Junando el Tango practica playlist, Mar 2018

Barely two hours of music and so many great names to celebrate! So many "March birthday boys" of tango! My first pass resulted in a very heavily rhythmic playlist; I carefully reintroduced slower and more melodic and dramatic tandas into it, but did I perhaps overdo it in the end?

D'Arienzo and Biagi. From El Espejero blog. 

Rodolfo Biagi, born March 14 1906, the most handsome tango band leader of all times, played one of the critically important roles in tango's history as the creator of the signature frenzied piano style of Juan D'Arienzo - likely the key ingredient which propelled D'Arienzo's orchestra to incredible success in 1935-1938, and reawakened the whole world of tango, ushering in its Golden Age. After splitting from "the King of the Beat" D'Arienzo, Rodolfo Biagi turned his orchestra into the rival Kingdom of Rhythm, spanning the range from exuberant to tragic and somber yet invariably extremely rhythmic. Dancing to Biagi is a deeply personal experience, and it may be the only orchestra which makes even such a tango omnivore as myself look around carefully in search of partners. Tonight I have time for just two Biagi tandas - one early, intense and unabashedly rhythmic, another late and brooding. Let's open the night with the sound of Biagi!

01. Rodolfo Biagi - Andrés Falgás  "La chacarera" 1940 2:24

02. Rodolfo Biagi - Teófilo Ibáñez  "Gólgota" 1938 2:33

03. Rodolfo Biagi - Jorge Ortíz "Humillación" 1941 2:42

04. Alla Pugacheva  "Etot mir"  0:33

05. Sexteto Carlos di Sarli - Instrumental "Pobre yo" 1929 2:12

06. Sexteto Carlos di Sarli - Instrumental  "T.B.C." 1928 3:02

07. Sexteto Carlos di Sarli - Instrumental  "Racing Club" 1930 2:34

08. Lyube  "Bat'ka Makhno cortina 1"  0:18

Alberto Echagüe was one of the signature "gangsta" voices of tango, a real porteño with a truly local sense of a voice, so idiosyncratically slightly off-time. His voice could mark the rhythm as powerfully as a percussion instrument. Not an opera singer by any means, but so tango! Whenever a dance floor loses steam, Echagüe is almost always the best rescuer, reenergizing the milonga like no one else. 

Born in Rosario on March 8 1909,  Alberto Echagüe started his capital city career with D'Agostino, but quickly became the signature voice of Juan D'Arienzo's early orchestras, sharing in their glory and in their low points (like when they recorded much-reviled tangos about hiccups or farts). When Juan Polito, D'Arienzo's 2nd pianist who replaced Biagi, split off from the King of the Beat, then Echagüe joined in the revolt as well. It was a far less amicable "divorce" then between D'Arienzo and Biagi. The King put his connections to work, this time, to suffocate the band of the disloyal musicians. The best halls and the recording studios turned their back on Polito, and by 1944,  Echagüe was back with his old employer. Only one  Echagüe tanda for tonight, alas.

09. Juan D'Arienzo - Alberto Echagüe "No Mientas" 1938 2:36

10. Juan D'Arienzo - Alberto Echagüe "Nada Mas" 1938 2:43

11. Juan D'Arienzo - Alberto Echagüe "Mandria" 1939 2:22

12. ZZ Top  "Sharp Dressed Man cortina"  0:25

Roberto Maida (smiling, in a gray suit in the center) with Francisco Canaro (with a bow tie, to the left of the mike)
among the musicians of Canaro's orchestra. From Tango Archive

Singer Roberto Maida is a March birthday boy as well. Born on March 3, 1908 in Italy, he traveled to Buenos Aires with his family at the age of 1.The Maida kid has been known for his voice, and tango was his passion. Barely a teenager, he started a career singing in the movies. At 17, he's got a job with Miguel Calo, and soon went on European tours which went almost uninterrupted for 7 years, getting him into the orbit of Carlos Gardel. Manuel Pizzarro, and Eduardo Blanco. It was the same circuit in which Francisco Canaro rotated as well, but they just tried a couple of tunes in those days. But after their return to Argentina, Canaro and Maida rediscovered each other, and joined forced for 5 years, recording almost 200 pieces together between 1934 and 1939. We will celebrate Maida by a milonga tanda first, then by a set of tango masterpieces.

13. Francisco Canaro - Roberto Maida "Largá las penas" 1935 3:08

14. Francisco Canaro - Roberto Maida "Milonga criolla" 1936 3:05

15. Francisco Canaro - Roberto Maida "Milonga brava" 1938 2:35

16. Los Iracundos  "Puerto Montt rock" 1971 0:27

17. Edgardo Donato - Lita Morales y Romeo Gavoli "Mi Serenata" 1940 3:01

18. Edgardo Donato - Horacio Lagos, Lita Morales y Romeo Gavioli "Sinfonia de Arrabal" 1940  3:09

19. Edgardo Donato - Horacio Lagos y Lita Morales "Carnaval De Mi Barrio" 1939 2:30

20. Lyube  "Bat'ka Makhno cortina 1"  0:18

Mauré (left) with the King of the Beat, and his other, less prolific singer Lamas. From Tango Archive

Héctor Mauré, born March 13, 1920, became the signature voice of Juan D'Arienzo's orchestra after the departure of  Echagüe. A powerful, and markedly more melodic voice, than the raw masculinity of Echagüe's vocal (and it's generally considered to be a major DJ faux pas to mix these two great voices in one tanda!)A son of Italian immigrants,  Mauré preferred to earn his money by boxing as a teenager. But a bad injury at 17 made him reconsider his plans, and make better use of his voice. In 1940, he joined D'Arienzo's orchestra, staying as their principal singer for 5 years with 50 recordings, until embarking on his solo career. Like many tango stars, Mauré was blacklisted after the government of Peron was deposed in 1955, but he never wavered in his love of tango even when the music could no longer bring him any money.

21. Juan D'Arienzo - Héctor Mauré  "El olivo (El olvido)" 1941 2:52

22. Juan D'Arienzo - Héctor Mauré  "Enamorado (Metido)" 1943 2:29

23. Juan D'Arienzo - Héctor Mauré  "Lilian" 1944 3:22

24. Los Naufragos  "Zapatos Rotos rock"  0:34

Fom Tangos al Bardo blog

One of the most versatile talents of tango, Enrique Rodriguez was born March 8, 1901, and back in the days played bandoneon with the orchestras of the Old Guard greats, like Pancho and Canaro, and with the prescient leader of the future rhythmic revolution of tango, Edgardo Donato. But when Rodriguez convened his own orchestra in 1936, he christened it an Orchestra of All Rhythms, covering both the Tango and the Tropical sides of the milonga of the 1930s-1940s (when the big dance parties featured two orchestras taking turns every half an a hour, one playing tango and the other, foxