel Caló - Raúl Berón "Azabache" 1942 3:03<br />
47. Alberto Castillo "El Gatito en el Tejado" 1957 2:37<br />
48. Romeo Gavioli "Tamboriles" 1956 2:56<br />
49. Adam Aston "Nikodem" 0:20<br />
50. Francisco Lomuto - Jorge Omar "Madreselva" 1938 2:39<br />
51. Francisco Lomuto - Jorge Omar "Por La Vuelta" 1939 2:34<br />
52. Francisco Lomuto - Jorge Omar "Mano a mano" 1936 3:16<br />
53. Soda Stereo "En la ciudad de furia" 0:24<br />
54. Enrique Rodriguez - Armando Moreno "Tango argentino" 1942 2:37<br />
55. Enrique Rodriguez - Armando Moreno "El encopao" 1942 2:34<br />
56. Enrique Rodriguez - Armando Moreno "Danza maligna" 1940 2:25<br />
57. Alla Pugacheva "Etot mir" 0:33<br />
<span style="color: red;">December is also the birthday month of Manuel Buzón (December 18, 1904 – July 14, 1954). A singer, pianist, and orchestra director, he's been involved with tango professionally since the age of 11, in Argentina and abroad, but his band has left only a handful of quality records, and so it's largely forgotten today. Tonight, I selected just one vals to commemorate this great musician. Let it be a mixed tanda of ever-more-energizing valses! Bailemos?</span><br />
58. Manuel Buzón - Osvaldo Moreno "Pichon enamorado" 1942 2:18<br />
59. Alberto Castillo "Idilio Trunco" 1946 2:06<br />
60. Edgardo Donato - Horacio Lagos, Lita Morales, Romeo Gavioli "La shunca" 1941 2:35<br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgP0fY5NRAQMKDLVHfN0f0Nk5Q6RGiYmlxwpjtNgqr_BtZEXAu8PnAh-0frPT4PD9u9PBX-KDmcZM9fea3XBEOl9Bd7Sm-fD9Chm3NS7bzwFre6-4kIyL5jLS8HR0lYiNnaX2ZUYgqvQuRI/s1600/OsvaldoPugliese.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgP0fY5NRAQMKDLVHfN0f0Nk5Q6RGiYmlxwpjtNgqr_BtZEXAu8PnAh-0frPT4PD9u9PBX-KDmcZM9fea3XBEOl9Bd7Sm-fD9Chm3NS7bzwFre6-4kIyL5jLS8HR0lYiNnaX2ZUYgqvQuRI/s400/OsvaldoPugliese.jpg" /></a>61. Zhanna Aguzarova "Zvezda (The Star)" 1984 0:28<br />
<span style="color: red;">And of course Osvaldo Pugliese is also to be celebrated in December! Born December 2, 1905, he grew to symbolize the greatness of tango and the freedom against oppression. One really can't give tribute to Pugliese's genius in one short paragraph! Perhaps you can follow the blog label to read what I have written about Saint Pugliese before ... and of course just one tanda can't do him justice. </span><br />
62. Osvaldo Pugliese - Roberto Chanel "Rondando Tu Esquina" 1945 2:49<br />
63. Osvaldo Pugliese - Roberto Chanel "Corrientes Y Esmeralda" 1944 2:49<br />
64. Osvaldo Pugliese - Roberto Chanel "La Abandone Y No Sabia" 1944 3:12<br />
65. Lyube "Bat'ka Makhno cortina 1" 0:18<br />
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<tr><td class="tr-caption" style="text-align: center;">Carlos Lazzari leading D'Arienzo memorial orchestra</td></tr>
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<span style="color: red;">We are finishing the night with the rhythmic madness and Pugliese-inspired suspense of very late D'Arienzo (and I must admit that I've been fooled by a mistaken annotation of one of the tracks in my collection, and played one recording of a band of D'Arienzo aficionados instead of the original ... although this band was anointed by King of the Beat himself in 1972 ... and its director, bandoneonist Carlos Lazzari, has been born in December too, on Dec. 9 1925, so it's only fair to celebrate him tonight) </span><br />
66. Los Solistas de D'Arienzo "El huracan" 1984 2:17<br />
67. Juan D'Arienzo - Instrumental "Zorro gris" 1973 2:03<br />
68. Juan D'Arienzo - Instrumental "Este Es El Rey" 1971 3:12<br />
69. Juan D'Arienzo - Instrumental "La Cumparsita" 1955 3:44<br />
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MOCKBAhttp://www.blogger.com/profile/05150628026789690963noreply@blogger.com1tag:blogger.com,1999:blog-2217553257128682851.post-12854205260298292352018-11-27T08:50:00.001-08:002020-02-23T12:01:55.984-08:00Tracing Russian roots of Argentine Tango<div dir="ltr" style="text-align: left;" trbidi="on">
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Does tango <i>really</i> have any Russian origins? In addition to the layers of Spanish, Italian, African etc. roots? I gave a talk about it in Russian, but I suspect that the English-speaking tango lovers might be interested too. The following is a brief summary of my <a href="http://letras-de-tango-en-ruso.blogspot.com/2018/10/blog-post.html" target="_blank">presentation in Tyumen, Siberia, on October 19, 2018</a>, followed by a "mini-longa" playlist.<br />
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Argentina, the nation of immigrants ... even its signature cultural heritage, the tango, is<a href="http://humilitan.blogspot.com/2016/12/tango-mankinds-most-unusual-heritage.html" target="_blank"> officially defined as a product of interaction and cross-fertilization of many cultures</a>. Among the Europeans, Spain, Italy and France contributed the most. But "<i>los rusos</i>", the immigrants from the former Russian Empire (primarily Jewish), added quite a bit to the development of tango, too. Primarily through the poetry, through the sound of violin, and through the direct influences of Russian romance music.<br />
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The most influential of El Ruso poets was Luis Rubistein, a son of immigrant family from Ekaterinoslav.<br />
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<tr><td class="tr-caption" style="text-align: center;">Луис Рубистейн</td></tr>
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Let's listen to his top songs - a beautifully nostalgic and at the same optimistic "Carnaval de mi barrio", subtitled "A street landscape in the style of tango"; a dark and hopeless tragedy of "Charlemos" where the final line is rumored to have meant "Forgive me for being Jewish" for the poet's circle; and "Samaritana", a vals of heartbreaking pain which finds a secret consolation.<br />
(While we are talking about poetry, may I call your attention to <a href="http://www.tangotranslation.com/" target="_blank">the database of tango translations</a>? )<br />
01. Edgardo Donato - Horacio Lagos y Lita Morales "Carnaval De Mi Barrio" 1939 2:25<br />
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02. Carlos Di Sarli - Roberto Rufino "Charlemos" 1941 2:29<br />
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03. Los Provincianos (Ciriaco Ortiz) - Alberto Gomez "Samaritana (vals)" 1932 2:58<br />
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<tr><td class="tr-caption" style="text-align: center;">Raul Kaplun orchestra</td></tr>
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The 1940s are the high point of tango's Golden Age. It brought together the crazy rhythmic beat of the "D'Arienzo revolution" and the romantic lyricism of the violins. Especially the Jewish violins. Perhaps the most significant violin virtuoso of this period was Raul Kaplun, a son of immigrants from Kishinev. Together with the leader of their orchestra, Lucio Demare, Raul Kaplun led a veritable anti-D'Arienzo counterrevolution, fighting for the purity and tenderness of feelings of tango music and poetry. And their true manifesto is a beautiful tango composed by Kaplun, entitled exactly like this: "Una emocion", "A feeling".<br />
04. Lucio Demare - Raúl Berón "Una Emocion" 1943 2:41<br />
The historic video is almost 25 years old; the dancer is no one else but Saint Gavito, a tireless tango proselytizer of the 1990s who considered this song to be a symbolic representation of tango at large.<br />
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Simon Bajour is another must-mention tango violinist. Growing up in a town near Warsaw, Bajour fell in love with folksy, Balkan and Gypsy sounds of the violin he first heard on radio. After escaping to Argentina, he combined the paths of a classic violinist and a tango musician - and never forgot his folklore roots. Perhaps you were lucky to witness how, in some Hungarian or Serbian tavern, violinists try to outdo one another, and suddenly one of the violins breaks into cow's moo, another one responds by dog's barking, and the third counters with the dawn thrills of a nightingale? There are no nightingales in the Americas, and the Argentines may not even recognize the sound, but in Di Sarli's "El amanecer" ("The sunrise") Bajour's violins sings like a creekside nightingale back home.<br />
05. Carlos Di Sarli - Instrumental "El Amanecer" 1951 2:29<br />
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Since we already mentioned the Roma tunes, I have to tell a few more words about the Gypsy romances which influenced Russian music, and, by extension, tango in Argentina. I only mentioned one example in my lecture, and asked the tangueros to recognize more Roma motifs, so familiar to a Russian ear, later during the mini-milonga. The seminal role of the Gypsy choirs, especially the famed Count Orloff choir, in the development of Russian national romance is fairly well known in the old country. But it is a much wider regional phenomenon all across Eastern Europe. The folk music of all the ethnic groups living alongside with the Roma developed under the influence of Gypsy bands. One of my favorite examples is an American immigrant musician, Misha Tsiganoff, who is famous for his original Jewish klezmer compositions. So much so that many people believed that he was Jewish (but you can probably guess from the image his tombstone that it can't be further from the truth). Well, it turned out that Mishka had nearly two dozen artistic names, which all meant about the same "Mike the Gypsy" in various languages he sang in. If he recorded a song in Lithuanian, he used a Lithuanian name; for a Hungarian song, he was a Hungarian; same in Polish, Serbian, Romanian and so on! Another amazing story was a tale of a Maramuresh Roma musician who explained how they'd arrange the same piece differently for different ethnic and social groups, always making the song at home with their listeners. With a wink, he introduced the final arrangement as "a socialist realism creation for the Communist party bosses" :)<br />
The Russian Gypsy romance below is instantly recognized by any Russian. You probably recognize it too...<br />
06. Imperio Argentina "Ojos Negros romanza rusa" 1934 3:39<br />
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This recording wasn't issued on a single. It was a kind of Youtube of the 1930s - a short "talkie" movie clip, likely the first one in Spanish, starring this black-curled dark-eyed Argentine beauty. The classic Russian Gypsy romance have been arranged into tango by a Spanish German composer. I described the story of the international migrations of "Ojos Negros" in great detail <a href="https://humilitan.blogspot.com/2018/01/ojos-negros-que-fascinan-from-1830s-to.html#Rey" target="_blank">on this blog</a>. Of course, for us dancers, the most familiar recording is different:<br />
07. Francisco Canaro - Roberto Maida "Ojos negros que fascinan" 1935 2:51<br />
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<tr><td class="tr-caption" style="text-align: center;">"Wilno Carnival" - <br />
a rare edition of Florian Hermann's sheet music,<br />
glorifying his hometown</td></tr>
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The "Dark eyes" had a really long history in Russia before the song became tango; it started from Valse Hommage, a popular score by Florian Hermann, a mysterious XIX c. composer. Just a few weeks ago, in the famous Pashkov House in Moscow, in an ornate library hall overlooking the Kremlin, I touched the first music score editions of the 1880s which turned Hermann's waltz into a Gypsy romance. And then in the National Library of Lithuania in Vilnius, I was privileged to see more rare sheet music of Hermann, the now-forgotten native son of Vilnius, and to confirm, for the first time, the span of Hermann's life (1822-1892). Looking for "the real historical Florian Hermann" was quite a quest of mine; <a href="https://humilitan.blogspot.com/search/label/Florian%20Hermann" target="_blank">you can read more in my blog</a>.<br />
Back to the "Dark Eyes" now ... in the 1930s, the song morphed not only into Argentine tango but also to a top-rated Russian tango song ... with its own distant echo in Argentine, but much later in the 1960s.<br />
08. Frank Fox - Piotr Leschenko "Chernye Glaza (Dark Eyes)" 1933 3:15<br />
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09. Florindo Sassone - Instrumental "Ojos Negros (Oscar Strok)" 1968 2:28<br />
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Another "migrant tango" even got the title of "Russian Gypsy", "Gitana rusa". It is directly based on a composition with Russian lysrics smuggled into Argentina through the port of Odessa. But why is it subtitled "European tango", rather than "Russian"?<br />
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This Russian Gypsy turns out to have a really tragic story. Its creator, <a href="http://humilitan.blogspot.com/2019/03/the-time-and-place-of-saverio-sadan.html" target="_blank">Saul Zhadan, a fiddler from Uman</a>, has been murdered along with the rest of town's Jews in mass executions in the fall 1941. Zhadan's son Demetrio emigrated to Argentina (one has to remember that the United States virtually closed its doors to Eastern European immigration after 1923, so refugees from the Soviet Union had to go to South America instead). The father sent his son a wedding present - a tango! Entitled "Your eyes", it was dedicated to the bride, "beautiful Celia". The groom didn't seem to appreciate it at first, especially because the song's travel by steamers was too slow and it arrived late for the wedding. But in 1941, sensing that his father was no longer alive, Demetrio decided to donate his music into the good hands of tango musicians. Only, no one knew what the map of Europe will look like after the war, will there be Russia ever again ... so the song was subtitled generically "European"<br />
10. Ricardo Malerba - Orlando Medina "Gitana rusa" 1942 2:47<br />
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... And, at last, the tango of Argentina completes a full circle and returns to Russia to its roots! The year is 1968. We see the only LP of <a href="https://humilitan.blogspot.com/2017/10/alberto-tito-bespros-back-to-russia.html" target="_blank">Argentine tango ever recorded in the USSR</a>, titled just that: "Argentine Tango". It is Cuarteto Buenos Aires, directed by Tito Bespros. With the help of late Julio Nudler's excellent book on the Jewish personalities of tango, and interviews of the descendants of Bespros's family, I was able to piece together the story of this amazing fiddler, born to immigrants from Odessa in 1917, who played with OTV, De Caro, Juan Canaro and great many Golden Age orchestras, before convening his own band at the age of 39. Many international gigs and awards followed, until the Argentines managed to secure an invitation to the Old Country. And the quartet's invited vocalist, Siro San Roman, even left an amazing "Easter egg" in their "A media luz", where, from behind the Argentine classic, "Mommy Odessa" herself peeks out with a wink :) <a href="https://drive.google.com/drive/folders/0B2iKJpzpDajkZkR4dGhpbjJ2cFk" target="_blank">The album is available for download courtesy of Andres Wilks</a>)<br />
11. Tito "Tito Bespros - Siro San Roman - Media Luz" 2:32<br />
The singer, age 84, was the only surviving member of the conjunto when Andres made his discovery of the 1968 album. When the word spread, with the help of this blog, Argentine TV journalists found Siro San Roman at a nursing home and brought him to the station for an interview. For a few months then, the old romantic singer shone as the newly discovered celebrity of his retirement community! Alas, Soro San Roman passed away in August 2018, age 85...<br />
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... and now on to a mini milonga where many of the songs from this story will sound ... along with a few which were just hinted about ;)<br />
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13. Carlos di Sarli - Roberto Rufino "Cascabelito" 1941 2:32<br />
14. Carlos di Sarli - Roberto Rufino "Patotero sentimental" 1942 2:34<br />
15. Carlos di Sarli - Roberto Rufino "Charlemos" 1941 2:30<br />
16. Viktor Tsoy "Red-Yellow Days cortina long 3" 0:33<br />
17. Juan D'Arienzo - Instrumental "Ataniche" 1936 2:32<br />
18. Juan D'Arienzo - Instrumental "Union Civica" 1938 2:28<br />
19. Juan D'Arienzo - Instrumental "Champagne Tango" 1938, 1938 2:25<br />
20. Zhanna Aguzarova "Old Hotel cortina long" 0:38<br />
Can you spot a "Gypsy Romance" tune in the following tanda, too? ;)<br />
21. Los Provincianos (Ciriaco Ortiz) - Alberto Gomez "Samaritana (vals)" 1932 2:58<br />
22. Enrique Rodriguez - Armando Moreno "En el volga yo te espero" 1943 2:40<br />
23. Edgardo Donato - Horacio Lagos, Lita Morales, Romeo Gavioli "La shunca" 1941 2:35<br />
24. Eruption "One way ticket cortina slow" 0:18<br />
25. Lucio Demare - Raúl Berón "Una emocion" 1943 2 :41<br />
26. Lucio Demare - Raúl Berón "Que solo estoy" 1943 3:04<br />
27. Orquesta Tipica Victor - Ortego del Cerro "Una vez" 1943 3:22<br />
28. Viktor Tsoy "Red-Yellow Days cortina long 3" 0:33<br />
And in the next tanda, another Roma motif not mentionedin the lecture....<br />
29. Edgardo Donato - Horacio Lagos "El Adios" 1938 3:09<br />
30. Edgardo Donato - Horacio Lagos, Lita Morales y Romeo Gavio "Sinfonia de Arrabal" 1940 3:09<br />
31. Edgardo Donato - Horacio Lagos y Lita Morales "Carnaval De Mi Barrio" 1939 2:23<br />
32. Zhanna Aguzarova "Cats" 1987 0:21<br />
33. Francisco Canaro - Ernesto Famá "Milonga Sentimental" 1933 3:10<br />
34. Francisco Canaro - Ernesto Famá "Milonga Del 900" 1933 2:54<br />
35. Francisco Canaro - Roberto Maida "Milonga criolla" 1936 3:01<br />
36. Viktor Tsoy "Good morning, last Hero cortina long" 1989, 1989 0:35<br />
37. Florindo Sassone - Instrumental "Ojos Negros (Oscar Strok)" 1968 2:28<br />
38. Florindo Sassone - Instrumental "Adios corazon (reverb)" 1968 2:16<br />
39. Florindo Sassone - Instrumental "Bar Exposicion" 1968 3:26<br />
40. Zhanna Aguzarova "Zvezda (The Star)" 1984 0:28<br />
41. Donato Racciatti - Olga Delgrossi "Hasta siempre amor" 1958 2:57<br />
42. Donato Racciatti - Olga Delgrossi "Queriendote" 1955 2:49<br />
43. Donato Racciatti - Olga Delgrossi "Sus Ojos Se Cerraron" 19562:47<br />
44. Vitas "7, the element cortina" 2012 0:23<br />
45. Rodolfo Biagi - Jorge Ortiz "Por Un Beso De Amor" 1940 2:46<br />
46. Rodolfo Biagi - Alberto Amor "Paloma (vals)" 1945 2:28<br />
47. Rodolfo Biagi - Andrés Falgás "Dejame Amarte Aunque Sea un Dia (vals)" 1939 2:55<br />
48. Boney M "Daddy Cool cortina" 0:21<br />
49. Francisco Canaro - Roberto Maida "Ciego" 1935 2:57<br />
50. Francisco Canaro - Roberto Maida "Nada Más" 1938 3:02<br />
51. Francisco Canaro - Roberto Maida "Ojos negros que fascinan" 1935 2:51<br />
52. Sandro de America "Yo Te Amo cortina" 1968, 1968 0:23<br />
53. Osvaldo Pugliese - Jorge Maciel "Remembranza" 1956 3:41<br />
54. Osvaldo Pugliese - Jorge Maciel "El pañuelito" 1959 2:42<br />
55. Osvaldo Pugliese - Alberto Moran "Pasional" 1951 3:26<br />
56. Alfredo de Angelis - Instrumental "La cumparsita (Matos Rodriguez)" 1961 3:33<br />
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MOCKBAhttp://www.blogger.com/profile/05150628026789690963noreply@blogger.com1tag:blogger.com,1999:blog-2217553257128682851.post-87498758329462319112018-11-09T16:12:00.001-08:002018-11-09T16:25:39.759-08:00Buena Vista milonga playlist October 2018<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgukD4wmdDRfY8yym96Vd_NnPNspqPdhz7Ec-94LIxBkwsM9Lttkx0eIpvXHuyJr54hlZR01zz_1CcCOhcDAdTCP8KxFtOP9Ea9wnTcdLqV7frREdmqn4emBlnu3HYlJO1qXLCAQ42y3eKB/s1600/Kiev.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgukD4wmdDRfY8yym96Vd_NnPNspqPdhz7Ec-94LIxBkwsM9Lttkx0eIpvXHuyJr54hlZR01zz_1CcCOhcDAdTCP8KxFtOP9Ea9wnTcdLqV7frREdmqn4emBlnu3HYlJO1qXLCAQ42y3eKB/s320/Kiev.jpg" width="240" /></a>I was stoked to return to "Buena" where we ran <a href="https://humilitan.blogspot.com/2017/11/cantando-en-ruso-buena-vista-social-bar.html" target="_blank">a very special vocal milonga of translated tangos</a> last year, one of my most sentimental memories of Kiev. Buena's organizer told me that I was totally free to play the music of my choice as long as I don't stack vals and milonga and vals tandas 4 deep. And I knew that Buena Vista gathers an experienced and enthusiastic community, so the night promised to be a lot of fun. It actually turned out to be considerably more stressful than I ever counted on, with the organizer voicing displeasure with my music choices time and time again, in a harshly sectarian tone. "<i>Canaro is what they play in Europe, but we are emulating Buenos Aires here so we won't dance to it</i>"- "<i>Rodriguez is trash, not tango</i>" - "<i>You shouldn't ever play more than 2 tandas a night of the music which isn't from the 1940s!</i>" (BTW I got much better reviews from the guests ... but I had to scramble to replace all the supposedly nonconforming tandas, because the boss). If only I received a more specific assignment, I'd churn out a torrent of Troilo and Tanturi :)</div>
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01. Paco Mendoza & DJ Vadim "Los Ejes De Mi Carreta - danceable cortina cut" 2013 2:12</div>
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02. Quinteto Don Pancho - Instrumental "La Viruta" 1938 2:30</div>
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03. Quinteto Don Pancho - Instrumental "El pollo Ricardo" 1938 2:30</div>
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04. Quinteto Don Pancho - Instrumental "Alma en pena" 1938 2:46</div>
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05. Quinteto Don Pancho - Instrumental "Zorro gris" 1938 2:46</div>
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06. Soda Stereo "En la ciudad de furia" 0:24</div>
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07. Enrique Rodriguez - Armando Moreno "Tango argentino" 1942 2:37</div>
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08. Enrique Rodriguez - Armando Moreno "Tabernero" 1941 2:33</div>
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10. Enrique Rodriguez - Armando Moreno "Como Has Cambiado Pebeta" 1942 2:37</div>
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11. Enrique Rodriguez - Armando Moreno "En La Buena Y En La Mala" 1940 2:28</div>
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12. Gilda "No Me Arrepiento de Éste Amor cortina long" 0:40</div>
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13. Juan D'Arienzo - Instrumental "Orillas Del Plata" 1935 2:44</div>
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14.Juan D'Arienzo - Alberto Echagüe "En Tu Corazon" 1938 2:47</div>
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15. Juan D'Arienzo - Héctor Mauré "Cuatro Palabras" 1941 2:12</div>
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16. Okean Elzi "Bez tebe cortina" 0:31</div>
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17. Francisco Canaro - Ernesto Fama "Tormenta" 1939 2:38</div>
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18. Francisco Canaro - Ernesto Fama "Te quiero todavia" 1939 2:54</div>
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19. Francisco Canaro - Ernesto Fama "Algun dia te dire" 1939 2:16</div>
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20. Francisco Canaro - Ernesto Fama "No me pregunten porque" 1939 2:54</div>
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21. Boney M "Daddy Cool cortina" 0:21</div>
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22. Carlos Di Sarli - Instrumental "La trilla" 1940 2:21</div>
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23. Carlos Di Sarli - Instrumental "Catamarca" 1940 2:23</div>
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24. Carlos Di Sarli - Instrumental "Shusheta" 1940 2:24</div>
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25. Carlos Di Sarli - Instrumental "Nobleza De Arrabal" 1940 2:08</div>
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26. Caro Emerald "A night like this cortina long" 0:29</div>
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27. Juan D Arienzo - Instrumental "Milonga, Vieja Milonga" 1937 2:33</div>
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28. Juan D Arienzo - Instrumental "De Pura Cepa" 1935 2:42</div>
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29. Juan D Arienzo - Instrumental "El Esquinazo" 1938 2:29</div>
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30. Zhanna Aguzarova "Zvezda (The Star)" 1984, 1984 0:28</div>
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31. Osvaldo Fresedo - Roberto Ray "Adiós para siempre" 1936 3:03</div>
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32. Osvaldo Fresedo - Roberto Ray "Angustia" 1938 2:39</div>
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33. Osvaldo Fresedo - Instrumental "Arrabalero" 1939 2:32</div>
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34. Osvaldo Fresedo Roberto Ray "En la huella del dolor" 1934 2:48</div>
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35. Los Iracundos "Puerto Montt rock" 1971 0:27</div>
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36. Ricardo Tanturi - Alberto Castillo "Asi Se Baila El Tango" 1942 2:36</div>
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37. Ricardo Tanturi - Alberto Castillo "Noches Del Colon" 1941 2:36</div>
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38. Ricardo Tanturi - Instrumental "Comparsa Criolla" 1941 2:53</div>
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39. Ricardo Tanturi - Alberto Casillo "Pocas palabras" 1941 2:27</div>
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40. Gilda "Noches Vacias cortina" 0:22</div>
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41. Enrique Rodriguez - Roberto Flores "Salud, Dinero Y Amor" 1939 2:39</div>
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42. Enrique Rodriguez - Roberto Flores "Tengo mil novias" 1939 3:06</div>
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43. Enrique Rodriguez - Roberto Flores "Fru Fru" 1939 2:57</div>
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44. Zhanna Aguzarova "Mirale Land cortina" 0:31</div>
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45. Edgardo Donato - Horacio Lagos "A media luz" 1941 2:31</div>
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46. Edgardo Donato - Horacio Lagos "A oscuras" 1941 2:48</div>
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47. Edgardo Donato - Horacio Lagos "Se va la vida" 1936 2:39</div>
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48. Edgardo Donato - Horacio Lagos "Te busco" 1941 2:26</div>
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49. The Doors "Riders of the storm cortina" 0:32</div>
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50. Juan D'Arienzo - Alberto Echagüe "Qué importa" 1939 2:17</div>
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51. Juan D'Arienzo - Alberto Echagüe "La bruja" 1938 2:18</div>
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52. Juan D'Arienzo - Alberto Echagüe "Ansiedad" 1938 2:42</div>
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53. Juan D'Arienzo - Alberto Echagüe "No Mientas" 1938 2:36</div>
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54. Kansas "Dust in the wind cortina" 0:23</div>
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55. Carlos Di Sarli - Roberto Rufino "Pena mulata" 1941 2:27</div>
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56. Carlos Di Sarli - Roberto Rufino "Zorzal" 1941 2:40</div>
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57. Carlos Di Sarli - Roberto Rufino "Yo Soy De San Telmo" 1943 2:20</div>
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58. Okean Elzi "Bez tebe cortina" 0:31</div>
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59. Miguel Caló - Raúl Berón "Jamas Retornaras" 1942 2:31</div>
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60. Miguel Calo - Raul Beron "Que te importa que te llore" 1942 2:44</div>
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61. Miguel Caló - Raúl Berón "Trasnochando" 1942 3:04</div>
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62. Miguel Calo - Raul Beron "Lejos de Buenos Aires" 1942 2:54</div>
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63. Los Naufragos "Zapatos Rotos rock" 0:34</div>
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64. Pedro Laurenz - Martin Podesta "Al verla pasar" 1942 3:23</div>
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65. Pedro Laurenz - Juan Carlos Casas "Vieja Amiga" 1938 3:12</div>
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66. Pedro Laurenz - Instrumental "Amurado" 1947 2:38</div>
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67. Pedro Laurenz - Juan Carlos Casas "No me extrana" 1940 2:44</div>
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68. Rodrigo "Cuarteto" 0:29</div>
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69. Orquesta Tipica Victor - Lita Morales "Noches de invierno" 1937 2:47</div>
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70. Orquesta Tipica Victor - Angel Vargas "Sin Rumbo Fijo" 1938 2:18</div>
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71. Orquesta Tipica Victor - Mario Pomar "Temo" 1940 2:55</div>
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72. Pink Floyd "Goodbye Blue Sky cortina long 2" 0:29</div>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_-D97V-_NhrP6GnuMkv9xIpaYf3zJR7-e6Kh3i4mwEI8UT3u_zXUV8fYWagR9FRM7XrwCOYYGG6KvSlRrAT2qHaatopMINRKmPzWL-aSu9uF1LfTqAlrPz0kcgwh_j-QRrZVWsXKdMkf0/s1600/Buena-vista-2018a.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1600" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_-D97V-_NhrP6GnuMkv9xIpaYf3zJR7-e6Kh3i4mwEI8UT3u_zXUV8fYWagR9FRM7XrwCOYYGG6KvSlRrAT2qHaatopMINRKmPzWL-aSu9uF1LfTqAlrPz0kcgwh_j-QRrZVWsXKdMkf0/s320/Buena-vista-2018a.jpg" width="320" /></a><br />
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73. Angel D'Agostino - Angel Vargas, glosas: Julian Centeya "Cafe Dominguez" 1955 2:58</div>
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74. Angel D'Agostino - Angel Vargas "Ahora no me conoces" 1940 2:34</div>
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75. Angel D'Agostino - Angel Vargas "Solo compasion" 1941 2:58</div>
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76. Angel D'Agostino - Angel Vargas "A quien le puede importar?" 1945 3:11</div>
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77. Aya RL "Skora" 0:33</div>
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78. Osvaldo Pugliese - Instrumental "Recuerdo" 1944 2:45</div>
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79. Osvaldo Pugliese - Roberto Chanel "Corrientes y Esmeralda" 1944 2:46</div>
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80. Osvaldo Pugliese - Roberto Chanel "Farol" 1943 3:22</div>
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81. Juan D'Arienzo - Instrumental "La cumparsita" 1951 3:49</div>
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MOCKBAhttp://www.blogger.com/profile/05150628026789690963noreply@blogger.com0tag:blogger.com,1999:blog-2217553257128682851.post-76998107776656146542018-09-10T13:08:00.000-07:002018-09-10T13:10:30.259-07:00A journey into the emotions of tango - a tribute to Jenna Rosenberg (1984-2018)<div dir="ltr" style="text-align: left;" trbidi="on">
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfUerz3G2_guxU03GYP71_z7QLgyJwo7RxI001ONl9y3KKVe0TFlXzg6v6_d7LbwUyegLekJuzBoEsT4w12fgcXrLg4J7TP0ZoBgBP5J2P9rrc4ijkNcwdzdNaBEiAXvTJzBs9TNpe055t/s1600/11903957_10205596749821413_40255424289491822_n.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="600" data-original-width="800" height="150" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfUerz3G2_guxU03GYP71_z7QLgyJwo7RxI001ONl9y3KKVe0TFlXzg6v6_d7LbwUyegLekJuzBoEsT4w12fgcXrLg4J7TP0ZoBgBP5J2P9rrc4ijkNcwdzdNaBEiAXvTJzBs9TNpe055t/s200/11903957_10205596749821413_40255424289491822_n.jpg" width="200" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">"Dam dancing" with Jen on a<br />
hike in Brighton</td></tr>
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A dear old tango friend has been taken away from us. We shared many dances and many laughs, many out-of-town trips and many hikes, and long, long conversations. Jen had an unforgettable personality, so sweet and full of empathy and rich on great friendships, and so impossibly super-shy and super-confident almost at the same time. The saddest thing is that Jen was only 34, and pregnant, when she was killed in a freak trail accident.<br />
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Remembering Jen made me write a special tango story of dances separated by sparse lines of narration. The request came from <a href="https://tedxsaltlakecity.com/" target="_blank">TEDx SLC</a>, one of the many amazing projects Jen supported, volunteered for, and helped organize. Once before, Jen brought our tango club team to "immerse strangers into tango" during a TedX afterparty. This time, her organizer friends asked us to make a short presentation in her memory during the main event.<br />
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We've presented many different tango stories before - journeys into tango history, genres and styles, and my favorite <a href="https://humilitan.blogspot.com/2014/09/chamuyo-de-gotan-time-travel-through.html" target="_blank">travels into tango poetry</a>. This time we needed something radically different - much shorter and strikingly poignant. And I knew right away that it would have to open with <a href="https://www.youtube.com/watch?v=rWqkUPWp2Mc" target="_blank">Di Sarli's 1955 "Verdemar"</a><br />
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The concept? It can't be a story <i>about </i>tango. Rather, we are taking a travel into the depth of emotions of tango, with three or four recorded pieces expressing the range from grief to joy to the healing warmth of memory. Can't use too many words. For the darkness and grief, nothing can outdo Verdemar. The joyful song can be a vals or a milonga, although I would be afraid to confuse people with an ambiguity of waltz-like forms which aren't strictly tango specific to the uninitiated? For the closure, we would pick something like Donato's "Yo te amo" as a happy gaiety yet nostalgic song, or "Remebranzas" of Pugliese or "Una emocion" for a more contemplative one. No deeply special choreography in the plans; rather, one skilled couple can begin a song, with more dancers joining for the closing stanzas. And of course we'll accompany the story with the images of our dear Jenna.<br />
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In a few days, Cassandra, an old dancing friend fo Jen's, took charge of the organizational aspects, modifying the following draft script of mine (I will add the actual TEDx's video in the end, hoping that they won't object to my use of a snippet of their very official recording):<br />
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<b>TedX organizers asked our group, the Wasatch Tango Club, to give a presentation of tango dance in memory of our dear departed friend, Jenna Rosenberg. Jen was taken away in a tragic accident in the prime of her life. Both TedX SLC and the dance of Argentine tango have been her longtime passions, and we are so honored to dance in this great hall to remember her.</b><br />
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<b>In a series of 3 dances, we are going to explore the emotional range of tango, from inconsolable grief to joy and exuberance to the warm glow of nostalgia and healing memories. Tune your hearts to tango and join us in your feelings.</b><br />
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<b>We start with <i>Verdemar</i>, a song which is rarely danced, due to its raw power of grief and sorrow. “She was snatched away from us in the prime of her beautiful life,” cry out the lines. </b><br />
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<b>Our next selection is <i>Ella es asi</i>, a loving hymn to a woman who shone so brightly and who was never afraid to be her true self. The meaning of the title is simply, That's how she is. The musical genre isn't a regular tango, but rather a milonga, tango's irreverent, playful younger sister.</b><br />
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<b>Finally, <i>Yo te amo</i>, a beautiful classic song selected for its joyful mood and it's rare feminine voice. I love you, my heart, for your gift of empathy and affection, go the lyrics...</b><br />
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... and now, the whole story of ours. May Mother Earth be soft for you, Jen!<br />
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MOCKBAhttp://www.blogger.com/profile/05150628026789690963noreply@blogger.com0tag:blogger.com,1999:blog-2217553257128682851.post-82054910392925796442018-09-08T13:52:00.000-07:002018-09-08T13:52:22.367-07:00San Diego Decir Tango playlist, September 2018<div dir="ltr" style="text-align: left;" trbidi="on">
Many thanks to the amazing Patricia Becker for inviting me to DJ at Practica Tinto Chocolate in San Diego! So great to meet So Ca friends again! It's not even two hours of music, but a wonderful memory...<br />
01. Edgardo Donato - Horacio Lagos y Lita Morales "Sinsabor" 1939 2:53<br />
02. Edgardo Donato - Lita Morales, Romeo Gavioli "Yo Te Amo" 1940 2:50<br />
03. Edgardo Donato - Horacio Lagos, Lita Morales, Romeo Gavioli "Triqui trá" 1940 2:34<br />
04. Gilda "No Me Arrepiento de Éste Amor cortina long" 0:40<br />
05. Juan D'Arienzo - Instrumental "El Internado" 1938 2:31<br />
06. Juan D'Arienzo - Instrumental "Ataniche" , 1936 2:32<br />
07. Juan D'Arienzo - Instrumental "El Cencerro" 1937 2:40<br />
08. Tatyana Kabanova "Mama, ya zhulika lyublyu cortina" 0:21<br />
09. Carlos Di Sarli - Roberto Rufino "Pena Mulata" 1841 2:27<br />
10. Carlos Di Sarli - Roberto Rufino "La Mulateada" 1941 2:22<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtU9eZu-VAD7uGvsPWLFBSD8XZZxtvd8y-dxK_OYgDXCME102jKJoFGrNKsjh_1bkssJ-d3snA-0ledZE30pFt0aIG_aRnQ3mlE2sb1VmaekaiSxyUss5d4sNhW7R0cjv-OBB_qI2snTVl/s1600/podesta-krebs.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="537" data-original-width="716" height="239" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtU9eZu-VAD7uGvsPWLFBSD8XZZxtvd8y-dxK_OYgDXCME102jKJoFGrNKsjh_1bkssJ-d3snA-0ledZE30pFt0aIG_aRnQ3mlE2sb1VmaekaiSxyUss5d4sNhW7R0cjv-OBB_qI2snTVl/s320/podesta-krebs.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Podesta with Alex Krebs orchestra!</td></tr>
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<span style="color: red;">September is a month to celebrate one of the most-played tango singers, Alberto Podestá. He was born Alejandro Washington Alé in San Juan on September 22, 1924 and lived to the age of 91 - even touring the US in his late 80s and famously performing with Alex Krebs's tango band in Baltimore! Given that Alberto Podestá started singing on stage at the age of 13, earning himself a nickname "Gardelito", after his father died and his family was left destitute, it means over 75 years on stage! By the age 15, of Alberto Podestá already moved to Buenos Aires to sing there, and at 16, recorded his first ageless hits with Miguel Caló, such as vals "Bajo un cielo de estrellas" (still under a different stage name - it was Carlos Di Sarli who gave him the now-famous scenic name of Alberto Podestá the following year). The milonga "Entre pitada y pitada" ("Between one whiff and another") was their first recording, said to have been commissioned as a jingle for a tobacco company:</span><br />
11. Carlos Di Sarli - Alberto Podestá "Entre pitada y pitada" 1942 2:32<br />
12. Los Iracundos "Puerto Montt rock" 1971 0:27<br />
<span style="color: red;">I just featured Jorge Ortiz, born on September 18, 1912, in three tandas the night before. There is only time for two tonight, showcasing the singer short but very productive stint with Calo, and long collaboration with Biagi.</span><br />
13. Miguel Calo - Jorge Ortiz "A las siete en el cafe" 1943 3:07<br />
14. Miguel Calo - Jorge Ortiz "Barrio De Tango" 1943 3:06<br />
15. Miguel Calo - Jorge Ortiz "Pa'que seguir" 1943 2:13<br />
16. Soda Stereo "Corazon elator" 0:28<br />
17. Rodolfo Biagi - Jorge Ortiz "Todo te nombra" 1940 3:33<br />
18. Rodolfo Biagi - Jorge Ortiz "Carrillón De La Merced" 1941 2:31<br />
19. Rodolfo Biagi - Jorge Ortiz "Quiero Verte Una Vez Más" 1940 2:58<br />
20. Gilda "No Me Arrepiento de Éste Amor cortina long" 0:40<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjE7cFeYCdTzc4w2OsfMTYImy-sFTxh7EEK2YNefvOQ5jqW_i8HLyiv_Sve0SUIgijJr4K3dZaUTIR2ErH1ZMHA9UZ22pI4fK4Lyfn7SMjD2umol15mPbBfJ3COaUN2_AezRkVIQ16cRbrr/s1600/orquesta-tipica-victor.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1080" data-original-width="1440" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjE7cFeYCdTzc4w2OsfMTYImy-sFTxh7EEK2YNefvOQ5jqW_i8HLyiv_Sve0SUIgijJr4K3dZaUTIR2ErH1ZMHA9UZ22pI4fK4Lyfn7SMjD2umol15mPbBfJ3COaUN2_AezRkVIQ16cRbrr/s320/orquesta-tipica-victor.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">OTV in the 1920s</td></tr>
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<span style="color: red;">Adolfo Carabelli, an incredibly talented and very underappreciated jazz and tango musician, has been born almost exactly 125 years ago to date; I only had a chance to plane a lone track of his the previous tonight, but will make up for it tonight with two full tandas. Carabelli formally trained as a composer in Europe; having returned home for a summer break in 1914, he ended up stuck in Argentina due to WWI. By the early 1920s, he's built himself a name in jazz - and then Victor Argentina gave him a job of the musical director, which put Carabelli in charge of tango programming and Victor's house bound, the famous OTV, Orquesta Típica Victor. The OTV's talent pool and the zeal to innovate were just amazing; many musicians from Carabelli's jazz band took part, and soon, the band also started recording tangos under the name of Orquesta Típica Carabelli. But then, buoyed by Carabelli's achievements, Victor made a business decision to organize a whole array of house tango orchestras, undercutting the success of its flagship OTV on the radio. Just as importantly, the OTV musicians worked in the studio and slept at night, instead of working the night clubs and the milonga halls. further limiting its appeal to the dancing public. As the D'Arienzo Revolution unfolded in the second half of the 1930s, and as the dance scene of tango exploded again, Carabelli found himself on the sidelines, then lost his orchestra director job just as the Golden Age of Tango of the 1940s came into bloom. He died in oblivion 7 years later. </span><br />
21. Orquesta Típica Victor (dir. A. Carabelli) - Lita Morales "Noches de invierno" 1937 2:47<br />
22. Orquesta Típica Víctor (dir. A. Carabelli) - Ángel Vargas "Sin Rumbo Fijo" 1938 2:18<br />
23. Orquesta Típica Victor (dir. A. Carabelli) - Mario Pomar "Temo" 1940 2:55<br />
24. Soda Stereo "En la ciudad de furia" 0:24<br />
25. Orquesta Típica Victor (dir. A. Carabelli) "Nino bien" 1928 2:43<br />
26. Orquesta Típica Victor (dir. A. Carabelli) "Che, papusa, oi" 1927 2:37<br />
27. Orquesta Típica Victor (dir. A. Carabelli) "Coqueta" 1929 2:47<br />
28. Eruption "One way ticket cortina long" 0:31<br />
<span style="color: red;">Tango historians argue, without ever agreeing, who created the paradigm of the Singer of the Orchestra which defined the vocal tango of the Golden Age, after the earlier orchestras carefully experimented with adding little vocal snippets into tango for dancing (as opposed to tango for listening, where vocal soloists were the norm ever since Gardel sang "Mi niche triste" in 1918). Both Ángel Vargas, in D'Agostino's orchestra, and Francisco Fiorentino, in Troilo's orchestra, demonstrated this equal partnership between the vocalist and the band by 1941. Tonight, we shall celebrate the great "Fiore", born September 23, 1905.</span><br />
29. Aníbal Troilo - Francisco Fiorentino "Maragata" 1941 2:45<br />
30. Aníbal Troilo - Francisco Fiorentino "El Bulín De La Calle Ayacucho" 1941 2:29<br />
31. Aníbal Troilo - Francisco Fiorentino "Te aconsejo que me olvides" 1941 2:58<br />
32. Tatyana Kabanova "Mama, ya zhulika lyublyu cortina" 0:21<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnx-PUJ-G-VBDZezetMaSJ179eNtBtvgVBGD0SkVCucglit-oiYPe-Duk-cMpxVIqxtEXIrJ_UJyOTK-uOzWzLJXhNB4ETqPRf-m07_I7aY-8bYiA8OvnhiBgegKOEpakl9LdhoyQiCtEw/s1600/Pedro+Laurenz+-+Podesta+-+Radio+Belgrano.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="356" data-original-width="621" height="182" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnx-PUJ-G-VBDZezetMaSJ179eNtBtvgVBGD0SkVCucglit-oiYPe-Duk-cMpxVIqxtEXIrJ_UJyOTK-uOzWzLJXhNB4ETqPRf-m07_I7aY-8bYiA8OvnhiBgegKOEpakl9LdhoyQiCtEw/s320/Pedro+Laurenz+-+Podesta+-+Radio+Belgrano.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Alberto Podesta with Laurenz's orchestra at Radio Belgrano<br />from tangosalbardo blog</td></tr>
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<span style="color: red;">Alberto Podestá has the fondest memories of the orchestra of Pedro Láurenz, especially remembering their super-fancy, same-style, same tailor shop suits. The night before, I played their dramatic tango classics. Let's turn to a couple of their excellent milongas tonight!</span><br />
33. Pedro Láurenz - Alberto Podestá "Yo soy de San Telmo" 1943 2:31<br />
34. Pedro Láurenz - Alberto Podestá "Maldonado" 1943 2:04<br />
35. Pedro Láurenz - Martín Podestá "La Vida Es Una Milonga" 1941 2:25<br />
36. Sandro de America "Yo Te Amo cortina" 1968 0:23<br />
<span style="color: red;">The Uruguayan band of Donato Racciatti is, alas, better known in Japan than in the West. Their pianist - whose name I don't even know, because Uruguayan tango is so much less studied - is totally awesome. But to me, Racciatti greatest strengths are his own compositions (eagerly picked by the leading orchestras of Buenos Aires),and, especially, his stunning female vocals. A signature example is "Hasta siempre amor", recorded in September 1958. Shall we mark the occasion tonight?</span><br />
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37. Donato Racciatti - Olga Delgrossi "Hasta siempre amor" 1958 2:57<br />
38. Donato Racciatti - Olga Delgrossi "Sus Ojos Se Cerraron" 1956 2:47<br />
39. Donato Racciatti - Olga Delgrossi "Queriendote" 1955 2:49<br />
40. Russian Folk "Gypsy Girl (cortina)" 0:22<br />
<span style="color: red;">Jorge Maciel was born on September 17 ,1920. It's impossible to pay tribute to him without playing "Remembranzas", a song which first propelled him to fame when he sang it with Gobbi's orchestra in 1948. Yet later, with Pugliese, Maciel outdid himself!</span><br />
41. Osvaldo Pugliese - Jorge Maciel "Esta Noche De Luna" 1955 3:45<br />
42. Osvaldo Pugliese - Jorge Maciel "Cascabelito" 1955 2:41<br />
43. Osvaldo Pugliese - Jorge Maciel "Remembranzas" 1956 3:41<br />
44. Los Naufragos "Zapatos Rotos rock" 0:34<br />
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<tr><td class="tr-caption" style="text-align: center;">Salamanca and his orchestra - Todotango photo</td></tr>
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<span style="color: red;">I already featured Salamanca, one of tango's most talented pianists and arrangers, who unfortunately left us too few records because of political blacklisting, in the previous post. Please read it. The guy was really amazing ... directed his first tango band at 14 and continued into his 70s ... 17 years with the King of the Beat, 380 D'Arienzo recordings featuring Salamanco on the piano!... One thing I may have to add is how masterfully Salamanca captured the new technical possibilities of the improving recording technology in the mid-1950s, adding signature flowing, higher-pitch sound of the violin into the arrangement. A truly unique tonal and emotional treasure.</span><br />
45. Fulvio Salamanca - Armando Guerrico "Adios Corazon" 1957 2:40<br />
46. Fulvio Salamanca - Armando Guerrico "Todo Es Amor" 1958 2:47<br />
47. Fulvio Salamanca - Armando Guerrico "Bombomcito" 1958 3:22<br />
48. Juan D Arienzo "La cumparsita" 1955 4:03<br />
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MOCKBAhttp://www.blogger.com/profile/05150628026789690963noreply@blogger.com0tag:blogger.com,1999:blog-2217553257128682851.post-39486223437067572922018-09-06T15:06:00.001-07:002018-09-06T15:06:30.186-07:00Junando Practica playlist, September 2018<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNIqCbEwrJInv0sN03bBWvxQ1rwYsfs90A31BBGLy-oOaIQR4chT3sxIywSBEcARkIq29aIiJOUENpPwJw_NrHVHLQGOzQl6tBnyOao39dxsVI-QsYx7_NUR6OhM27PKZGBSO5W_-3KrcV/s1600/junando-Sep.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="720" data-original-width="960" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNIqCbEwrJInv0sN03bBWvxQ1rwYsfs90A31BBGLy-oOaIQR4chT3sxIywSBEcARkIq29aIiJOUENpPwJw_NrHVHLQGOzQl6tBnyOao39dxsVI-QsYx7_NUR6OhM27PKZGBSO5W_-3KrcV/s320/junando-Sep.jpg" width="320" /></a></div>
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After the August madness of the <a href="http://tango-retreat.blogspot.com/2018/08/mountain-milonga-2018-timeline-and.html" target="_blank">Mountain Milonga Retreat</a>, it's time to settle back into the normal tango routine. And so I get my first DJing stint after missing the whole previous month. Always love Sage's Wednesday night practicas ... ever since their inception, they draw a great crowd. Just wish we could keep on dancing a bit longer than the allowed two-hours-and-a-change.</div>
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<span style="color: red;">We start from the old standby, Francisco Canaro's quintet's instrumentals</span></div>
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01. Quinteto Don Pancho - Instrumental "El garron" 1938 2:27</div>
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02. Quinteto Don Pancho - Instrumental "El choclo" 1937 2:46</div>
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03. Quinteto Don Pancho - Instrumental "Derecho viejo" 1938 2:28</div>
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<span style="color: red;">This month marks the 35th anniversary of my university graduation; there have been virtual reunions and much remembering in the social networks, and one of the things we discussed was the music of the 1970s Moscow. I'll use a selection of disco cortinas from the school crowd faves of the epoch, get ready :)</span></div>
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04. Eruption "One way ticket cortina slow" 0:18</div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-VJ4St7rfLTlHc1tYB94zon-D1GWHcdfLJBCT4PKvEH5syLYFAEJoJ6jRdiCuXWHsUUn1kjBVd85KAvF8pCVXvMB5LF9-5D_t6qPzRExzpnBZoxhtuO_onDdqGWPlDFfQgjx0J1OWSOHM/s1600/Reynal.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="511" data-original-width="795" height="205" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-VJ4St7rfLTlHc1tYB94zon-D1GWHcdfLJBCT4PKvEH5syLYFAEJoJ6jRdiCuXWHsUUn1kjBVd85KAvF8pCVXvMB5LF9-5D_t6qPzRExzpnBZoxhtuO_onDdqGWPlDFfQgjx0J1OWSOHM/s320/Reynal.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Reynal singing with D'Arienzo orchestra.<br />From tangosalbardo blog.</td></tr>
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<span style="color: red;">When The King of the Beat re-assembled this orchestra after the painful split with the pianist Juan Polito and singer Alberto Echagüe, he picked Alberto Reynal as his principal vocalist. The frantic madness, and the rough dictatorial style, of D'Arienzo were literally wearing the musicians off, but it may have been the hardest for the singers. Reynal got sick and quit performing after just over a year, and died a few years later. He was only 38 (2 Sep 1908 - 27 Feb 1947). We are left with too few records to showcase his voice. The more prolific great voices of D'Arienzo's orchestra, Echague and Maure, always get the upper hand. The songs with the voice of Alberto Reynal belong to the transition period, and they are marked by the King's trademark rhythmic exuberance but the plaintive violins already make their strong mark. Since September marks Reynal birthday, I planned to showcase this period in a never-before-tested tanda. The impressions are decidedly mixed. The music seems more complex and varied than what I should have picked for the 2nd tanda of the night? But I think it should work great mid-milonga...</span></div>
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05. Juan D'Arienzo - Alberto Reynal "Almanaque De Ilusion" 1941 3:00</div>
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06. Juan D'Arienzo - Alberto Reynal "Chirusa" 1940 2:49</div>
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07. Juan D'Arienzo - Alberto Reynal "El Corazon Me Engano" 1940 2:22</div>
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08. Boney M "Daddy Cool cortina" 0:21</div>
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<span style="color: red;">Singer Jorge Ortiz has been born in September as well (18 Sep 1912 - 18 Feb 1989). I started off by picking 3 very different tandas with his voice, and now I see that I later put all 3 of them back to back: valses and tangos of Biagi and Calo orchestras. Ortiz stayed with Biagi for 3 years and his name became almost synonymous with the greatest times of Biagi's orchestra. The singer's tenure with Calo lasted only his 6 months, and they recorded mere 7 songs, but these are amazing hits, too!</span></div>
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09. Rodolfo Biagi - Instrumental "Lagrimas y sonrisas" 1941 2:41</div>
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10. Rodolfo Biagi - Jorge Ortiz "Cuatro palabras" 1941 2:20</div>
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11. Rodolfo Biagi - Jorge Ortiz "Por un beso de amor" 1940 2:46</div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi56R0D4iNu4uZKhuDFtB3mwlfLF3ElMci7nDzW67HDhrdSbL1Cn9tMztau7InxNm99OeULYSL9SKGb1bC60u_kuc3x28wN1HUtxhXjbJdY3H0S2M-RbGqMXejgLSGGSvY_jprGSkDkfBhG/s1600/biagi-ortiz.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="626" data-original-width="640" height="391" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi56R0D4iNu4uZKhuDFtB3mwlfLF3ElMci7nDzW67HDhrdSbL1Cn9tMztau7InxNm99OeULYSL9SKGb1bC60u_kuc3x28wN1HUtxhXjbJdY3H0S2M-RbGqMXejgLSGGSvY_jprGSkDkfBhG/s400/biagi-ortiz.png" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Biagi and Ortiz - from the Tango Archive project</td></tr>
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12. Desireless "Voyage Voyage cortina" 0:31</div>
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13. Miguel Calo - Jorge Ortiz "Pa'que seguir" 1943 2:13</div>
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14. Miguel Calo - Jorge Ortiz "Barrio De Tango" 1943 3:06</div>
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15. Miguel Calo - Jorge Ortiz "A las siete en el cafe" 1943 3:07</div>
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16. Los Iracundos "Puerto Montt rock" 1971 0:27</div>
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17. Rodolfo Biagi - Jorge Ortiz "Todo de Nombra" 1940 3:33</div>
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18. Rodolfo Biagi - Jorge Ortiz "Carrillón De La Merced" 1941 2:31</div>
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19. Rodolfo Biagi - Jorge Ortiz "Quiero Verte Una Vez Más" 1940 2:58</div>
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20. Tatyana Kabanova "Mama, ya zhulika lyublyu cortina" 0:21</div>
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21. Francisco Canaro - Roberto Maida "Silueta porteña" 1936 3:01</div>
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22. Francisco Canaro - Roberto Maida "Tangon" 1935 3:03</div>
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23. Francisco Canaro - Roberto Maida "Milonga criolla" 1936 3:05</div>
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24. Eruption "One way ticket cortina slow" 0:18</div>
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25. Pedro Láurenz - Alberto Podestá "Recien" 1943 2:43</div>
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26. Pedro Láurenz - Alberto Podestá "Todo" 1943 2:37</div>
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27. Pedro Láurenz - Alberto Podestá "Garua" 1943 3:11</div>
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28. Boney M "Daddy Cool cortina" 0:21</div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBvY5x5B65FBnVYV_y4oYgDMisiMMntGRmAwN3DH6RDvpR3OJThKx6BRix205vZ771_IDVsJyPww_22PDpCVgx_K8AwEy8ItNTxEFsxD6hKVgmHYjxF-0XnFULVuwyiRyKevVYxw89V8oq/s1600/PIAZZOLLA+y+Fiore.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="286" data-original-width="400" height="228" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBvY5x5B65FBnVYV_y4oYgDMisiMMntGRmAwN3DH6RDvpR3OJThKx6BRix205vZ771_IDVsJyPww_22PDpCVgx_K8AwEy8ItNTxEFsxD6hKVgmHYjxF-0XnFULVuwyiRyKevVYxw89V8oq/s320/PIAZZOLLA+y+Fiore.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Fiorentino and Piazzolla, two of the most influential<br />members of Troilo team. From tangosalbardo blog</td></tr>
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<span style="color: red;">The great singer Francisco Fiorentino, whose seamless integration into Troilo's orchestra set the high standard for vocal tango, is also a September birth boy. I mark this occasion by playing two Troilo tandas, one more relentlessly rhythmic, another more lyrical and complex. Born on September 23 1905, Fiorentino was already in his 30s when he joined the debut of Troilo's orchestra; his experience included playing bandoneon and singing as an estribillista for many tango bands. But it was his 7 years with Troilo which still fill the tango aficionados with awe.</span></div>
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29. Anibal Troilo & F Fiorentino "El cuarteador" 1941 2:48</div>
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30. Anibal Troilo & F Fiorentino "Toda mi vida" 1941 2:56</div>
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31. Anibal Troilo & F Fiorentino "Te aconsejo que me olvides" 1941 2:58</div>
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32. Russian folk "Murka" 0:20</div>
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33. Enrique Rodriguez - Armando Moreno "Mariquita no mires al puerto (vals)" 1945 3:01</div>
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34. Enrique Rodriguez - Armando Moreno "Isabelita" 1940 2:56</div>
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35. Enrique Rodriguez - El "Chato" Flores "Salud, Dinero Y Amor (Vals)" 1939 2:39</div>
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36. Gypsy folk "Na poslednyuyu pyaterochku (Last 5 rubles)" 0:26</div>
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<span style="color: red;">A mixed pre-Golden age tanda of favorites, with its of farm life and rough young years. Many orchestras played the final song, "El carrerito", but I think only Fresedo gave us the authentic voice of a tired cowboy imploring the last few of his stubborn cows to cross a ravine. Tango isn't all about the big city living!</span></div>
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37. Sexteto Carlos di Sarli - Ernesto Fama "La estancia" 1930 3:17</div>
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<span style="color: red;">(and the middle song of the tanda celebrates one of my fav early tango bandleaders, Adolfo Carabelli, who was born on September 8, 1893)</span></div>
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38. Adolfo Carabelli - Carlos Lafuente "Pa' Que Lagrimear" 1933 2:37</div>
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39. Osvaldo Fresedo - Ernesto Fama "El carrerito" 1928 3:09</div>
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40. Desireless "Voyage Voyage cortina" 0:31</div>
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41. Donato Racciatti - Olga Delgrossi "Hasta siempre amor" 1958 2:57</div>
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42. Donato Racciatti - Olga Delgrossi "Sus Ojos Se Cerraron" 1956 2:47</div>
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43. Donato Racciatti - Olga Delgrossi "Queriendote" 1955 2:49</div>
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44. Eruption "One way ticket cortina long" 0:31</div>
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<span style="color: red;">In the last few days, I couldn't get "Y todavia te quiero" from my head. A superhit of 1956 has been recorded by nearly all major orchestras over the course of just a few months. Pugliese and Di Sarli, De Angelis and Varela, Basso and Federico ... D'Arienzo was one of the last bandleaders to turn to this dramatic song - and it's become one of just two records of his orchestra with an amazing voice of Libertad Lamarque. Tonight I featuring this recording in a tanda of late, dramatic, suspenseful D'Arienzo hits:</span></div>
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45. Juan D'Arienzo - Libertad Lamarque "Y Todavia Te Quiero" 1956 2:57</div>
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46. Juan D'Arienzo - Instrumental "Zorro gris" 1973 2:03</div>
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47. Juan D'Arienzo - Instrumental "El Huracán" 1944 2:23</div>
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48. The Blues Brothers "Theme From Rawhide 1" 1980 0:21</div>
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49. Enrique Rodriguez - Armando Moreno "El tucu-tun" 1943 2:34</div>
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50. Alberto Castillo "El Gatito en el Tejado" 1957 2:37</div>
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51. Romeo Gavioli y su orquesta típica "Tamboriles" 1956 2:56</div>
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<span style="color: red;">Jorge Maciel, born September 17 ,1920, came to the tango fame late. He sang for Gobbi's orchestra in the late 1940s and the early 1950s, but it was his work with Pugliese in 1954 - 1967 which gave us some of the most indispensable must-play tangos.</span></div>
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52. Osvaldo Pugliese - Jorge Maciel "Esta Noche De Luna" 1955 3:45</div>
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53. Osvaldo Pugliese - Jorge Maciel "Cascabelito" 1955 2:41</div>
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54. Osvaldo Pugliese - Jorge Maciel "Remembranzas" 1956 3:41</div>
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55. Eruption "One way ticket cortina long" 0:31</div>
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<iframe width="320" height="266" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/UXtE-F070HU/0.jpg" src="https://www.youtube.com/embed/UXtE-F070HU?feature=player_embedded" frameborder="0" allowfullscreen></iframe></div>
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<span style="color: red;">Fulvio Salamanca, born August 19, 1921 in a tiny town in the province of Santa Fe, may formally be the previous month's Birthday Man, but we shall celebrate him - likely the most talented of tango pianists - a couple weeks late. Fulvio convened his first tango orchestra at 14, and soon met Juan D'Arienzo when the King of the Beat was touring a neighboring province. After D'Arienzo's stellar pianists left - first Biagi, then Polito - he offered the job to a 19 years old Fulvio Salamanca. </span><span style="color: red;">Few musicians survived the extreme pressure of working with D'Arienzo for long, but Salamanca stayed put for 17 years! They recorded 380 compositions together, some arranged by Fulvio himself. The years of Salamanca and D'Arienzo's work together were marked by an introduction of a more romantic style, when the fiery orchestra rhythm and the rule of the piano has become supplemented by the melodic voice of the violins. In those years, Salamanca has been repeatedly jailed for his membership in the Communist Party, but D'Arienzo kept rescuing him from behind the bars. </span></div>
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<span style="color: red;">Fulvio Salamanca knew the whole repertoire of D'Arienzo by memory, never looking into the score during performances. Nobody could imagine that, after so many years with the same orchestra, the pianist is capable of mastering any other style. But Fulvio had different ideas. Together with a bandoneonist Eduardo Corti they "conspired" to form a radio orchestra to play extremely dramatic tango music, to match the hottest trends of the year 1957. They didn't find their own distinctive style right away. A chance helped them. At a party, they overheard Armando Guerrico informally singing a new and totally unknown tango from neighboring Uruguay, titled "Adios, corazon". They decided to join forces and to play it together - and, after seeing Salamanca's arrangement, one of tango's greatest violinists, Elvino Vardaro, also decided to join them! It was a breakthrough. What a constellation of talents! Alas, because of the politics, Salamanca had fewer opportunities to record tangos, even though he continued to play and to lead bands till old age. But there are enough recorded hits for one good dramatic tanda!</span></div>
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56. Fulvio Salamanca - Armando Guerrico "Adios Corazon" 1957 2:40</div>
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57. Fulvio Salamanca - Armando Guerrico "Todo Es Amor" 1958 2:47</div>
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58. Fulvio Salamanca - Armando Guerrico "Bombomcito" 1958 3:22</div>
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59. Juan D Arienzo - Instrumental "La cumparsita" 1955 4:03</div>
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<br /></div>
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MOCKBAhttp://www.blogger.com/profile/05150628026789690963noreply@blogger.com0tag:blogger.com,1999:blog-2217553257128682851.post-43655440100352629102018-07-24T22:53:00.000-07:002018-07-26T07:26:35.609-07:00Milonga Sin Nombre "Celeste y Blanco" playlist, July 2018<div dir="ltr" style="text-align: left;" trbidi="on">
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I'm getting further and further behind with annotating playlists :( The days ahead of Mountain Milonga Retreat are just too frantic. But better late than never?</div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtbOpGIcQAjE0m1sQJaYiTODFkgJ-vbblP8h2xwxBsTdFFzOe7ipJNvNYDg5D6XVJUSLLi8BhLGPt8E8FchteYBU0nRh6U82k-wGeeBr280Jc0wzqopELOmfxAsc75c7itqc0mjTjDkmJU/s1600/celeste-blanco.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1130" data-original-width="1600" height="226" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtbOpGIcQAjE0m1sQJaYiTODFkgJ-vbblP8h2xwxBsTdFFzOe7ipJNvNYDg5D6XVJUSLLi8BhLGPt8E8FchteYBU0nRh6U82k-wGeeBr280Jc0wzqopELOmfxAsc75c7itqc0mjTjDkmJU/s320/celeste-blanco.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span class="hasCaption" style="font-family: inherit;">Painting by Jackie Molina<br /><a data-lynx-mode="asynclazy" data-lynx-uri="https://l.facebook.com/l.php?u=http%3A%2F%2Fwww.jackiemolina.com.ar%2Fvistas_aereas.html&h=AT0s7nrSlyryi1C49tBoE_jec4uD6aWA8WfWTb4JKmDAX_RTf0-DFqakvbCRXRLvwFlexA24smHJh752ZVBYEr7gF6hiuL8VQEraNYQXG0ZwV97X0sJ3XhRJPTZwZDYqGOh3oQ" href="http://www.jackiemolina.com.ar/vistas_aereas.html" rel="nofollow noopener" style="color: #365899; cursor: pointer; font-family: inherit; text-decoration-line: none;" target="_blank"><span style="font-family: inherit;">http://</span><wbr></wbr><span class="word_break" style="display: inline-block; font-family: inherit;"></span><span style="font-family: inherit;">www.jackiemolina.com.ar/</span><wbr></wbr><span class="word_break" style="display: inline-block; font-family: inherit;"></span>vistas_aereas.html</a></span></td></tr>
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The July edition of Milonga Sin Nombre has been named "Celeste y Blanco", "Light Blue and White", after the colors of the Argentine flag in commemoration of Argentina's Independence Day. It's our 50th Milonga Sin Nombre :O !</div>
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001. QTango Erskine Maytorena Qtango "Milonga Triste" 2011 4:17</div>
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002. Hugo Diaz "Hugo Diaz Milonga Para Una Armonica" 1973 4:25</div>
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003. Paco Mendoza & DJ Vadim "Los Ejes De Mi Carreta" 2013 3:23</div>
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004. Viktor Tsoy "Kukushka cortina long 2" 0:37</div>
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005. Quinteto Don Pancho - Instrumental "El garron" 1938 2:27</div>
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006. Quinteto Don Pancho - Instrumental "Alma en pena" 1938 2:46</div>
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007. Quinteto Don Pancho - Instrumental "Loca" 1938 2:57</div>
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008. Soda Stereo "En la ciudad de furia" 0:24</div>
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009. <span style="background-color: white;">Miguel Caló - Raúl Berón </span> "Jamás Retornarás" 1942 2:28</div>
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010. Miguel Caló - Raúl Berón "Cuatro compases" 1942 2:43</div>
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011. Miguel Calo - Raul Beron "Que te importa que te llore" 1942 2:44</div>
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012. Kansas "Dust in the wind cortina" 0:23</div>
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<span style="color: red;">We are also celebrating Troilo's birthday, aka Argentine National Day of the Bandoneon, on July 11th. The most famous of the bandoneonists who conducted tango orchestras, Anibal Troilo, the complex, musicians' musician, wasn't really my favorite for a very long time. But I always loved his valses!</span></div>
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013. Anibal Troilo - Floreal Ruiz "Flor De Lino" 1947 2:49</div>
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014. Anibal Troilo - Floreal Ruiz "Romance De Barrio" 1947 2:36</div>
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015. Anibal Troilo - Alberto Marino y Floreal Ruiz "Palomita Blanca" 1944 3:20</div>
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016. Zhanna Aguzarova "Old Hotel cortina long" 0:38</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFHUbUXxTiIgo9Bz5HjNsEKFNCQy_VNlnobokFniqh75aPVwsbbeO20f9w5mtwlrEHLg7qK9CL54kKDIshKtIbhp4fx69RoGgO7eDjafboV1x1AnalbEzbHgqB5OQe_8h4IgGvTl32wcFs/s1600/Cadicamo1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="377" data-original-width="670" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFHUbUXxTiIgo9Bz5HjNsEKFNCQy_VNlnobokFniqh75aPVwsbbeO20f9w5mtwlrEHLg7qK9CL54kKDIshKtIbhp4fx69RoGgO7eDjafboV1x1AnalbEzbHgqB5OQe_8h4IgGvTl32wcFs/s320/Cadicamo1.jpg" width="320" /></a></div>
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<span style="color: red;">We are also celebrating Enrique Cadicamo's birthday on July 15th. One of tango's greatest poets wrote lyrics for over 1,000 songs, and lived to the age of 99, always in the glow of ladies' attention."Nostalgias", in the tanda below, is one of Cadicamo's most beloved verses. "Missing the sound of her crazy laughter, and the fire of her breath on my lips ... The anguish of the loss..."</span></div>
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017. Francisco Lomuto - Jorge Omar "A la gran muñeca" 1936 3:01</div>
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018. Francisco Lomuto <span style="background-color: white;">- Jorge Omar</span> "La melodia de nuestro adios" 1938 2:20</div>
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019. <span style="background-color: white;">Francisco Lomuto</span> <span style="background-color: white;">- Jorge Omar</span> "Nostalgias" 1936 3:05</div>
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020. Gilda "Noches Vacias cortina" 0:22</div>
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<span style="color: red;">The earliest, intensely rhythmical recordings of Troilo's orchestra are more accessible, yet they already carry the seeds of the future complexity</span></div>
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021. Ánibal Troilo - Instrumental "Milongueanda En El Cuarenta" 1941 2:32</div>
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022. Ánibal Troilo - Instrumental "Cachirulo" 1941 2:37</div>
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023. Ánibal Troilo - Instrumental "Guapeando" 1941 2:50</div>
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024. ZZ Top "Sharp Dressed Man cortina" 0:25</div>
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025. Emilio Pellejero - <span style="background-color: white;">Enalmar De Maria</span> "Mi Vieja Linda" 1941 2:26</div>
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026. Miguel Villasboas - Instrumental "La Milonga Que Hacia Falta" 1961 2:18</div>
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027. Julio de Caro - Hector Farrel "Saca chispas" 1938 2:30</div>
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028. Soda Stereo "Profugos" 0:33</div>
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029. Miguel Calo - Alberto Podesta "Si tu quisieras" 1943 2:44</div>
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030. Miguel Calo - Alberto Podesta "Yo soy el tango" 1941 2:46</div>
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031. Miguel Calo - Jorge Ortiz "A Las 7 En La Cafe " 1943 3:05</div>
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032. Zhanna Aguzarova "Cats" 1987 0:21</div>
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033. Rodolfo Biagi - Andrés Falgás "Queja Indiana " 1939 2:24</div>
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034. Rodolfo Biagi - Andrés Falgás "Son Cosas del Bandoneon " 1939 2:44</div>
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035. Rodolfo Biagi - Andrés Falgás "Cielo!" 1939 2:31</div>
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036. Zhanna Aguzarova "Miracle Land cortina" 0:31</div>
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037. Alfredo de Angelis - Carlos Dante y Julio Martel "Pobre flor" 1946 2:43</div>
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038. Alfredo de Angelis - Floreal Ruiz "Mi novia de ayer" 1944 2:38</div>
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039. Alfredo de Angelis - Carlos Dante y Julio Martel "Soñar y nada más" 1944 3:08</div>
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040. Los Iracundos "Puerto Montt rock" 1971, 1971 0:27</div>
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041. Francisco Canaro <span style="background-color: white;">- Roberto Maida</span> "Recuerdos De Paris" 1937 3:12</div>
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042. Francisco Canaro - Roberto Maida "Condena (S.O.S.)" 1937 2:39</div>
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043. Francisco Canaro - Roberto Maida "Solo una novia" 1935 3:23</div>
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044. Carlitos Rolan "Cuarteto2" 0:19</div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiW83mOCYMYvfPyeNKHUymlviJLEJwJrpg9qUikb54CeKzOiIyb0ak2bXHiF4HXsxejqqdHPnHJaKEFF_UYmU74ufMNfKbSe6MAQoitxCWo0yi2VrgeHH36rGKcuQRNB7XBTwNlhkQexe02/s1600/troilo11.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="350" data-original-width="252" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiW83mOCYMYvfPyeNKHUymlviJLEJwJrpg9qUikb54CeKzOiIyb0ak2bXHiF4HXsxejqqdHPnHJaKEFF_UYmU74ufMNfKbSe6MAQoitxCWo0yi2VrgeHH36rGKcuQRNB7XBTwNlhkQexe02/s320/troilo11.jpg" width="230" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">"The fat man" Troilo</td></tr>
</tbody></table>
<div style="font-family: arial, sans-serif; font-size: small;">
<span style="color: red;">The voice of Fiorentino made a perfect fusion with the sound of Troilo's orchestra and set the high standard for the tango's magnificient 40s. This was the singer who became a true equal with the orchestra's musicians in making the dancers' bodies move.</span></div>
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045. <span style="background-color: white;">Anibal Troilo - Francisco Fiorentino</span> "Te aconsejo que me olvides" 1941 2:58</div>
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046. Anibal Troilo - Francisco Fiorentino "El Bulin de La Calle Ayacucho" 1941 2:29</div>
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047. <span style="background-color: white;">Anibal Troilo - Francisco Fiorentino</span> "Toda mi vida" 1941 2:56</div>
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048. Zhanna Aguzarova "Cats" 1987 0:21</div>
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049. Francisco Canaro - Instrumental "Milonga de mis amores" 1937 3:03</div>
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050. Francisco Canaro - Ernesto Fama "La milonga de Buenos Aires" 1939 2:50</div>
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051. Francisco Canaro - Roberto Maida "Milonga criolla" 1936 3:05</div>
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052. Carlitos Rolan "Cuarteto1" 0:28</div>
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<span style="color: red;">Barely a year after the first Troilo's recordings were cut, he is already transitioning from the upbeat rhythmic pieces to the music of sorrow, darkness, and beautiful complexity</span></div>
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053. <span style="background-color: white;">Anibal Troilo - Francisco Fiorentino</span> "Malena" 1942 2:59</div>
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054. <span style="background-color: white;">Anibal Troilo - Francisco Fiorentino</span> "Pa' que seguir" 1942 2:35</div>
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055. <span style="background-color: white;">Anibal Troilo - Francisco Fiorentino</span> "Cada vez que me recuerdes" 1943 2:40</div>
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056. Rodrigo "Cuarteto" 0:29</div>
<div style="font-family: arial, sans-serif; font-size: small;">
<span style="color: red;">J</span><br />
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhl14mVDXucOWgollU-NmK7WJtNxfRDx0zYDYpFMBHnMRpQsjPnR7LOloFYh8ZNwv6iYgqJFgiKcq1vM8C5Zx2uZ64YlnomPyc9S0IeZEhrYInC9zY61MlIS_ljeAX7QZ602JnoXkPVY50B/s1600/Garcia.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><span style="color: red;"><img border="0" data-original-height="360" data-original-width="480" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhl14mVDXucOWgollU-NmK7WJtNxfRDx0zYDYpFMBHnMRpQsjPnR7LOloFYh8ZNwv6iYgqJFgiKcq1vM8C5Zx2uZ64YlnomPyc9S0IeZEhrYInC9zY61MlIS_ljeAX7QZ602JnoXkPVY50B/s320/Garcia.jpg" width="320" /></span></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Garcia's "foxes" were proud to wear gray</td></tr>
</tbody></table>
<span style="color: red;">ose Garcia, a violinist, band leader and composer, has been born on July 22, 1910. His orchestra has been immortalized as "gray foxes", "Zorro grices", in what started as a wardrobe accident. They bought cheap suits for their first gigs, and got the nickname of "grays" after the color of these costumes. But Jose made this nickname work to his advantage, by linking it with the title of a classic, beloved tango, "Zorro gris". The "Zorro grices" were an excellent orchestra, but their repertoire is almost always upstaged by Carlos Di Sarli, who recorded the same titles, including Garcia's most famous composition, "Esta noche de Luna", "This moonlit night". So for me, tonight is the first attempt to play a whole tanda of Jose Garcia's orchestra!</span></div>
<div style="color: #222222; font-family: arial, sans-serif; font-size: small;">
057. <span style="background-color: white;">Jose Garcia - Alfredo Rojas</span> "Junto A Tu Corazón" 1942 3:04</div>
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058. Jose Garcia - Alfredo Rojas "Que no sepan las estrellas" 1945 2:45</div>
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059. <span style="background-color: white;">Jose Garcia - Alfredo Rojas</span> "Esta Noche De Luna"1942 3:20</div>
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060. Carlitos Rolan "Cuarteto2" 0:19</div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3pnt9j_T2_I-tmQ4kIo0kpLFS21JaZeXNQEe5ykYnxpP6rwd0dlwykjFWV2d1Q3Ftc1eX3OVMI06mOEx1divp4rsre0umMhOiYQHobTjqNTID_KB27t-LI3pe2Wj4BDeljJXhVHNrYfRA/s1600/Ortiz.JPG" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="472" data-original-width="640" height="236" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3pnt9j_T2_I-tmQ4kIo0kpLFS21JaZeXNQEe5ykYnxpP6rwd0dlwykjFWV2d1Q3Ftc1eX3OVMI06mOEx1divp4rsre0umMhOiYQHobTjqNTID_KB27t-LI3pe2Wj4BDeljJXhVHNrYfRA/s320/Ortiz.JPG" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Ciriaco Ortiz, with hs bando and his famous smile</td></tr>
</tbody></table>
<div style="font-family: arial, sans-serif; font-size: small;">
<span style="color: red;">We are close to the birth date of a great bandoneonist and bandleader (and a sharp-tongued witty humorist) Ciriaco Ortiz (Aug 5 1905 - July 9, 1970) who, in the early 1930s, blazed the trail later followed by Troilo. Born in Cordoba, Ortiz famously dubbed his band "Los Provincianos", "The Provincials". But there is a July-specific reason to play the Provincianos tanda: the final vals is the composition of Luis Rubistein (born July 8, 1908), one of the many great "Russians" of the Argentine tango.</span></div>
<div style="color: #222222; font-family: arial, sans-serif; font-size: small;">
061. Los Provincianos (Ciriaco Ortiz) <span style="background-color: white;">- Carlos Lafuente</span> "Un placer" 1933 2:34</div>
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062. Los Provincianos <span style="background-color: white;">(Ciriaco Ortiz) -</span> Luis Diaz "A Tu Memoria, Madrecita (vals)" 1934 2:45</div>
<div style="color: #222222; font-family: arial, sans-serif; font-size: small;">
063. Los Provincianos <span style="background-color: white;">(Ciriaco Ortiz) - </span>Alberto Gomez "Samaritana (vals)" 1932 2:58</div>
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064. Soda Stereo "Corazon elator" 0:28</div>
<div style="font-family: arial, sans-serif; font-size: small;">
<span style="color: red;">"Tres esquinas", "Three corners" is another signature verse of Enrique Cadicamo, named after a neighborhood which is just as rundown and dangerous in today's Buenos Aires as it was back in the days ... "I come from this humble barrio, and I am this sentimental tango. There, we sip our mate under the shade of the trellis..."</span></div>
<div style="color: #222222; font-family: arial, sans-serif; font-size: small;">
065. <span style="background-color: white;">Ángel D'Agostino - Ángel Vargas</span> "Tres esquinas" 1941 3:05</div>
<div style="color: #222222; font-family: arial, sans-serif; font-size: small;">
066. <span style="background-color: white;">Ángel D'Agostino - Ángel Vargas</span> "Ahora no me conoces" 1940 2:34</div>
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067. Ángel D'Agostino - Ángel Vargas "Ninguna" 1942 2:57</div>
<div style="color: #222222; font-family: arial, sans-serif; font-size: small;">
068. Los Iracundos "Puerto Montt rock" 1971 0:27</div>
<div style="font-family: arial, sans-serif; font-size: small;">
<span style="color: red;">And the beautifully sentimental <span style="background-color: white;">"Niebla del riachuelo", "Mist of the creek" (which isn't just any creek, but is a part of the seaport of Buenos Aires), is also a verse of Cadicamo's</span></span></div>
<div style="color: #222222; font-family: arial, sans-serif; font-size: small;">
069. Osvaldo Fresedo - Roberto Ray "Niebla del riachuelo" 1937 2:25</div>
<div style="color: #222222; font-family: arial, sans-serif; font-size: small;">
070. <span style="background-color: white;">Osvaldo Fresedo - Roberto Ray</span> "Sollozos" 1937 3:27</div>
<div style="color: #222222; font-family: arial, sans-serif; font-size: small;">
071. <span style="background-color: white;">Osvaldo Fresedo - Roberto Ray</span> "Recuerdos De Bohemia" 1935 2:36</div>
<div style="color: #222222; font-family: arial, sans-serif; font-size: small;">
072. Bravo - Zhanna Aguzarova "Space Rock-n-Roll" 1993 0:12</div>
<div style="color: #222222; font-family: arial, sans-serif; font-size: small;">
073. Carlos di Sarli - Roberto Rufino "La Mulateada" 1941 2:22</div>
<div style="color: #222222; font-family: arial, sans-serif; font-size: small;">
074. Carlos di Sarli - Roberto Rufino "Cuando un viejo se enamora" 1942 2:14</div>
<div style="color: #222222; font-family: arial, sans-serif; font-size: small;">
075. Carlos di Sarli - Roberto Rufino "Pena Mulata" 1941 2:27</div>
<div style="font-family: arial, sans-serif; font-size: small;">
<span style="color: red;">(a break for the performance marking the 9th of July Independence Day of Argentina sends me scrambling for the perfect tango about this day, "Nueve de Julio", "The ninth of July". A little mix-up here ... D'Arienzo recorded this most excellent and most rhythmic tune more than ones, and I make a mistake pairing his 1960s masterpiece with his much earlier recordings. Should have made the whole tanda out of 1960s and 1970s tracks!)</span></div>
<div style="color: #222222; font-family: arial, sans-serif; font-size: small;">
076. Juan D'Arienzo - Instrumental "Nueve de Julio" 1966 2:54</div>
<div style="color: #222222; font-family: arial, sans-serif; font-size: small;">
077. Juan D'Arienzo - Instrumental "Jueves" 1937 2:33</div>
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078. Juan D'Arienzo <span style="background-color: white;">- Instrumental</span> "Gallo Ciego" 1937 2:59</div>
<div style="color: #222222; font-family: arial, sans-serif; font-size: small;">
079. Carlitos Rolan "Cuarteto2" 0:19</div>
<div style="font-family: arial, sans-serif; font-size: small;">
<span style="background-color: white;"><span style="color: red;">"Pa Que Bailen Los Muchachos", another classic lyrics by Enrique Cadicamo, in a brooding and suspenseful tanda of Troilo's later recordings</span></span></div>
<div style="color: #222222; font-family: arial, sans-serif; font-size: small;">
080. <span style="background-color: white;">Anibal Troilo - Francisco Fiorentino</span> "Pa Que Bailen Los Muchachos" 1942 2:49</div>
<div style="color: #222222; font-family: arial, sans-serif; font-size: small;">
081. <span style="background-color: white;">Anibal Troilo - Instrumental</span> "La Maleva" 1942 2:41</div>
<div style="color: #222222; font-family: arial, sans-serif; font-size: small;">
082. Anibal Troilo - Instrumental "Chique (El elegante)" 1944 3:07</div>
<div style="color: #222222; font-family: arial, sans-serif; font-size: small;">
083. ?Alla Pugacheva "Million Scarlet Roses" 1982 0:19</div>
<div style="color: #222222; font-family: arial, sans-serif; font-size: small;">
084. Enrique Rodriguez - El "Chato" Flores "Los Piconeros (Vals)" 1939 2:47</div>
<div style="color: #222222; font-family: arial, sans-serif; font-size: small;">
085. <span style="background-color: white;">Enrique Rodriguez</span> <span style="background-color: white;">- El "Chato" Flores</span> "Las espigadoras" 1938 2:47</div>
<div style="color: #222222; font-family: arial, sans-serif; font-size: small;">
086. Enrique Rodriguez - Armando Moreno "En el volga yo te espero" 1943 2:40</div>
<div style="color: #222222; font-family: arial, sans-serif; font-size: small;">
087. Zhanna Aguzarova "Old Hotel" 1987 0:22</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyFkbzetmVRulDq4u7Xhpg3QgTFu0uyLvo2EjaPncStvvg86RyiA0_kpxzabnHDvqPeVbwZS1XHoG56IFgFevix779_9KUHEPYpBRaCWIIZ4ehF5Q6gIAXkANKEkjK2blQ_Nd7m0PzelbW/s1600/sin-nombre-Jul-2018.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyFkbzetmVRulDq4u7Xhpg3QgTFu0uyLvo2EjaPncStvvg86RyiA0_kpxzabnHDvqPeVbwZS1XHoG56IFgFevix779_9KUHEPYpBRaCWIIZ4ehF5Q6gIAXkANKEkjK2blQ_Nd7m0PzelbW/s400/sin-nombre-Jul-2018.jpg" width="400" /></a></div>
<div style="font-family: arial, sans-serif; font-size: small;">
<span style="color: red;">If Luis Rubistein first proved his mettle with Samaritana, then "Carnaval de mi barrio" (subtitled "A street painting in the tempo of tango") was one of the highest points of his later career</span></div>
<div style="color: #222222; font-family: arial, sans-serif; font-size: small;">
088. Edgardo Donato - Lita Morales y Romeo Gavio "Mi Serenata" 1940 3:01</div>
<div style="color: #222222; font-family: arial, sans-serif; font-size: small;">
089. Edgardo Donato - Horacio Lagos, Lita Morales y Romeo Gavio "Sinfonia de Arrabal" 1940 3:09</div>
<div style="color: #222222; font-family: arial, sans-serif; font-size: small;">
090. Edgardo Donato - Horacio Lagos y Lita Morales "Carnaval De Mi Barrio" 1939 2:30</div>
<div style="color: #222222; font-family: arial, sans-serif; font-size: small;">
091. Oleg Berg "We will rock you chicken dance" 0:23</div>
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<span style="color: red;">The super-grounded modern classics join in the penultimate tanda</span></div>
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092. Analíá Goldberg y Sexteto Ojos De Tango "El Adios" 2011 3:13</div>
<div style="color: #222222; font-family: arial, sans-serif; font-size: small;">
093. Fervor de Buenos Aires "E.G.B." 2007 2:26</div>
<div style="color: #222222; font-family: arial, sans-serif; font-size: small;">
094. Fervor de <span style="background-color: white;">Buenos Aires</span> "Quien Sos" 2007 3:08</div>
<div style="color: #222222; font-family: arial, sans-serif; font-size: small;">
095. Alla Pugacheva "Etot mir" 0:33</div>
<div style="color: #222222; font-family: arial, sans-serif; font-size: small;">
096. Osvaldo Pugliese - Instrumental "Gallo ciego" 1959 3:33</div>
<div style="color: #222222; font-family: arial, sans-serif; font-size: small;">
097. Osvaldo Pugliese - Instrumental "Malandraca" 1949 2:52</div>
<div style="color: #222222; font-family: arial, sans-serif; font-size: small;">
098. Osvaldo Pugliese - Instrumental "Nochero soy" 1956 3:33</div>
<div style="color: #222222; font-family: arial, sans-serif; font-size: small;">
099. Juan D'Arienzo - Instrumental "La cumparsita" 1951 3:49</div>
<div style="color: #222222; font-family: arial, sans-serif; font-size: small;">
100. "silence30s (clean)" 0:31</div>
<div style="color: #222222; font-family: arial, sans-serif; font-size: small;">
101. Cream Margot "Krem Margo - Poka Igraet Dzhaz danceable cortina cut" 1:41</div>
</div>
MOCKBAhttp://www.blogger.com/profile/05150628026789690963noreply@blogger.com0tag:blogger.com,1999:blog-2217553257128682851.post-67390057239565363512018-07-02T21:53:00.001-07:002018-07-05T11:10:29.651-07:00Pt Angeles milonga playlist<div dir="ltr" style="text-align: left;" trbidi="on">
<div style="font-family: arial, sans-serif; font-size: small;">
Thank you so much for hosting us in Pt Angeles on our Olympic peninsula tour and organizing a wonderful holiday weekend milonga, Katy! It was amazing!</div>
<div style="font-family: arial, sans-serif; font-size: small;">
A special thank you for companionship, dances, and sound system help, Cliff & Becky! And to all friends who came from near and far ... you are awesome!! See you on the dance floor soon - abrazos!</div>
<div style="font-family: arial, sans-serif; font-size: small;">
<span style="color: red;">starting a few minutes before the scheduled start with sound check / mood setter kinds of tracks:</span></div>
<div style="color: #222222; font-family: arial, sans-serif; font-size: small;">
001. Paco Mendoza & DJ Vadim "Los Ejes De Mi Carreta" 2013 3:23</div>
<div style="color: #222222; font-family: arial, sans-serif; font-size: small;">
002. Erskine Maytorena Qtango "Milonga Triste" 2011 4:17</div>
<div style="color: #222222; font-family: arial, sans-serif; font-size: small;">
003. Maya Kristalinskaya "A za oknom" 0:16</div>
<div style="color: #222222; font-family: arial, sans-serif; font-size: small;">
004. <span >Juan </span>D'Arienzo - Instrumental "Joaquina" 1935 3:01</div>
<div style="color: #222222; font-family: arial, sans-serif; font-size: small;">
005. <span >Juan </span><span >D'Arienzo - Instrumental</span> "El Internado" 1938 2:31</div>
<div style="color: #222222; font-family: arial, sans-serif; font-size: small;">
006. <span >Juan </span><span >D'Arienzo - Instrumental</span> "Ataniche" 1936 2:32</div>
<div style="color: #222222; font-family: arial, sans-serif; font-size: small;">
007. Kansas "Dust in the wind cortina" 0:23</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmGg1UX4Q4WsUpQGiR5MelO6IsvZBAFx_iHq523Y0B2qXTEzEd-BzKOryBT7M80krHVIzmXO2pXR9H6jpxgHWdGDm6XLTerZ6i3K4OYLO_xRoEvT5n3bplYETtOjwuaNwcuzSCVbe_tUf5/s1600/Lily.jpeg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmGg1UX4Q4WsUpQGiR5MelO6IsvZBAFx_iHq523Y0B2qXTEzEd-BzKOryBT7M80krHVIzmXO2pXR9H6jpxgHWdGDm6XLTerZ6i3K4OYLO_xRoEvT5n3bplYETtOjwuaNwcuzSCVbe_tUf5/s320/Lily.jpeg" width="240" /></a>008. Enrique Rodríguez - Armando Moreno "Como Has Cambiado Pebeta" 1942 2:37</div>
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009. <span >Enrique Rodríguez - Armando Moreno</span> "El encopao" 1942 2:34</div>
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010. <span >Enrique Rodríguez - Armando Moreno</span> "Cómo Se Pianta la Vida" 1940 2:23</div>
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011. Los Naufragos "Zapatos Rotos rock" 0:34</div>
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<span style="color: red;">First valses are slow because I don't know the people here, and kind of fear going into favorite extremes too early. The fears were completely unwarranted, I must say :)</span></div>
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012. Juan De Dios Filiberto - Instrumental "Tus Ojos Me Embelesan" 1935 2:34</div>
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013. Juan De Dios Filiberto - Instrumental "Pensando En Ti" 1935 2:50</div>
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014. Juan De Dios Filiberto - Instrumental "Palomita Blanca" 1959 2:35</div>
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015. Los Iracundos "Puerto Montt rock" 1971 0:27</div>
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<span style="color: red;">Less played beautiful Canaros ... maybe especally the middle one</span></div>
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016. Francisco Canaro <span >- Roberto Maida</span> "Recuerdos De Paris" 1937 3:12</div>
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017. Francisco Canaro - Roberto Maida "Aunque No Lo Crean" 1935 3:28</div>
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018. Francisco Canaro - Roberto Maida "Nada Más" 1938 3:02</div>
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019. Gilda "Noches Vacias cortina" 0:22</div>
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<span style="color: red;">... and we are firmly on my favorite turf with the voice of Lita Morales!</span></div>
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020. Edgardo Donato - Horacio Lagos, Lita Morales, Romeo Gavioli "Triqui trá" 1940 2:34</div>
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021. Edgardo Donato - <span>Lita Morales, Romeo Gavioli</span> "Yo Te Amo" 1940 2:50</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyTvyfzquVUKHU1jPn87j0fYpQ87EKUvUYL3SRcxYoL1DAMLdCQH2S9HtaYwtvDkFRILpidy8swp61MwVQn3DCv-UPrc3ewFovJUb7l0CO281vg1mCfXSVTHxMZ__bVpq8z3RNSxMnsj57/s1600/dance.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1600" data-original-width="862" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyTvyfzquVUKHU1jPn87j0fYpQ87EKUvUYL3SRcxYoL1DAMLdCQH2S9HtaYwtvDkFRILpidy8swp61MwVQn3DCv-UPrc3ewFovJUb7l0CO281vg1mCfXSVTHxMZ__bVpq8z3RNSxMnsj57/s400/dance.jpg" width="215" /></a>022. Edgardo Donato - Horacio Lagos, Lita Morales "Sinsabor" 1939 2:53</div>
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023. Lyube "Bat'ka Makhno cortina 1" 0:18</div>
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024. Carlos Di Sarli - Roberto Rufino "Zorzal" 1941 2:40</div>
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025. Carlos Di Sarli - Roberto Rufino "Pena Mulata" 1941 2:27</div>
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026. Carlos Di Sarli - Roberto Rufino "La Mulateada" 1941 2:22</div>
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027. Folk "Shumel Kamysh " 0:23</div>
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<span style="color: red;">Another set of Canaro's beautiful unusuals, these ones with the sound of Hawaiian guitar. But the milonga may already have heated up enough to feed on wilder rhythms and stronger emotions of the music.</span></div>
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028. Francisco Canaro - Instrumental "Mimosa" 1929 2:54</div>
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029. Francisco Canaro - Instrumental "Malvaloca milonga cut" 1930 3:08</div>
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030. Francisco Canaro - Charlo "Oiga Garcon fast" 1929 2:46</div>
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031. Folk "Yablochko cortina 2" 0:19</div>
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032. <span >Carlos Di Sarli - Instrumental</span> "La Trilla" 1940 2:21</div>
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033. Carlos Di Sarli - Instrumental "Shusheta" 1940 2:22</div>
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034. <span >Carlos Di Sarli - Instrumental</span> "Nobleza De Arrabal" 1940 2:07</div>
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035. Carlitos Rolan "Cuarteto2" 0:19</div>
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036. Aníbal Troilo - Edmundo Rivero - Floreal Ruiz "Lagrimitas De Mi Corazón" 1948 3:00</div>
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037. <span >Aníbal</span> Troilo - Floreal Ruiz "Romance De Barrio" 1947 2:37</div>
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038. <span >Aníbal </span>Troilo - Edmundo Rivero y Aldo Calderón "A unos ojos" 1949 3:10</div>
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039. Russian folk "Murka" 0:20</div>
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040. Francisco Canaro - Ernesto Fama "Tormenta" 1939 2:38</div>
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041. Francisco Canaro - Ernesto Fama "No me pregunten porque" 1939 2:51</div>
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042. Francisco Canaro - Ernesto Fama "Te quiero todavia" 1939 2:54</div>
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043. The Doors "Riders of the storm cortina" 0:32</div>
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044. <span >Juan D'Arienzo - Héctor Mauré </span>"Enamorado (Metido)" 1943 2:33</div>
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045. Juan D'Arienzo - Héctor Mauré "Ya lo ves (fast)" 1941 2:39</div>
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046. <span >Juan D'Arienzo - Héctor Mauré </span> "El olivo (El olvido)" 1941 2:51</div>
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047. ZZ Top "Sharp Dressed Man cortina" 0:25</div>
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<span style="color: red;">Foxes don't work too well in the neighboring Pt Townsend but are good to play here, said Cliff?</span></div>
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048. Enrique Rodriquez - Armando Moreno "Se ve el tren" 1942 3:11</div>
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049. Enrique Rodriguez <span >- Armando Moreno</span> "No Te Apures Por Dios Postillon" 1945 2:59</div>
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050. Enrique Rodriguez - Armando Moreno "Maruska" 1943 2:07</div>
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051. Russian Folk "Gypsy Girl (cortina)" 0:22</div>
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<span style="color: red;">... then carrying the Russian vibe of the previous tanda with the top hit of the King of Russian Tango, Oscar Strok:</span></div>
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052. <span >Florindo Sassone - Instrumental</span> "Ojos Negros (Oscar Strok)" 1968 2:28</div>
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053. Florindo Sassone - Instrumental "Adios corazon" 1968 2:16</div>
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054. <span >Florindo Sassone - Instrumental</span> "Bar Exposicion" 1959 3:26</div>
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055. Los Naufragos "Zapatos Rotos rock" 0:34</div>
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056. <span >Rodolfo Biagi - Hugo Duval </span> "Alguien" 1956 3:13</div>
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057. Rodolfo Biagi - Hugo Duval "Esperame en el cielo" 1958 2:52</div>
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058. Rodolfo Biagi - Hugo Duval "Solamente dios y yo" 1958 2:33</div>
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059. Carlitos Rolan "Cuarteto1" 0:28</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNJaRfdRqqJ7R9PTFMUgR3gFgqf1pUkjtFGGaJrvEoapRkT8Pr805jV5NijyTVusQWfBSzkX-Czsa00d0jFhatKmzk2m9sLX4oSbQV66HU60qfuZKKwRo9beeqUkIGxJvQG1HWvJ-bsNeN/s1600/Goats.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1600" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNJaRfdRqqJ7R9PTFMUgR3gFgqf1pUkjtFGGaJrvEoapRkT8Pr805jV5NijyTVusQWfBSzkX-Czsa00d0jFhatKmzk2m9sLX4oSbQV66HU60qfuZKKwRo9beeqUkIGxJvQG1HWvJ-bsNeN/s400/Goats.jpeg" width="400" /></a></div>
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060. Orquesta <span>Típica </span>Victor - Lita Morales "Noches de invierno" 1937 2:47</div>
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061. Orquesta Típica Víctor - Angel Vargas "Sin Rumbo Fijo" 1938 2:18</div>
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062. Orquesta <span >Típica </span>Victor - Mario Pomar "Temo" 1940 2:55</div>
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063. Victor Tsoy "Blood Type (cortina long)" 0:36</div>
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<span style="color: red;">I never played a full tanda of Salamanca before; the vocals with Guerrico are amazing but may be outdone now by the recent covers by the Orquesta Romantica Milonguera? What do you think? Is there two much similarity between Romantica's and Salamanca's records? Would you rather dance to the modern version?</span></div>
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064. Fulvio Salamanca - Instrumental "El Mareo" 1959 3:02</div>
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065. <span >Fulvio </span>Salamanca - Armando Guerrico "Todo Es Amor" 1958 2:47</div>
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066. <span>Fulvio </span><span >Salamanca - Armando Guerrico</span> "Bomboncito" 1958 3:22</div>
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067. Los Iracundos "Puerto Montt rock" 1971 0:27</div>
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068. <span >Anibal Troilo - Francisco Fiorentino</span> "Yo soy el tango" 1941 2:27</div>
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069. Anibal Troilo - Francisco Fiorentino "Maragata" 1941 2:46</div>
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070. <span>Anibal Troilo - Francisco Fiorentino</span> "El bulin de la calle ayacucho" 1941 2:30</div>
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071. Lyube "Bat'ka Makhno cortina 1" 0:18</div>
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<span style="color: red;">We are taking an alternative detour into milonga unusuals ...</span></div>
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072. Trio Garufa "Silueta Porteña (Electro Milonga)" 2008 2:35</div>
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073. Bajofondo Tango Club "Leonel, El Feo Milonga Cut" 2004 2:15</div>
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074. Otros Aires "Perro Viejo" 2016 3:21</div>
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075. Carlitos Rolan "Cuarteto1" 0:28</div>
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<span style="color: red;">and then a set of "un-grounded" tracks - just like some of the tangos put us firmly in touch with the ground and the floor, these alternatives get you connected with the air and lifted towards the ceiling :)</span></div>
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076. Fool's Garden "Lemon Tree" 1999 3:11</div>
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077. Jason Mraz "I'm Yours" 2008 4:20</div>
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078. Damour Vocal Band "Sway - danceable cortina cut" 1:39</div>
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079. Lidiya Ruslanova "Valenki 1 (cortina)" 0:24</div>
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<span style="color: red;">Royal madness of the King of the Beat:</span></div>
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080. Juan D'Arienzo - Instrumental "La torcacita" 1971 2:31</div>
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081. Juan D'Arienzo - Instrumental "Zorro gris" 1973 2:03</div>
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082. Juan d'Arienzo <span > - Instrumental </span>"Este Es El Rey" 1971 3:10</div>
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083. Carlitos Rolan "Cuarteto2" 0:19</div>
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084. Edgardo Donato <span >- Horacio Lagos</span> "Quien sera" 1941 2:14</div>
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085. Edgardo Donato - Horacio Lagos, Lita Morales, Romeo Gavioli "La shunca" 1941 2:35</div>
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086. Edgardo Donato - <span >Horacio Lagos, Romeo Gavioli </span>"Noches Correntinas (Vals)" 1939 2:23</div>
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087. Viktor Tsoy "Good morning, last Hero cortina long" 1989 0:35</div>
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088. Ángel D'Agostino - Ángel Vargas "Ahora No Me Conocés" 1940 2:35</div>
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089. <span >Ángel D'Agostino - Ángel Vargas</span> "Solo compasion" 1941 2:58</div>
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090. <span >Ángel D'Agostino - Ángel Vargas</span> "Ninguna" 1942 2:59</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiT1XSyt1X9y8IN2KQ_-MmpH4ClQyg0J_mdJLNtZJQaS2o1Rlqb-UdmI9EoAEVmetlt5BdDqUXD7fepbABr6JM0BWPB0CPbCpqvACJyef4JUvj4IpkmvCLeTK_4_8sz1wpyMlAskNxp_tva/s1600/Deer.jpeg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1600" data-original-width="900" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiT1XSyt1X9y8IN2KQ_-MmpH4ClQyg0J_mdJLNtZJQaS2o1Rlqb-UdmI9EoAEVmetlt5BdDqUXD7fepbABr6JM0BWPB0CPbCpqvACJyef4JUvj4IpkmvCLeTK_4_8sz1wpyMlAskNxp_tva/s320/Deer.jpeg" width="180" /></a></div>
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091. Los Iracundos "Puerto Montt rock" 1971 0:27</div>
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092. Alfredo De Angelis <span>- Instrumental</span> "Pavadita" 1958 2:53</div>
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093. Alfredo De Angelis <span >- Instrumental</span> "Felicia" 1969 2:48</div>
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094. Alfredo De Angelis - Instrumental "El Tango Club" 1957 2:40</div>
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095. Gilda "No Me Arrepiento de Éste Amor cortina long" 0:40</div>
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096. Miguel Caló - Raúl Berón "Azabache" 1942 3:05</div>
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097. Alberto Castillo "El Gatito en el Tejado" 1957 2:37</div>
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098. Romeo Gavioli "Tamboriles" 1956 2:56</div>
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099. Marek Jackowski "Oprócz blekitnego nieba" 0:23</div>
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100. Lucio Demare - Raul Beron "Canta pajarito" 1943 3:24</div>
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101. Lucio Demare - Raul Beron "Que solo estoy" 1943 3:04</div>
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102. <span>Lucio Demare - Raul Beron</span> "Moneda De Cobre" 2:54</div>
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103. Viktor Tsoy "Kukushka cortina long 2" 0:37</div>
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<span style="color: red;">In contrast to an earlier alt tanda, this one is about as heavy and grounded as it gets ... I should have added Analia Goldberg's El Adios for good measure!</span></div>
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104. Fervor de Buenos Aires "E.G.B." 2007 2:26</div>
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105. <span >Fervor de Buenos Aires</span> "Nostalgias" 2007 3:26</div>
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106. <span >Fervor de Buenos Aires</span> "Quien Sos" 2007 3:08</div>
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<span style="color: red;">(the cortina was from Gilda but I later dragged it down the list as I was adding tandas; Gramofon turned out to be the local area's birthday-vals hit)</span></div>
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107. Klezmatics "Di Goldene Pave" 2000 4:01</div>
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108. Evgeny Doga "Gramofon" 2002 2:28</div>
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109. Yann Tiersen "La valse d'Amélie (Version originale)" 2006 2:16</div>
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110. Carlitos Rolan "Cuarteto1" 0:28</div>
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111. Miguel Caló - Raúl Iriarte "Cada dia te extrano mas" 1943 2:35</div>
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112. Miguel Caló - Raúl <span >Iriarte</span> "La noche que te fuiste" 1945 2:45</div>
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113. Miguel Caló - Raúl Iriarte "La vi llegar" 1944 3:24</div>
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114. Viktor Tsoy "Nam s toboj (For you and me) cortina long" 0:52</div>
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115. Osvaldo Pugliese - Roberto Chanel "Rondando Tu Esquina" 1945 2:48</div>
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116. <span >Osvaldo Pugliese - Roberto Chanel </span>"Corrientes Y Esmeralda" 1944 2:49</div>
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117. Osvaldo Pugliese - Jorge Maciel "Remembranza" 1956 3:41</div>
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118. Gilda "Noches Vacias cortina" 0:22</div>
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119. Donato Racciatti - Olga Delgrossi "Hasta siempre amor" 1958 2:57</div>
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120. Donato Racciatti - Olga Delgrossi "Queriendote" 1955 2:49</div>
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121. Donato Racciatti - Olga Delgrossi "Sus Ojos Se Cerraron" 1956 2:47</div>
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122. Juan D'Arienzo - Instrumental "La cumparsita" 1951 3:54</div>
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<span style="color: #222222;">123.</span><span style="color: red;"> (the party just wouldn't stop, and even added tandas aren't enough, so there is a little post-Cumparsita section)</span></div>
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124. Eendo "Eshgh e Aasemaani" 2011 3:31</div>
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125. Goran Bregovic "Maki Maki" 2009 3:33</div>
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126. Kevin Johansen + the Nada "Sur o No Sur" 2002 4:53</div>
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MOCKBAhttp://www.blogger.com/profile/05150628026789690963noreply@blogger.com0tag:blogger.com,1999:blog-2217553257128682851.post-18218885114285317722018-06-22T12:55:00.000-07:002018-06-22T12:55:21.151-07:00Junando Practica Playlist, June 2018<div dir="ltr" style="text-align: left;" trbidi="on">
<br />
Sorry it took so long to post. Can't catch up with all the things I need to do...<br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVXQggDy4gdnDQ91CIP3t42noeisuz0mo3I5fvCeqB7AMoDoSEvTBFSY_Umu6WOU4egiSplBUJJyjQH-iym-O-dA2QkqrvQh0tJfVanTMZFjM2wLpce1YHOgp-mNKZO9EUpDpuIG383I58/s1600/20180613_211652.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="222" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVXQggDy4gdnDQ91CIP3t42noeisuz0mo3I5fvCeqB7AMoDoSEvTBFSY_Umu6WOU4egiSplBUJJyjQH-iym-O-dA2QkqrvQh0tJfVanTMZFjM2wLpce1YHOgp-mNKZO9EUpDpuIG383I58/s320/20180613_211652.jpg" width="320" /></a>01. Juan D'Arienzo - Instrumental "La viruta" 1936 2:20<br />
02. Juan D'Arienzo - Instrumental "Champagne tango" 1938 2:26<br />
03. Juan D'Arienzo - Instrumental "Sábado Inglés" 1946 2:38<br />
04. Agapornis "Hasta es final cortina" 0:18<br />
05. Francisco Canaro - Ernesto Famá "Te quiero todavia" 1939 2:54<br />
06. Francisco Canaro - Ernesto Famá "Tormenta" 1939 2:38<br />
07. Francisco Canaro - Ernesto Famá "Algun dia te dire" 1939 2:16<br />
08. Maya Kristalinskaya "A za oknom" 0:16<br />
09. Pedro Láurenz - Alberto Podestá "Paisaje" 1943 2:51<br />
10. Pedro Láurenz - C. Bermudez y J. Linares "Mendocina" 1944 2:35<br />
11. Pedro Láurenz - Juan Carlos Casas "Mascarita" 1940 2:53<br />
12. Los Iracundos "Puerto Montt rock" 1971, 1971 0:27<br />
13. Osvaldo Fresedo - Roberto Ray "Isla de Capri" 1935 3:16<br />
14. Osvaldo Fresedo - Roberto Ray "Canto de amor" 1934 3:25<br />
15. Osvaldo Fresedo - Roberto Ray "Sollosos" 1937 3:27<br />
16. Agapornis "Hasta es final cortina" 0:18<br />
17. Anibal Troilo - Instrumental "Milongueando En El 40" 1941 2:32<br />
18. Anibal Troilo - Instrumental "Cachirulo" 1941 2:37<br />
19. Anibal Troilo - Instrumental "Guapeando" 1941 2:50<br />
20. Carlitos Rolan "Cuarteto2" 0:19<br />
<span style="color: red;">What is your opinion on Canaro's 1950s quintet milongas?</span><br />
21. Quinteto Pirincho - Instrumental "La cara de la luna" 1959 2:29<br />
22. Quinteto Pirincho - Instrumental "Corralera" 1956 2:05<br />
23. Quinteto Pirincho - Instrumental "Milongon" 1952 2:29<br />
24. Gilda "Noches Vacias cortina" 0:22<br />
25. Miguel Caló - Raúl Berón "Que te importa que te llore" 1942 2:44<br />
26. Miguel Caló - Raúl Berón "Corazon No Le Hagas Caso" 1942 3:00<br />
27. Miguel Caló - Raúl Berón "Jamas Retornaras" 1942 2:31<br />
28. Lidiya Ruslanova "Valenki 4 (cortina)" 0:24<br />
29. Pedro Laurenz - Juan Carlos Casas "Vieja amiga" 1938 3:13<br />
30. Pedro Laurenz - Juan Carlos Casas "Amurado" 1940 2:30<br />
31. Pedro Laurenz - Juan Carlos Casas "No me extrana" 1940 2:44<br />
32. Russian folk "Murka" 0:20<br />
<span style="color: red;">The fastest vals tanda I ever played... I imagined it might be my birthday music, although I never had a moment to formally announce it :)</span><br />
33. Juan D'Arienzo - Walter Cabral "Irene" 1936 2:29<br />
34. Edgardo Donato - Horacio Lagos, Romeo Gavio "Noches correntinas" 1939 2:18<br />
35. Alberto Castillo "Violetas (vals)" 1948 2:37<br />
36. Folk "Yablochko cortina 1" 0:21<br />
<span style="color: red;">Alberto Podestá recorded very few pieces with Di Sarli when they briefly resumed work together in 1947. The more tragic of them, especially "Dejame, no quiero verte mas", are amazing IMHO. Couldn't make a whole tanda keeping this mood without turning to the earlier, more familiar classics.</span><br />
37. Carlos di Sarli - Alberto Podestá "Otra noche" 1944 2:37<br />
38. Carlos di Sarli - Alberto Podestá "Por el camino" 1947 2:48<br />
39. Carlos di Sarli - Alberto Podestá "Dejame No Quiero Verte Mas" 1947 3:23<br />
40. ZZ Top "Sharp Dressed Man cortina" 0:25<br />
<span style="color: red;">Horacio Salgan (June 15, 1916 – August 19, 2016), an amazing Afro-Argentine tango and jazz pianist, whose life spanned a whole century, is the orchestra leader whose birth we are celebrating this month. I picked two instrumental pieces for a commemorative tanda. The first one from the 1960s when Salgan teamed up with Laurenz in a short-lived quintet of tango's brightes stars. The second is from Salgan's own band from the 1950s. </span><br />
41. Quinteto Real - Instrumental "Ensuenos" 1965 3:10<br />
42. Horacio Salgan - Instrumental "Los Mareados" 1952 3:23<br />
43. Orquesta Tipica Fervor de Buenos Aires "Quien Sos" 2007 3:08<br />
44. Gilda "Noches Vacias cortina" 0:22<br />
<span style="color: red;">Having ventured into the contemporary and the alternative with the previous tanda, we continue with a set of modern slow-longas.</span><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5m0tsEqN1OoNWznADYaaQ4B4hyX1-4ma27C_L_aIzCZPj8bQeE7pyeO-nMpwqUoQUhz_XOt5Rvabhpm-XbWGeiPIR9c6pAhamWgBqA6U0Nr0RLS_O5BqJPVRzLNT9ZzAVDxLp2IU4cJOi/s1600/20180613_203136.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5m0tsEqN1OoNWznADYaaQ4B4hyX1-4ma27C_L_aIzCZPj8bQeE7pyeO-nMpwqUoQUhz_XOt5Rvabhpm-XbWGeiPIR9c6pAhamWgBqA6U0Nr0RLS_O5BqJPVRzLNT9ZzAVDxLp2IU4cJOi/s320/20180613_203136.jpg" width="248" /></a>45. Trio Garufa "Milonga uruguaya" 2012 4:11<br />
46. Paco Mendoza & DJ Vadim "Los Ejes De Mi Carreta" 2013 3:23<br />
47. Otros Aires "Perro Viejo" 2016 3:21<br />
48. Folk "Yablochko cortina 2" 0:19<br />
49. Edgardo Donato - Horacio Lagos "El Adios" 1938 3:09<br />
50. Edgardo Donato - Horacio Lagos, Lita Morales y Romeo Gavio "Sinfonia de Arrabal" 1940 3:12<br />
51. Edgardo Donato - Lita Morales y Romeo Gavio "Mi Serenata" 1940 3:02<br />
52. Agapornis "Hasta es final cortina" 0:18<br />
53. Anibal Troilo - Francisco Fiorentino "Toda Mi Vida" 1941 2:55<br />
54. Anibal Troilo - Francisco Fiorentino "Maragata" 1941 2:44<br />
55. Anibal Troilo - Francisco Fiorentino "El Bulin De La Calle Ayacucho" 1941 2:29<br />
56. Russian Folk "Gypsy Girl (cortina)" 0:22<br />
57. The Alex Krebs Tango Sextet "Romance de Barrio" 2011 2:41<br />
58. Color Tango "Illusion de mi vida" 2005 3:00<br />
59. Osváldo Pugliese - Instrumental "Desde El Alma" 1943 2:56<br />
60. Kansas "Dust in the wind cortina" 0:23<br />
61. Osváldo Pugliese - Roberto Chanel "Rondando Tu Esquina" 1945 2:49<br />
62. Osváldo Pugliese - Roberto Chanel "Farol" 1943 3:22<br />
63. Osvaldo Pugliese - Roberto Chanel "Corrientes Y Esmeralda" 1944 2:49<br />
64. Alfredo de Angelis - Instrumental "La cumparsita" 1961 3:33<br />
65. Enrique Rodriguez - Armando Moreno "El Boulevard de la desilusion" 1943 2:16<br />
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MOCKBAhttp://www.blogger.com/profile/05150628026789690963noreply@blogger.com0tag:blogger.com,1999:blog-2217553257128682851.post-31875677458706977252018-05-15T16:44:00.000-07:002018-06-20T10:57:13.657-07:00Gardel's French family and the ghosts of the Dirty War<div dir="ltr" style="text-align: left;" trbidi="on">
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhae9t6rS-X69OYVxPLGm6QVIr5dsSLbsQeLs3UeAypSXnj7insCFWwAcUtVbODfIJGM74f6WIC_Hhq_z8bs-Gb3rebzHKGs-CzRATqcpanzg-8_SOBeNmcYRUUwo3J7lEZr7QXx1bNJhV/s1600/colonel_jean_gardes.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhae9t6rS-X69OYVxPLGm6QVIr5dsSLbsQeLs3UeAypSXnj7insCFWwAcUtVbODfIJGM74f6WIC_Hhq_z8bs-Gb3rebzHKGs-CzRATqcpanzg-8_SOBeNmcYRUUwo3J7lEZr7QXx1bNJhV/s1600/colonel_jean_gardes.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Carlos Gardel (1890-1935) and colonel Jean Gardes (1914-2000)</td></tr>
</tbody></table>
As some of my readers might know, one of my "other hobbies" is genealogy, and I often combine tango travels with visits to dusty archives and overgrown cemeteries and quizzing long-lost relatives. Last week's trip to Canada was no exception. I danced to a whole number of tandas which excited me both as a DJ and as a flesh-and-bones tanguero (<i>Noches correntinas</i>, oh my, it turns out that one <i>can </i>dance to it! <i>Rebeldia</i> of a quality which makes me salivate, in a milonga tanda topped with the classic <i>Mi Vieja Linda</i>! Or how about a dramatic tanda united by the voice of Floreal Ruiz with the orchestras of Basso and Rotundo?)<br />
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But I also visited a wonderful and very distant relative whom I only knew from our online conversations before. Incredibly, he immediately dropped a name of ... Carlos Gardel. Like, do I know about this singer, <i>who was a big name in tango in his age</i>?<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpmvNuDR9fh49N_c-fldvur7n8g10ds0hHjeH3KmRvHiNugwhl60hERC5OU9JpdhVXO-5h5DWSDY4NjKXsl7D35Rt_6Q6baSBKiwdD5aEqRFM0s8FqmPMOVRLdlGc89HghLh_VRIJHMD5B/s1600/elena_irene_gardes_300a1.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="491" data-original-width="300" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpmvNuDR9fh49N_c-fldvur7n8g10ds0hHjeH3KmRvHiNugwhl60hERC5OU9JpdhVXO-5h5DWSDY4NjKXsl7D35Rt_6Q6baSBKiwdD5aEqRFM0s8FqmPMOVRLdlGc89HghLh_VRIJHMD5B/s320/elena_irene_gardes_300a1.jpg" width="195" /></a></div>
It turns out that Gardel's French relatives were his in-laws, and they liked to talk about their famous Argentine kin. About the mystery of his birth and the horror of his fiery death. About the shame Gardel's well-off and very conservative relatives back home felt about his sexy songs and rumored mob connections. I listened. And now I know that the well-known account of Elena Irene Gardes in her 1996 book "<i>Carlos Gardel y la raíz de mi genealogía</i>" is only part true, that her Gardes ancestors did remember quite a few things about Carlos Gardel's roots correctly, but many mistakes were introduced into the story as the author was trying to "connect the dots". Let me try to fix it, and then to mention a special connection the Gardel's relatives had to the Argentine Dirty War and the infamous torture-center at ESMA.<br />
<br />
The outline of the family lore of the ancestors of Elena Irene Gardes went like this: after the parents of Gardel's mother Berthe divorced, Berthe moved in with her uncle's family, and had an illicit relationship with her cousin, a few years junior. She gave birth to a boy Charles (future Carlos Gardel) and was forced to flee to South America. (To those who sincerely believe that Gardel was South America's native son, born in Tacuarembó, Uruguay, I have to apologize. There is plenty of room for legends in the story of Carlos Gardel, and I respect your faith, but you probably shouldn't read any further). There are also plenty of reasons why the immigrants occasionally need dubious documents and certificates (as did Gardel when he obtained a certificate of birth in Uruguay), but I'm going to stick with El Zorzal's <i>actual</i> genealogy in this post.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-gpPYRAixiLxq0dd1_xKUUJ0Z3tohkx6XM_-k3T_xxVIX9OHfczU2hBrIaTHA3M4f8BHfXuSC6yMgPxDnWhr45VHx_uDpR-c5qvifEfvYXFmYlKZuRn0iN8Fw4GSq4ZnMJm2xKn7e-SBy/s1600/heartbroken.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-gpPYRAixiLxq0dd1_xKUUJ0Z3tohkx6XM_-k3T_xxVIX9OHfczU2hBrIaTHA3M4f8BHfXuSC6yMgPxDnWhr45VHx_uDpR-c5qvifEfvYXFmYlKZuRn0iN8Fw4GSq4ZnMJm2xKn7e-SBy/s640/heartbroken.jpg" width="493" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">"Heartbroken". "Doña Berta" Gardes mourns her son (and right away, we witness another fringe<br />
theory about their identity...) </td></tr>
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<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgWHcD6XgAd3NSrIz_Ry4Qe8nFWYBU2x_2f6UCKLyKzJ2plr3kue1a6ZHLe8oxKaEpBQIQ_Zmen5KdolvqYSbkukvRk3uhyJPx68v4mjjk2zYowk-pfmu-ggtn31mf_6eXYEv39ObX__zO/s1600/foto-berthe-marisou-charlotte.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="220" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgWHcD6XgAd3NSrIz_Ry4Qe8nFWYBU2x_2f6UCKLyKzJ2plr3kue1a6ZHLe8oxKaEpBQIQ_Zmen5KdolvqYSbkukvRk3uhyJPx68v4mjjk2zYowk-pfmu-ggtn31mf_6eXYEv39ObX__zO/s320/foto-berthe-marisou-charlotte.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Berthe Gardes with her beloved first cousin Marie "Marissou"<br />
and her sister-in-law Charlotte on one of her many visits<br />
to her home town, Toulouse. More great imagery <a href="http://www.tacuy.com.uy/gardel/Aportes.Invest.Gardel/Carlos%20Gardel's%20French%20Origins%20Origen%20frances%20de%20Carlos%20Gardel_archivos/" target="_blank">here</a>.</td></tr>
</tbody></table>
The story of Berthe Gardes, her involvement with a cousin, and her illicit child has been retold very similarly both by my Canadian correspondent's in-laws in Paris, and by the Gardes's kin in his native Toulouse, <a href="https://www.persee.fr/docAsPDF/carav_1147-6753_1998_num_70_1_2789.pdf" target="_blank">Jean-Claude Barrat and Henri Brune</a>. There is nothing surprising about it, as the Gardeses were a tight-knit clan and Carlos Gardel was their one truly famous cousin, so of course every Gardes family branch knew some details of the story of his birth. But who exactly was the uncle with whom Berthe stayed, and who fathered her child? Generations later, these details differ in different families' accounts.<br />
<br />
Elena Irene Gardes believed that Berthe's uncle was <i><b>her</b></i> own great-grand Louis Geniez Gardes, who lived in Saint-Geniez d'Olt in Avyeron, some 120 miles from Toulouse. Jean-Claude Barrat insisted that the uncle in question was <b><i>his</i></b> 2nd great-grandfather Bruno Marie Barrat (the husband of Berthe's aunt, Jeanne Petronille Gardes) in Toulouse, at 4 rue du Canon d'Arcole. Adding to Barrat's story, his 2nd cousin Henri Brune, a great-grandson of Bruno Marie Barrat and Berthe's aunt, Jeanne Petronille Gardes, told about meeting Gardel in Toulouse in 1934, a year before the Zorzal's untimely death. Henri was 13 years old then, and he remembered Gardel as kind and generous, "a real Argentine spirit". They held a family reunion at the house of Gardel's uncle Jean Gardes at 16 Allées de Barcelone.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh84gf08_2aKNfsqgycgckcBlbujPsP9ub3NdbytJQaZ4JLCNkTLWr_NnHZuK5_69TQxCKALFXmqKe_0QGubyK34ymKDMXBYzYp332wapS3fcFDrNZ76qViv9ECE4j1uLbyKwk_akTuC1XG/s1600/Toulouse-house.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="899" data-original-width="1117" height="513" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh84gf08_2aKNfsqgycgckcBlbujPsP9ub3NdbytJQaZ4JLCNkTLWr_NnHZuK5_69TQxCKALFXmqKe_0QGubyK34ymKDMXBYzYp332wapS3fcFDrNZ76qViv9ECE4j1uLbyKwk_akTuC1XG/s640/Toulouse-house.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">4 rue du Canon d'Arcole, Toulouse, the birth place of Charles Romuald Gardes better known as Carlos Gardel</td></tr>
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In light of the vital and immigration records, the version of Elena Irene Gardes didn't stand scrutiny. In her story, Berthe Gardes grew up in her ancestors' house, but it turned out that Louis Geniez Gardes, his wife, and their 6 children immigrated from France to Argentina in January 1891, barely a year after Berthe's parents Vital Gardes and Hélène Camarès divorced (on 27 December 1889). And Berthe was actually in her mid-20s then. And whatever the relation of Louis Geniez Gardes to Berthe might have been, it was much more distant than uncle-niece, anyway. He was a son of Louis Gardes and Rose Courtial, from Combetelade, a tiny village in Saint-Geniez d'Olt. Berthe's grandparents, however, were Toulouse-born Jean Marie Gardes and Marie Anna Pascale Bonnefoy.<br />
<br />
As to the identity of Gardel's secret father, Elena Irene Gardes has not just one but two theories. One is that Berthe was romantically involved with a first cousin, several years her junior. Elena Irene Gardes names this cousin as "Joseph, a seminarian" who supposedly had to leave France as well, and lived in Asia and Africa before settling in Buenos Aires, where his descendant, Marie Thérèse Gardes, still lived; his grandson, Dr. Heriberto Gardes (1924-1916), born and deceased in Pehuajó, was a pediatric surgeon, and another descendant Esteban Ramón Gardes, lived in Eldorado. Heriberto remembered that his grandfather José Gardes first settled in San Mauricio, Rivadavia, but after few years moved to Pehuajó and established a private Catholic school there. Joseph's brother Eduardo is said to have emigrated to Argentina as well; Eduardo's son Luciano, born in in Saint-Geniez d'Olt, lived in Fortín Olavarría. Luciano's children eventually moved to BsAs: Irene, born in 1919, and Juan Oscar Gardes, born in August 1929. No such persons can be found on Gardel's detailed family tree, and we must conclude that the story of Joseph's fatherhood must be an invention of yet another Argentine branch of the Gardeses. But the story of Gardel's father being a first cousin of Berthe, and a son of the uncle with whom she lived after her parents' divorce, is supported by relatives in Toulouse and Paris. This cousin is said to have been Jean Claire Barrat, 3 years younger than Berthe.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmsNv5GAFHIiDwpFfzOhY5BavXg_fk3J8KHf48Gd6HRq-0mMdGaNaHrcDowloUxeQHGCU5dMoqdp6Lwi7l_q3UMdFvrdaSafotim25oYnGCJiGSPkGqq65sv7WQVwlUuY2SP5s01I_YZ2H/s1600/tolose7.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="943" data-original-width="1571" height="384" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmsNv5GAFHIiDwpFfzOhY5BavXg_fk3J8KHf48Gd6HRq-0mMdGaNaHrcDowloUxeQHGCU5dMoqdp6Lwi7l_q3UMdFvrdaSafotim25oYnGCJiGSPkGqq65sv7WQVwlUuY2SP5s01I_YZ2H/s640/tolose7.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Gardel's most detailed family tree, a result of much archive and cemetery work and interviews,<br />
<a href="https://www.persee.fr/docAsPDF/carav_1147-6753_1998_num_70_1_2789.pdf" target="_blank">published in 1998 by Christiane Bricheteau</a></td></tr>
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The stigma of first cousin's union must have been so great that in her 1996 book, Elena Irene Gardes insisted that Berthe's cousin, while romantically involved with her, wasn't her child's actual biological father! (In a <a href="http://www.elterritorio.com.ar/juan-gardes-el-primo-de-carlos-gardel-que-vive-en-misiones-7663032696549194-et" target="_blank">2010 interview</a>, she recanted and indicated that it was a cousin who impregnated Berthe). The alternative hypothesis, possibly originating from Berthe herself, is that the father was Paul Lasserre "who had to leave Toulouse soon after Berthe got pregnant" and started another family. This Paul Lassere turns out to be a close associate of Gardeses in Toulouse. His mom ran an ironing shop, and both Berthe and her mother Helene, in the fashion business, used it professionally. Paul Lassere worked as an engineer at Sirven paper mills; his daughter Fanny Lasserre mentioned that Carlos Gardel visited their family when they lived in Nice. My belief is that, rather than being a father of Berthe's child, he was a friend of her family who volunteered to help them bury their secret.<br />
<br />
But what about the Parisian Gardeses, the ones who gave the initial nudge for this post? They intensely disapproved of El Zorzal and of tango in general, but were well aware of the secret of Gardel's birth. They also had their own, quite sinister, connection to Argentina...<br />
<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj21egwg3Ya59eWm3V_2WGZPd8JEllyHJMoZjklMgRxILzHSX01mz_9yUjEiBmKdKLP7a3TYE-GMX6ND2njukMoFpg0G6EgUmq306fLalhY3gQqPtRIoFSQ8VVjgEb9mRCyue8nj-7rWwky/s1600/Colonel_Jean_GARDES-1944.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj21egwg3Ya59eWm3V_2WGZPd8JEllyHJMoZjklMgRxILzHSX01mz_9yUjEiBmKdKLP7a3TYE-GMX6ND2njukMoFpg0G6EgUmq306fLalhY3gQqPtRIoFSQ8VVjgEb9mRCyue8nj-7rWwky/s320/Colonel_Jean_GARDES-1944.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Jean Gardes is said to have been the most decorated<br />
lieutenant of the French Army in 1944/1945</td></tr>
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The parents of colonel Jean Gardes moved to Paris even before WWI. He was born there on October 4, 1914. Between the wars they are said to have amassed a fortune of over 20,000,000 Franks, and owned a number of restaurants in the City of Lights. Jean became a career military officer, fighting the Italians in WWII, then battling anti-Colonialist insurgents in the Indochina and Algiers throughout the 1950s. Trained in psychological operations, he became a leader of the "5th Dept" (psy-ops) in Algiers. Intensely conservative, colonel Jean Gardes disapproved of President De Gaulle's course, and started playing an increasingly active role in the "French Algiers" underground and its "Secret Army Organization", better known for its French acronym OAS. The anti-Gaullist and anti-Left efforts of the OAS seem to have been tightly coordinated with the American secret services; they also started liaising with the Argentine military, which have just recently deposed Juan Peron, as early as in 1957. The French counterinsurgency fight borrowed the pages from the very movements they fought, focusing on the trifecta of propaganda, ideology (of staunch Catholicism and patriotism, in their case), and intimidation and torture. It was in Algiers where the word "death squads" was first put into circulation.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiWTl8UKMj_c0XQVvO4yRDIrboDBIRZJxlzp3bNAdEKa5glwY1qTUfF1rnHnype9rTleg3v3uqzTK3RrxsUnElf5AUUEDSkukDceA9qX44rNv8VQefqg_W6bWoT2r40ClznMR3LnZVqSVL/s1600/squads1.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="499" data-original-width="302" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiWTl8UKMj_c0XQVvO4yRDIrboDBIRZJxlzp3bNAdEKa5glwY1qTUfF1rnHnype9rTleg3v3uqzTK3RrxsUnElf5AUUEDSkukDceA9qX44rNv8VQefqg_W6bWoT2r40ClznMR3LnZVqSVL/s1600/squads1.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">The cover of Marie-Monique Robin's 2008 book<br />
"Escadrons de la mort, l'école française"<br />
("Death squads, French school") juxtaposes images of<br />
1961 OAS putchists with Argentine Dirty War leaders</td></tr>
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In January 1960, colonel Jean Gardes was on the OAS barricades, besieging government buildings. Ordered out of Algiers, he was put on trial, but acquitted and allowed to return. The following spring, OAS-aligned and CIA-supported top military brass staged a coup against De Gaulle, but failed to secure control beyond Algiers. Following the failure of the putsch, colonel Jean Gardes was sentenced to death in July 1961. For a while he fought with the rightist <i>maquis </i>guerrilla in the highlands of Ouarsenis, then escaped to Spain. In May 1962, he was rumored (probably falsely) to have been involved in one of many OAS's assassination plots against President De Gaulle (not the most famous Day of the Jackal attempt - that one happened later in summer). The French government pressed Spain to remove the threat of OAS from its borders, and finally, in February 1963, they reached an accord. Colonel Gardes was detained, along with many other OAS fighters. A month later, he was granted asylum in Argentina.<br />
<br />
Only it wasn't quite a humanitarian kind of relief. As a French investigative reporter Marie-Monique Robin found out, the condition of colonel Jean Gardes's entry was that he will help train Argentine counterinsurgency forces. His handler was an Argentine Naval intelligence officer, Federico Lucas Roussillon, and his appointment, at <a href="https://en.wikipedia.org/wiki/Navy_Petty-Officers_School_of_Mechanics" target="_blank">the infamous ESMA</a>. Ostensibly a school of naval mechanics, ESMA was already turning into the death squad central. In a few years, it will emerge as the chief illegal detention and torture facility of the Dirty War, and after the end of the military dictatorship - into the memorial museum of the thousands of Argentines tortured and killed there (it is symbolic that on the same Canada trip, I got listen to Mary-Claire King's talk about her DNA work with the <i>Abuelas de Plaza de Mayo, </i>using genetic testing to reunite grandmothers whose daughters "disappeared" in the terror with their secretly adopted, or rather stolen, grandchildren)<br />
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In the late 1950s and the early 1960s the Argentinian security forces were eager to learn from the French counterinsurgency experience. When the influential, and scary, book "La guerre moderne" by the French military ideologist Trinquier has been translated into Spanish, it appeared with a preface explaining that torture is as indispensable in the fight against terrorists and revolutionaries as are assault rifles against enemy infantry or antiaircraft guns against enemy planes.<br />
<br />
Colonel Jean Gardes taught psy-ops, reportedly having to resort to a <a href="https://en.wikipedia.org/wiki/The_Battle_of_Algiers" target="_blank">Communist movie denouncing the abuses of the Algerian war</a> as a visual aid (one has to wonder if the Frenchman's secret wish was to be fired from this job...). It doesn't look like his appointment lasted, anyway. Soon, he was resettled in faraway Neuquén, and turned to the family line of business - fine French food, manufacturing paté de foie. 5 years later, he received a pardon and returned to France. The family recalled that he's got back his military rank and decorations. Interestingly, Jean Gardes's grandson followed many of his footsteps, graduating from l'Ecole Spéciale Militaire de Saint-Cyr and serving in many missions abroad - but he is a prominent member of Gaullist Union today!<br />
<br />
I believe that Colonel Jean Gardes's involvement with the Argentine special forces and ESMA has been short and largely superficial, and that he just wasn't a ruthless henchman they wanted. Still, the comparison between two Gardeses' fate in BsAs, between tango's formative years and its Dark Ages, is sad and uncanny... and I would appreciate it if someone with a better knowledge of the matters helps me understand it better</div>
MOCKBAhttp://www.blogger.com/profile/05150628026789690963noreply@blogger.com0tag:blogger.com,1999:blog-2217553257128682851.post-18854268261609578462018-04-16T20:03:00.000-07:002018-04-16T20:03:27.038-07:00Milonga Sin Nombre Homenaje a Edgardo Donato<div dir="ltr" style="text-align: left;" trbidi="on">
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April may be my favorite DJing month because it always gives me an opportunity to play lots of Edgardo Donato recordings. The famously absent-minded violinist with his silly-looking round eyeglasses and convention-bending songs lyrics, Donato was the original, and fierce, equal-opportunity employer, featuring blacks, gays, and, most horrifyingly for the night-club culture of his time, women in the leading roles. A darling of the underclass-y dockside establishment which bore an English name, "Ocean Dancing", Donato stuck around in the early 1930s even as the Great Depression and a neo-colonial trade deal with Britain destroyed the Argentine economy and forced all other famed tango orchestras from the dance halls of Buenos Aires. Defying hardship and naysayers, Edgardo Donato has become of one the forces behind the dramatic comeback of tango later in the 1930s.<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9gD1hAIVXy-mRKP4J0b1K1M6jc1PjdKdbbC9bi31NVMvITbz343k-7jq4_IdROLE2q-I2cmXSXS25Y6IpYHlV-Iomr7fD9MLX50O0nGpuGMPXNPnNYRzD2HPvaPOd_rEuSpWyyy0GfB4m/s1600/donato_ocean_dancing+%25281%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="318" data-original-width="786" height="129" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9gD1hAIVXy-mRKP4J0b1K1M6jc1PjdKdbbC9bi31NVMvITbz343k-7jq4_IdROLE2q-I2cmXSXS25Y6IpYHlV-Iomr7fD9MLX50O0nGpuGMPXNPnNYRzD2HPvaPOd_rEuSpWyyy0GfB4m/s320/donato_ocean_dancing+%25281%2529.jpg" width="320" /></a></div>
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<span style="color: red;">The primal quality of Donato's music, bitter and sweet, grounded and flying away, always leaves me enchanted. The opening tanda features just one Donato song, from the Old Guard times when orchestra styles were so fluid and interchangeable that it's often easier to assemble a good tanda out of recordings of several groups:</span></div>
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001. Sexteto Carlos di Sarli - Instrumental "Belen" 1929 2:44</div>
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002. Edgardo Donato - Luis Diaz "Adelina" 1929 2:58</div>
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003. Orquesta Tipica Victor (dir. A. Carabelli) "Coqueta" 1929 2:47</div>
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004. Soda Stereo "Corazon elator" 0:28</div>
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<span style="color: red;">Songs of tears and bluster ... a favorite Donato tanda with the voice of Horacio Lagos</span></div>
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005. Edgardo Donato - Horacio Lagos "Lagrimas" 1939 2:50</div>
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006. Edgardo Donato - Horacio Lagos "Soy Mendigo" 1939 2:32</div>
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007. Edgardo Donato - Horacio Lagos "Me Voy A Baraja" 1936 2:25</div>
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008. Kisty Hawkshaw "It's gonna be a fine night cortina long" 0:34</div>
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009. Carlos Di Sarli - Roberto Rufino "La Mulateada" 1941 2:23</div>
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010. Carlos Di Sarli - Alberto Podestá "Entre pitada y pitada" 1942 2:32</div>
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011. Carlos Di Sarli - Roberto Rufino "Yo Soy De San Telmo" 1943 2:20</div>
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012. Mammas and the Papas "California Dreaming cortina long" 0:40</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEYrkJv2PZNaFn-sMY8Dps0d9vsQwETU6cR2x9QcDeVH3jtrF2BmaKgkAT5Wrim7-quDqMK9M8cXmUXtl9dj6tnroc3kxs1G2rCz-XWEz6lX9SCiIW4_p54-lkzv_Fgg0J-6wmGxy3kfWo/s1600/EscalisseFresedoRuizMayel.JPG" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="874" data-original-width="1561" height="179" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEYrkJv2PZNaFn-sMY8Dps0d9vsQwETU6cR2x9QcDeVH3jtrF2BmaKgkAT5Wrim7-quDqMK9M8cXmUXtl9dj6tnroc3kxs1G2rCz-XWEz6lX9SCiIW4_p54-lkzv_Fgg0J-6wmGxy3kfWo/s320/EscalisseFresedoRuizMayel.JPG" width="320" /></a><span style="color: red;">Think ca. 1940 vintage Fresedo - and your mind is enveloped in receding waves of harp and the depth of voice of Ricardo Ruiz. The crowning achievement of this period is Buscandote, "Searching for You", a rare <i>verse libre</i> masterpiece of a tango song, written and composed by Lalo Scalise. As luck may have it, Jose Mario Otero <a href="http://tangosalbardo.blogspot.com/2018/04/buscandote.html">just wrote about Scalise</a> and posted a rare picture of the pianist, composer, and poet together with Osvaldo Fresedo and Ricardo Ruiz. Enjoy!</span></div>
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013. Osvaldo Fresedo - Ricardo Ruiz "Viejo farolito" 1939 2:28</div>
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014. Osvaldo Fresedo - Ricardo Ruiz "Y no puede ser" 1939 2:26</div>
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015. Osvaldo Fresedo - Ricardo Ruiz "Buscandote" 1941 2:49</div>
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016. Endless Boogie "Trash Dog cortina" 2016 0:21</div>
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<span style="color: red;">Donato's El Huracan, "The hurricane" is a ground-breaking, extremely rhythmical tango which planted the seeds of the soon-to-come Rhythmical Revolution of Tango of 1935. This opening song of this tanda features the voice of an Afro-Argentine star Felix Gutierrez ... while the closing songs comes with the voice of Lita Morales, the first ever female voice of the milonga. Do you see her on the right, listed as one of "Donato's boys"?</span></div>
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017. Edgardo Donato - Félix Gutiérrez "El Huracan" 1932 2:56</div>
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018. Edgardo Donato - Horacio Lagos "Se Va La Vida" 1936 2:39</div>
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019. Edgardo Donato - Horacio Lagos y Lita Morales "Chapaleando barro" 1939 2:21</div>
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020. Harry Roy "South American Joe cortina 3" 0:21</div>
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<span style="color: red;">We danced to "Con tu mirar" the previous weekend in Helena. What an underappreciated gem! Can't wait to play it in a tanda of my own design now:</span></div>
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021. Enrique Rodriguez - Roberto Flores "Fru Fru" 1939 2:57</div>
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022. Enrique Rodriguez - Ricardo Herrera, Fernando Reyes "Mecha" 1946 3:11</div>
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023. Enrique Rodriguez - Armando Moreno "Con tu mirar" 1941 2:13</div>
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024. Sandro de America "Yo Te Amo cortina" 1968, 1968 0:23</div>
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<span style="color: red;">The sweeter side of Donato:</span></div>
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025. Edgardo Donato - Lita Morales - Romeo Gavio "Mi Serenata" 1940 3:02</div>
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026. Edgardo Donato - Horacio Lagos "El Adios" 1938 3:09</div>
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027. Edgardo Donato - Horacio Lagos, Lita Morales y Romeo Gavio "Sinfonia de Arrabal" 1940 3:12</div>
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028. Viktor Tsoy "Kukushka cortina long 2" 0:37</div>
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029. Rodolfo Biagi - Andrés Falgás "Queja Indiana" 1939 2:24</div>
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030. Rodolfo Biagi - Andrés Falgás "Son Cosas del Bandoneon " 1939 2:44</div>
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031. Rodolfo Biagi - Andrés Falgás "Cielo!" 1939 2:31</div>
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032. Alexey Kudryavtsev "The heart breaks cortina 2" 0:22</div>
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<span style="color: red;">and the first milonga of the Donato tanda features a duet with a feminine voice of "Randona", the one they used before hiring the Goddess Lita. Randona was actually a guy, a violinist of the orchestra named Armando Julio Piovani</span></div>
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033. Edgardo Donato - Horacio Lagos y "Randona" "Sacale Punta" 1938 2:15</div>
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034. Edgardo Donato - Instrumental "El Torito" 1939 2:12</div>
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035. Edgardo Donato - Horacio Lagos "De Punta A Punta" 1939 2:20</div>
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036. Zhanna Aguzarova "Miracle Land cortina" 0:31</div>
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037. Ángel D'Agostino - Ángel Vargas "Solo compasion" 1941 2:58</div>
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038. Ángel D'Agostino - Ángel Vargas "Ahora no me conoces" 1940 2:34</div>
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039. Ángel D'Agostino - Ángel Vargas "Ninguna" 1942 2:57</div>
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040. Vitas "7, the element cortina" 2012 0:23</div>
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041. Carlos di Sarli - Instrumental "La Trilla" 1940 2:21</div>
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042. Carlos di Sarli - Instrumental "Nobleza De Arrabal" 1940 2:08</div>
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043. Carlos di Sarli - Instrumental "Shusheta" 1940 2:22</div>
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044. "Hagedel Sheli" 0:28</div>
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<span style="color: red;">Edgardo Donato used to explain that he can't play many valses to the unsophisticated, but trouble-ready, audience of Ocean Dancing. Did he really fear anything with irreverent valses like these three?</span></div>
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045. Edgardo Donato - Horacio Lagos "Quien Sera" 1941 2:14</div>
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046. Edgardo Donato - Horacio Lagos "Con tus besos" 1938 2:20</div>
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047. Edgardo Donato - Horacio Lagos, Lita Morales, Romeo Gavioli "La shunca" 1941 2:35</div>
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048. Alexey Kudryavtsev "Joy in My Sky cortina long" 0:25</div>
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049. Francisco Canaro - Ernesto Fama "Tormenta" 1939 2:38</div>
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050. Francisco Canaro - Ernesto Fama "No me pregunten porque" 1939 2:51</div>
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051. Francisco Canaro - Ernesto Fama "Te quiero todavia" 1939 2:54</div>
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052. Leonid Bykov "Smuglyanka cortina long" 0:33</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhF8no5NoJKsVaKmTJNREAyO-IkxKgxueiqWGsB9tUazo9BwLxzr4_0ff3i_5NV6GdwTq6pur6qKcAw9ondMmPWnrNBKx8yn97YIzk1TfnnalGV3qBBHqmEpAK33VSth8w9mtRE9O-iVrUY/s1600/lita-morales.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="339" data-original-width="219" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhF8no5NoJKsVaKmTJNREAyO-IkxKgxueiqWGsB9tUazo9BwLxzr4_0ff3i_5NV6GdwTq6pur6qKcAw9ondMmPWnrNBKx8yn97YIzk1TfnnalGV3qBBHqmEpAK33VSth8w9mtRE9O-iVrUY/s320/lita-morales.jpg" width="206" /></a></div>
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<span style="color: red;">The next tanda is consecrated to Donato's star feminine voice Lita Morales. The first song is composed specially for Lita by Donato's great female collaborator, "Maruja" Pacheco. The other two, about lovingly trusted one's own heart and faling in and out of love, are vintage Lita story...</span></div>
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053. Edgardo Donato - Horacio Lagos, Lita Morales, Romeo Gavioli Various Artists "Triqui trá" 1940 2:34</div>
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054. Edgardo Donato - Lita Morales y Ravio Gavioli "Yo Te Amo" 1940 2:50</div>
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055. Edgardo Donato - Horacio Lagos y Lita Morales "Sinsabor" 1939 2:53</div>
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056. Stas Borsov "Anyuta cortina" 2000 0:21</div>
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057. Otros Aires "Los Vino" 2010 2:43</div>
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058. Otros Aires "Perro Viejo" 2016 3:21</div>
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059. Otros Aires "Un Baile De Beneficio" 2010 3:42</div>
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060. "Katyusha" 0:33</div>
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<span style="color: red;">When I'm adding a Troilo-Fiorentino tanda, it's almost always their harshly rhythmical - albeit richly layered - hits from about 1941. Let me try tonight, for a change, something more melancholic and mellow...</span></div>
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061. Aníbal Troilo - Francisco Fiorentino "Malena" 1942 2:59</div>
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062. Aníbal Troilo - Francisco Fiorentino "Pa' que seguir" 1942 2:35</div>
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063. Aníbal Troilo - Francisco Fiorentino "Cada vez que me recuerdes" 1943 2:40</div>
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064. Carmen Piculeata "Minor Blues" 2013 0:23</div>
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065. Pedro Laurenz - Alberto Podestá "Todo" 1943 2:38</div>
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066. Pedro Laurenz - Alberto Podestá "Recien" 1943 2:43</div>
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067. Pedro Laurenz - Alberto Podestá "Garua" 1943 3:11</div>
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068. Folk "Shumel Kamysh " 0:23</div>
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069. Anibal Troilo - Alberto Marino y Floreal Ruiz "Palomita Blanca" 1944 3:13</div>
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070. Aníbal Troilo - Floreal Ruiz "Llorarás llorarás" 1945 2:54</div>
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071. TAníbal Troilo - Edmundo Rivero y Floreal Ruiz "Lagrimitas De Mi Corazón" 1948 2:57</div>
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072. Soda Stereo "Corazon elator" 0:28</div>
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073. Miguel Calo - Raul Beron "Tristezas de la calle Corrient" 1942 2:46</div>
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074. Miguel Calo - Raul Beron "Que te importa que te llore" 1942 2:44</div>
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075. Miguel Calo - Raul Beron "Jamás Retornarás" 1942 2:28</div>
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076. Beatles The Beatles "All you Need is Love cortina" 0:19</div>
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077. Enrique Rodriguez - Armando Moreno "Cómo Se Pianta la Vida" 1940 2:23</div>
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078. Enrique Rodriguez - Armando Moreno "Danza maligna" 1940 2:28</div>
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079. Enrique Rodriguez - Armando Moreno "Tabernero" 1941 2:33</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6S18SG2IsR1d7BuS10zAaMgYHGCvcvkr2tlT0fj2HA0_oJHR7K4XVmbRQfPammBdsaG4xcRbGqIO42pTa3YWyt0TSWRVXkdy2dAewTrCCfOjQGQXC4-VVvEt-syA6Q3pW60T4dFrwcIb9/s1600/sin-nombre-2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="960" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6S18SG2IsR1d7BuS10zAaMgYHGCvcvkr2tlT0fj2HA0_oJHR7K4XVmbRQfPammBdsaG4xcRbGqIO42pTa3YWyt0TSWRVXkdy2dAewTrCCfOjQGQXC4-VVvEt-syA6Q3pW60T4dFrwcIb9/s640/sin-nombre-2.jpg" width="640" /></a></div>
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080. Soda Stereo "En la ciudad de furia" 0:24</div>
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081. The Alex Krebs Tango Sextet "Ella Es Asi (feat. Enrique "El Peru" Chavez)" 2011 2:32</div>
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082. The Alex Krebs Tango Sextet "Largas las Penas" 2011 3:02</div>
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083. The Alex Krebs Tango Sextet "Negrito" 2011 1:53</div>
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084. Russian folk "Murka" 0:20</div>
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085. Lucio Demare - Raul Beron "Que solo estoy" 1943 3:04</div>
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086. Orquesta Típica Víctor - Alberto Carol "Bajo el Cono Azul" 1944 2:43</div>
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087. Orquesta Tipica Victor - Ortega Del Cerro "Una Vez" 1943 3:24</div>
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088. Russian Folk "Kalinka-Malinka 2 (cortina)" 0:25</div>
<div>
<span style="color: red;">And the final, high-passion Donato tanda of this most excellent night</span></div>
<div style="color: #222222;">
089. Edgardo Donato - Horacio Lagos y Romeo Gavioli "Amando en silencio" 1941 2:51</div>
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090. Edgardo Donato - Romeo Gavioli "La Melodía Del Corazón" 1940 3:18</div>
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091. Edgardo Donato - Horacio Lagos y Lita Morales "Carnaval De Mi Barrio" 1939 2:25</div>
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092. Folk "Shumel Kamysh " 0:23</div>
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093. Hector Varela - Argentino Ledesma "Muchacha" 1956 3:19</div>
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094. Hector Varela - Argentino Ledesma "Que tarde que has venido" 1956 2:55</div>
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095. Hector Varela - Argentino Ledesma "Fueron tres años" 1956 3:26</div>
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096. Zhanna Aguzarova "Old Hotel" 1987 0:22</div>
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097. Donato Racciatti - Olga Delgrossi "Hasta siempre amor" 1958 2:57</div>
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098. Donato Racciatti - Olga Delgrossi "Sus Ojos Se Cerraron" 1956 2:47</div>
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099. Donato Racciatti - Olga Delgrossi "Queriendote" 1955 2:49</div>
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100. Zhanna Aguzarova "Miracle Land cortina" 0:31</div>
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101. Alfredo de Angelis - Instrumenrtal "Mi dolor" 1957 2:51</div>
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102. Alfredo De Angelis - Instrumenrtal "Pavadita" 1958 2:53</div>
<div style="color: #222222;">
103. Alfredo de Angelis - Instrumental "Felicia" 1969 2:47</div>
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104. Juan D'Arienzo - Instrumental "La cumparsita" 1951 3:54</div>
<div>
<span style="color: red;">The final track is added on special request from Jose Luis Bonaldo, the mastermind of a rival tango club who typically insists that the Anglos will never get it ... but who may sometimes trust a Ruso to ply a few crazy tunes :)</span></div>
<div style="color: #222222;">
105. Mariano Mores "Tanguera" 1955 2:51</div>
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<br /></div>
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</div>
MOCKBAhttp://www.blogger.com/profile/05150628026789690963noreply@blogger.com0tag:blogger.com,1999:blog-2217553257128682851.post-79769149677370347312018-03-30T14:50:00.001-07:002018-03-31T10:24:40.301-07:00Junando el Tango practica playlist, Mar 2018<div dir="ltr" style="text-align: left;" trbidi="on">
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Barely two hours of music and so many great names to celebrate! So many "March birthday boys" of tango! My first pass resulted in a very heavily rhythmic playlist; I carefully reintroduced slower and more melodic and dramatic tandas into it, but did I perhaps overdo it in the end?</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5BB1bEjTnr4JWrG5p41qpfiKSb_g9YueF3_31b6ALSTDMhSC77cm3L5Bv1_lJConrKpWtV0V9kOorBNBObnswHCIVB_NcATRON8twa4eIYhfvwcSM8YCBMfvoFMiirO1yQMdXH1WDJ_fk/s1600/Junando-Mar.jpg" imageanchor="1" style="margin-left: 0; margin-right: 1em;"><img border="0" data-original-height="713" data-original-width="1600" height="284" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5BB1bEjTnr4JWrG5p41qpfiKSb_g9YueF3_31b6ALSTDMhSC77cm3L5Bv1_lJConrKpWtV0V9kOorBNBObnswHCIVB_NcATRON8twa4eIYhfvwcSM8YCBMfvoFMiirO1yQMdXH1WDJ_fk/s640/Junando-Mar.jpg" width="640" /></a></div>
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<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVJYE5Lg1jfQkFB0wuFEAjHhS44FhUIcAEhyphenhyphen4Wul_PSPjnBoxyLB8Upz8vj0mnl70NESyQKi9JYjYtF2T252Y-5YSPJKIINfssuCYJ_PrdCSF1QNSPSOdqeRsXU9Q6-SIaA6MHzl2J3kIc/s1600/rodolfo-biagi.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="300" data-original-width="294" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVJYE5Lg1jfQkFB0wuFEAjHhS44FhUIcAEhyphenhyphen4Wul_PSPjnBoxyLB8Upz8vj0mnl70NESyQKi9JYjYtF2T252Y-5YSPJKIINfssuCYJ_PrdCSF1QNSPSOdqeRsXU9Q6-SIaA6MHzl2J3kIc/s1600/rodolfo-biagi.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">D'Arienzo and Biagi. From <a href="https://elespejero.wordpress.com/2015/06/22/tango-stories-pensalo-bien/">El Espejero blog</a>. </td></tr>
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<span style="color: red;">Rodolfo Biagi, born March 14 1906, the most handsome tango band leader of all times, played one of the critically important roles in tango's history as the creator of the signature frenzied piano style of Juan D'Arienzo - likely the key ingredient which propelled D'Arienzo's orchestra to incredible success in 1935-1938, and reawakened the whole world of tango, ushering in its Golden Age. After splitting from "the King of the Beat" D'Arienzo, Rodolfo Biagi turned his orchestra into the rival Kingdom of Rhythm, spanning the range from exuberant to tragic and somber yet invariably extremely rhythmic. Dancing to Biagi is a deeply personal experience, and it may be the only orchestra which makes even such a tango omnivore as myself look around carefully in search of partners. Tonight I have time for just two Biagi tandas - one early, intense and unabashedly rhythmic, another late and brooding. Let's open the night with the sound of Biagi!</span></div>
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01. Rodolfo Biagi - Andrés Falgás "La chacarera" 1940 2:24</div>
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02. Rodolfo Biagi - Teófilo Ibáñez "Gólgota" 1938 2:33</div>
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03. Rodolfo Biagi - Jorge Ortíz "Humillación" 1941 2:42</div>
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04. Alla Pugacheva "Etot mir" 0:33</div>
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05. Sexteto Carlos di Sarli - Instrumental "Pobre yo" 1929 2:12</div>
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06. Sexteto Carlos di Sarli - Instrumental "T.B.C." 1928 3:02</div>
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07. Sexteto Carlos di Sarli - Instrumental "Racing Club" 1930 2:34</div>
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08. Lyube "Bat'ka Makhno cortina 1" 0:18</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXKE4GDb7aJ_SURtm0uoovL6pH7cb6X-VoPQqUSdQ6ySQbOzbaDWMGU3Y9pn7k-J_gPOHb3Gfm3OS5Yab-5UwOh1E04R474FVaYTMAI3qo79WuHecKIqFgK_uGiuLHR1c215DaTKehDKZE/s1600/Echague.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="227" data-original-width="300" height="151" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXKE4GDb7aJ_SURtm0uoovL6pH7cb6X-VoPQqUSdQ6ySQbOzbaDWMGU3Y9pn7k-J_gPOHb3Gfm3OS5Yab-5UwOh1E04R474FVaYTMAI3qo79WuHecKIqFgK_uGiuLHR1c215DaTKehDKZE/s200/Echague.jpg" width="200" /></a></div>
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<span style="color: red;">Alberto Echagüe was one of the signature "gangsta" voices of tango, a real porteño with a truly local sense of a voice, so idiosyncratically slightly off-time. His voice could mark the rhythm as powerfully as a percussion instrument. Not an opera singer by any means, but so tango! Whenever a dance floor loses steam, </span><span style="color: red;">Echagüe</span><span style="color: red;"> is almost always the best rescuer, reenergizing the milonga like no one else.</span><span style="color: red;"> </span></div>
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<span style="color: red;">Born in Rosario on March 8 1909, </span><span style="color: red;"> </span><span style="color: red;">Alberto</span><span style="color: red;"> </span><span style="color: red;">Echagüe</span><span style="color: red;"> started his capital city career with D'Agostino, but quickly became the signature voice of Juan D'Arienzo's early orchestras, sharing in their glory and in their low points (like when they recorded much-reviled tangos about hiccups or farts). When Juan Polito, D'Arienzo's 2nd pianist who replaced Biagi, split off from the King of the Beat, then Echagüe joined in the revolt as well. It was a far less amicable "divorce" then between D'Arienzo and Biagi. The King put his connections to work, this time, to suffocate the band of the disloyal musicians. The best halls and the recording studios turned their back on Polito, and by 1944, Echagüe was back with his old employer. Only one Echagüe tanda for tonight, alas.</span></div>
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09. Juan D'Arienzo - Alberto Echagüe "No Mientas" 1938 2:36</div>
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10. Juan D'Arienzo - Alberto Echagüe "Nada Mas" 1938 2:43</div>
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11. Juan D'Arienzo - Alberto Echagüe "Mandria" 1939 2:22</div>
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12. ZZ Top "Sharp Dressed Man cortina" 0:25</div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjM1usNb7Q1oE589qfELtJ6xG4NCt3ls709zPXzUbdM59YkChn8JiN_tsp5E0Ra2WFjuzkDQFcoyxkcEmJqE_qXTSazbE8gHwgCM9FL5DaAumfA2ltlHdvi_Vycx9RZldI5cqDf0UNiW5HX/s1600/canaro-maida.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="322" data-original-width="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjM1usNb7Q1oE589qfELtJ6xG4NCt3ls709zPXzUbdM59YkChn8JiN_tsp5E0Ra2WFjuzkDQFcoyxkcEmJqE_qXTSazbE8gHwgCM9FL5DaAumfA2ltlHdvi_Vycx9RZldI5cqDf0UNiW5HX/s1600/canaro-maida.png" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Roberto Maida (smiling, in a gray suit in the center) with Francisco Canaro (with a bow tie, to the left of the mike)<br />
among the musicians of Canaro's orchestra. From <a href="https://tangoarchive.com/2017/10/13/canaro-with-orchestra-and-roberto-maida/">Tango Archive</a></td></tr>
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<span style="color: red;">Singer Roberto Maida is a March birthday boy as well. Born on March 3, 1908 in Italy, he traveled to Buenos Aires with his family at the age of 1.The Maida kid has been known for his voice, and tango was his passion. Barely a teenager, he started a career singing in the movies. At 17, he's got a job with Miguel Calo, and soon went on European tours which went almost uninterrupted for 7 years, getting him into the orbit of Carlos Gardel. Manuel Pizzarro, and Eduardo Blanco. It was the same circuit in which Francisco Canaro rotated as well, but they just tried a couple of tunes in those days. But after their return to Argentina, Canaro and Maida rediscovered each other, and joined forced for 5 years, recording almost 200 pieces together between 1934 and 1939. We will celebrate Maida by a milonga tanda first, then by a set of tango masterpieces.</span></div>
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13. Francisco Canaro - Roberto Maida "Largá las penas" 1935 3:08</div>
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14. Francisco Canaro - Roberto Maida "Milonga criolla" 1936 3:05</div>
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15. Francisco Canaro - Roberto Maida "Milonga brava" 1938 2:35</div>
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16. Los Iracundos "Puerto Montt rock" 1971 0:27</div>
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17. Edgardo Donato - Lita Morales y Romeo Gavoli "Mi Serenata" 1940 3:01</div>
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18. Edgardo Donato - Horacio Lagos, Lita Morales y Romeo Gavioli "Sinfonia de Arrabal" 1940 3:09</div>
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19. Edgardo Donato - Horacio Lagos y Lita Morales "Carnaval De Mi Barrio" 1939 2:30</div>
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20. Lyube "Bat'ka Makhno cortina 1" 0:18</div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZoNdgOTms05X0GI7K1gbjJoSQzsA_42VdMFGV51jOqsPfJkhpX7oDVgmzrcg1LPajDO6-j0I6cUXV5v5XlgkC2iP4djR7CbFzMv3-YD1xv8LB6oACkGkoP-SnIQW48O0y-JNnnv7hjBsk/s1600/darienzo-maure-lamas.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="412" data-original-width="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZoNdgOTms05X0GI7K1gbjJoSQzsA_42VdMFGV51jOqsPfJkhpX7oDVgmzrcg1LPajDO6-j0I6cUXV5v5XlgkC2iP4djR7CbFzMv3-YD1xv8LB6oACkGkoP-SnIQW48O0y-JNnnv7hjBsk/s1600/darienzo-maure-lamas.png" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Mauré (left) with the King of the Beat, and his other, less prolific singer Lamas. From <a href="https://tangoarchive.com/2017/10/18/darienzo-with-maure-and-jc-lamas/">Tango Archive</a></td></tr>
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<span style="color: red;">Héctor Mauré, born March 13, 1920, became the signature voice of Juan D'Arienzo's orchestra after the departure of Echagüe. A powerful, and markedly more melodic voice, than the raw masculinity of </span><span style="color: red;">Echagüe's vocal (and it's generally considered to be a major DJ faux pas to mix these two great voices in one tanda!)</span><span style="color: red;">A son of Italian immigrants, </span><span style="color: red;"> </span><span style="color: red;">Mauré</span><span style="color: red;"> preferred to earn his money by boxing as a teenager. But a bad injury at 17 made him reconsider his plans, and make better use of his voice. In 1940, he joined D'Arienzo's orchestra, staying as their principal singer for 5 years with 50 recordings, until embarking on his solo career. Like many tango stars,</span><span style="color: red;"> </span><span style="color: red;">Mauré was blacklisted after the government of Peron was deposed in 1955, but he never wavered in his love of tango even when the music could no longer bring him any money.</span></div>
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21. Juan D'Arienzo - Héctor Mauré "El olivo (El olvido)" 1941 2:52</div>
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22. Juan D'Arienzo - Héctor Mauré "Enamorado (Metido)" 1943 2:29</div>
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23. Juan D'Arienzo - Héctor Mauré "Lilian" 1944 3:22</div>
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24. Los Naufragos "Zapatos Rotos rock" 0:34</div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlZT0Pi-m1jQzU1i8it-q0CwVI1od5_G9lzUb7g-k78luJmJzA_4IvFaQ3jDFT1uHRMbyciXa6rmnTlQn3qRsGg3gHIJaQ6G8qHx3mc_0wRwdUz9qK2BOFQjlPtnRfIbUmUYDsQDL54GOy/s1600/enrique_rodriguez.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="411" data-original-width="301" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlZT0Pi-m1jQzU1i8it-q0CwVI1od5_G9lzUb7g-k78luJmJzA_4IvFaQ3jDFT1uHRMbyciXa6rmnTlQn3qRsGg3gHIJaQ6G8qHx3mc_0wRwdUz9qK2BOFQjlPtnRfIbUmUYDsQDL54GOy/s320/enrique_rodriguez.jpg" width="234" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Fom <a href="http://tangosalbardo.blogspot.com/2013/01/enrique-rodriguez.html">Tangos al Bardo blog</a></td></tr>
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<span style="color: red;">One of the most versatile talents of tango, Enrique Rodriguez was born March 8, 1901, and back in the days played bandoneon with the orchestras of the Old Guard greats, like Pancho and Canaro, and with the prescient leader of the future rhythmic revolution of tango, Edgardo Donato. But when Rodriguez convened his own orchestra in 1936, he christened it an Orchestra of All Rhythms, covering both the Tango and the Tropical sides of the milonga of the </span><span style="color: red;">1930s-1940s (</span><span style="color: red;">when the big dance parties featured two orchestras taking turns every half an a hour, one playing tango and the other, foxtrots, pasodobles and "tropical" genres_. Many orchestras dabbled in both genres, usually under different names, and only "crossing the lines" in recorded music. Rodriguez, however, dared to cover all genres at once, winning the market for the private parties, where bands capable of playing all beats were in special demand. And so in the popular culture of his day, Enrique Rodriguez received the highest acclaim for his foxtrots rather than for his excellent tangos. Tonight, we only have time for one vals tanda of Enrique Rodriguez, and then for one more of his tangofox. But the amazing energy of Rodriguez's tangos shouldn't be forgotten either, His is really an Orchestra of All Beats, exactly as claimed. </span></div>
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25. Enrique Rodriguez - El "Chato" Flores "Los Piconeros (Vals)" 1939 2:47</div>
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26. Enrique Rodriguez - El "Chato" Flores "Las Espigadoras (Vals)" 1938 2:47</div>
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27. Enrique Rodriguez - Armando Moreno "En el volga yo te espero" 1943 2:40</div>
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<span style="color: red;">I couldn't resist prefacing one of the best hits of Roberto Maida, "Ciego", about the blindness of love, with a snippet of Russian ballad of the blind.... </span></div>
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28. Sergey Nikitin "Song of the Bkind " 1988 0:26</div>
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29. Francisco Canaro - Roberto Maida "Ciego" 1935 2:57</div>
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30. Francisco Canaro - Roberto Maida "Recuerdos De Paris" 1937 3:12</div>
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31. Francisco Canaro - Roberto Maida "Condena (S.O.S.)" 1937 2:39</div>
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32. Gilda "Noches Vacias cortina" 0:22</div>
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<span style="color: red;">The signature song of the following tanda is Malvón, the hymn of the mallow-flower which is the symbol of our upcoming spring festival of tango!</span><br />
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33. Ricardo Tanturi - Enrique Campos "Oigo Tu Voz" 1943 3:09</div>
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34. Ricardo Tanturi - Enrique Campos "Malvón" 1943 2:59</div>
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35. Ricardo Tanturi - Enrique Campos "La Abandone Y No Sabia" 1944 2:50</div>
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36. Harry Roy "South American Joe cortina 3" 0:21</div>
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<span style="color: red;">Enrique Rodriguez is the reigning Rey del Fox, and we gotta play some of his signature foxtrots to celebrate his birthday tonight. As a side note: we've been to a tango marathon in Budapest where "Amor in Budapest" has been played, in lieu of "La Cumparsita", to close the milongas!</span></div>
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37. Enrique Rodriguez - Armando Moreno "Se va el tren" 1942 3:10</div>
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38. Enrique Rodriguez - Armando Moreno "No Apures Por Dios Postillon" 1945 2:59</div>
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39. Enrique Rodriguez - Armando Moreno "Amor en Budapest" 1940 2:42</div>
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40. Viktor Tsoy "Good morning, last Hero cortina long" 1989 0:35</div>
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<span style="color: red;">It's been less than two months since I finalized <a href="http://humilitan.blogspot.com/2018/01/ojos-negros-que-fascinan-from-1830s-to.html">the story of Russian "Ojos Negros"</a>. Happy to play one of its best versions tonight!</span></div>
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41. Florindo Sassone = Instrumental "Ojos Negros (Oscar Strok)" 1968 2:28</div>
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42. Florindo Sassone - Instrumental "Adios corazon (reverb)" 1968 2:16</div>
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43. Florindo Sassone - Instrumental "Bar Exposicion" 1968 3:26</div>
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44. Zhanna Aguzarova "Old Hotel" 1987 0:22</div>
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<span style="color: red;">"The dark side of Biagi"</span></div>
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45. Rodolfo Biagi - Hugo Duval "Alguien" 1956 3:14</div>
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46. Rodolfo Biagi - Hugo Duval "Solamente Dios y yo" 1958 2:30</div>
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47. Rodolfo Biagi - Hugo Duval "Esperame en el cielo" 1958 2:52</div>
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<span style="color: red;">a folk cortina presages a tanda of a very folk-minded orchestra of Juan de Dios Filiberto, the musician who insisted that there must be no divide between Argentine Tango and its other folkloric styles, and that all the rhythms of Criollo music go hand in hand. It's Filiberto's birth month too. The great violinist and orchestra leader has been born on the 8th of March 1885</span></div>
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48. Folk "Shumel Kamysh " 0:23</div>
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49. Juan De Dios Filiberto - Instrumental "Tus Ojos Me Embelesan" 1935 2:34</div>
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50. Juan De Dios Filiberto - Instrumental "Pensando En Ti" 1935 2:50</div>
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51. Juan De Dios Filiberto - Instrumental "Palomita Blanca" 1959 2:35</div>
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<span style="color: red;">In the run-up to the Passover, it's time for a new Israeli-themed cortina, a superbly Oriental Mizrahi music piece. <i>Hag Pesach Sameach!</i></span></div>
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52. Zehava Ben "Yerushalaim Shel Zahav cortina" 0:27</div>
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<span style="color: red;">Astor Piazzolla was born in March too. March 11, 1921. The bandoneonist genius and one-time "enfant terrible" prankster of Troilo's orchestra who once to dreamed of nothing else than forgetting tango and leaving behind its Dark Ages, Piazzolla ended up being a savior of tango music in its darkest hour. It's as easy to love Piazzolla's Renewed Tango as it is hard to dance it. We start this mixed tanda with his superb 1982 "Oblivion"</span></div>
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53. Astor Piazzolla - Instrumental "Oblivion" 1982 3:36</div>
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54. Cirque du Soleil - Instrumental "Querer" 1994 4:37</div>
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55. Shigeru Umebayashi "Yumeji's Theme (In the Mood for Love)" 2001 2:30</div>
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56. Zhanna Aguzarova "Cats" 1987 0:21</div>
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57. Alfredo De Angelis - Instrumental "Pavadita" 1958 2:53</div>
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58. Alfredo De Angelis - Instrumental "Felicia " 1969 2:48</div>
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59. Alfredo De Angelis - Instrumental "Mi Dolor" 1959 2:51</div>
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60. Victor Tsoy "Blood Type (cortina long)" 0:36</div>
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<span style="color: red;">Which song is the highlight of the Ultimate Tanda? The irresistible soft hit of Remembranza, or the Pañuelito, the little white kerchief which is so dear to us because Erskine Maytorena made it a highlight of QTango Orchestra's repertoire? Or the sensual extreme of the "Pasional"?</span></div>
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61. Osvaldo Pugliese - Jorge Maciel "Remembranza" 1956 3:41</div>
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62. Osvaldo Pugliese - Jorge Maciel "El pañuelito" 1959 2:42</div>
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63. Osvaldo Pugliese - Alberto Morán "Pasional" 1951 3:26</div>
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<span style="color: red;">and we close the night with a hit of a Russian-American prodigy recorded with a Hollywood-Latin band:</span></div>
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64. Xavier Cugat - Dinah Shore "La Cumparsita" 1939 3:10</div>
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MOCKBAhttp://www.blogger.com/profile/05150628026789690963noreply@blogger.com0tag:blogger.com,1999:blog-2217553257128682851.post-34034748094267117482018-02-12T20:55:00.005-08:002018-02-12T21:07:44.587-08:00Junando el Tango practica playlist, Feb 2018<div dir="ltr" style="text-align: left;" trbidi="on">
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Only two hours of music, but at an energetic, well attended practica where I actually begin to play before the official start of the practica - and people are already dancing a few minutes before it's officially on. Some warm-up-quality, strong-drive but less complex, less extreme music is always helpful at the beginning of a night of tango, but I have a feeling that with the crowd like Junando's, it's worthwhile to transition into more complicated yet also more exciting music sooner.<br />
01. Quinteto Don Pancho - Instrumental "El garron" 1938 2:27<br />
02. Quinteto Don Pancho - Instrumental "El choclo" 1937 2:46<br />
03. Quinteto Don Pancho - Instrumental "Alma en pena" 1938 2:46<br />
04. Soda Stereo "En la ciudad de furia" 0:24<br />
05. Edgardo Donato - Horacio Lagos "Me Voy A Baraja" 1936 2:26<br />
06. Edgardo Donato - Horacio Lagos "Alas rotas" 1938 2:31<br />
07. Edgardo Donato - Horacio Lagos "A Oscuras" 1941 2:47<br />
08. Soda Stereo "En la ciudad de furia" 0:24<br />
09. Juan D'Arienzo - Instrumental "Champagne tango" 1938 2:26<br />
10. Juan D'Arienzo - Instrumental "El flete" 1936 2:58<br />
11. Juan D'Arienzo - Instrumental "La viruta" 1936 2:20<br />
12. Kansas "Dust in the wind cortina" 0:23<br />
<span style="color: red;">An amazing violinist, Simon Bajour, one of the incredible Jewish fiddlers of tango, makes his violin sing like a bird on sunrise in Di Sarli's "El Amanecer", "The Dawn". February 5th, 2005 was his date of death. Born in 1928 in a tiny shtettle not far from Warsaw, Simon was the first in his family to play a musical instrument - and he steadily advanced towards his dream, a position in the Buenos Aires Symphony, which he finally won at 21. "El Rusito" Bajour also played tango by the night to pay for his classic music studies, hiding his moonlighting stints from the nosy classic music circles who looked down upon tango musicians. But somewhere along this route, tango took over, and Bajour resigned his Symphony job to join Di Sarli's orchestra full time in 1955. What a great talent!</span><br />
13. Carlos Di Sarli - Instrumental "Viviani" 1956 2:59<br />
14. Carlos Di Sarli - Instrumental "El Amanecer" 1954 2:30<br />
15. Carlos Di Sarli - Instrumental "Indio Manso" 1958 2:57<br />
16. Stas Borsov "Anyuta cortina" 2000 0:21<br />
17. Orquesta Tipica Victor - Lita Morales "Noches de invierno" 1937 2:47<br />
<span style="color: red;">Luis Díaz is one of tango's February birthday boys. A signature voice of the Old Guard, who left tango at the age of 46 just when the Golden 40s were about to explode. Born on Feb 8, 1893 in Uruguay, he sang with most major orchestra of the late 1920s and 1930s. I'm happy to showcase his "Amargura", butI have second thoughts about the closing vals of this tanda. Although united by timbre and emotion, "Barreras de amor" may be a bit too short of fire for the crescendo of a tanda..</span>.<br />
18. Edgardo Donato - Luis Diaz "Amargura (vals)" 1930 2:30<br />
19. Roberto Firpo - Carlos Varela "Barreras de Amor vals" 1936 2:36<br />
20. Gilda "Noches Vacias cortina" 0:22<br />
21. Ángel D'Agostino - Ángel Vargas "Ahora No Me Conocés" 1941 2:35<br />
22. Ángel D'Agostino - Ángel Vargas "Solo compasion" 1941 2:58<br />
23. Ángel D'Agostino - Ángel Vargas "Ninguna" 1942 2:59<br />
24. Endless Boogie "Trash Dog cortina" 2016 0:21<br />
25. Orquesta Tipica Victor (dir. A. Carabelli) "Coqueta" 1929 2:47<br />
26. Orquesta Tipica Victor (dir. A. Carabelli) "Secreto" 1932 2:45<br />
27. Orquesta Tipica Victor (dir. A. Carabelli) "Nino bien" 1928 2:43<br />
28. Gogol Bordello "Pala Tute cortina 2" 2012 0:19<br />
29. Francisco Lomuto - Jorge Omar "Que Tiempo Aquel" 1938 2:33<br />
30. Lucio Demare - Instrumental "La Esquina" 1938 1:59<br />
31. Ricardo Malerba - Orlando Medina "Mariana" 1942 2:16<br />
32. Gilda "Noches Vacias cortina" 0:22<br />
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<span style="color: red;">February is also the birth month of one of the most dazzling tango pianists, Osmar Maderna. At 20, he left his quaint provincial hometown to try better luck on Buenos Aires tango scene, and soon lucked into a substitute job with Miguel Calo. Maderna ended up being one of the moving forces behind the grand success of Calo's orchestra in the Golden 1940s, but by 1945, he was ready to strike on his own. And in 1946, Maderna broke into the recording scene of BsAs, with the great voice of Orlando Verri. (Soon, he also recorded incredible instrumental masterpieces like Lluvia de estrellas). But Osmar Maderna's career was very short lived. In April 1951, he died in a crash of plane he was piloting. He was just 33. </span><br />
<span style="color: red;">Of course the opening tango of the tanda has a special symbolic importance for us, because Malva is the flower emblem of our upcoming <a href="http://www.wasatchtango.org/sltf-2018/" target="_blank">Salt Lake Tango Fest</a>, and the registration has just started!</span><br />
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33. Osmar Maderna - Orlando Verri "Malva" 1946 2:42<br />
34. Osmar Maderna - Orlando Verri "Plomo" 1947 2:32<br />
35. Osmar Maderna - Orlando Verri "Gracias" 1946 2:37<br />
36. Soda Stereo "Corazon elator" 0:28<br />
<span style="color: red;">Luis Diaz's early hits</span><br />
37. Edgardo Donato - Luis Diaz "Adelina" 1929 2:58<br />
38. Orquesta Donato-Zerrillo - Luis Diaz "Luces de la tarde" 1928 2:48<br />
39. Edgardo Donato - Luis Diaz "Como Lo Quiso Dios" 1929 2:46<br />
40. Stas Borsov "Anyuta cortina" 2000 0:21<br />
<span style="color: red;">and now the valses with fire</span><br />
41. Rodolfo Biagi - Jorge Ortíz "Lagrimas Y Sonrisas (vals)" 1941 2:41<br />
42. Rodolfo Biagi - Andres Falgas "El ultimo adios (vals)" 1940 2:09<br />
43. Rodolfo Biagi - Andres Falgas "Dejame amarte aunque sea un di (vals)" 1939 2:55<br />
44. Maya Kristalinskaya "A za oknom" 0:16<br />
45. Enrique Rodriguez - Armando Moreno "Llorar por una mujer" 1941 2:47<br />
46. Enrique Rodríguez - Armando Moreno "Marinero" 1943 3:10<br />
47. Enrique Rodríguez - Armando Moreno "Como has cambiado pebeta" 1942 2:37<br />
48. Los Iracundos "Puerto Montt rock" 1971 0:27<br />
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<span style="color: red;">And the homestretch begins with a high-energy grounded tanda</span><br />
49. Fervor de Buenos Aires "E.G.B." 2007 2:26<br />
50. Fervor de Buenos Aires "Nostalgias" 3:26<br />
51. Fervor de Buenos Aires "Quien Sos" 3:08<br />
52. Gilda "Noches Vacias cortina" 0:22<br />
<span style="color: red;">... followed by the overpowering dramatic treasures of late De Angelis</span><br />
53. Alfredo De Angelis - Instrumental "Mi Dolor" 1959 2:51<br />
54. Alfredo De Angelis - Instrumental "Felicia" 1969 2:48<br />
55. Alfredo De Angelis - Instrumental "Pavadita" 1958 2:52<br />
56. Pink Floyd "Goodbye Blue Sky cortina long 2" 0:29<br />
<span style="color: red;">... and Juan D'Arienzo's last testament tanda. True madness!</span><br />
57. Juan D'Arienzo - Instrumental "Bar Exposicion" 1973 2:33<br />
58. Juan D'Arienzo - Instrumental "La torcacita" 1971 2:31<br />
59. Juan D'Arienzo - Instrumental "Este Es El Rey" 1971 3:10<br />
60. Juan D'Arienzo - Instrumental "La Cumparsita" 1955 3:44<br />
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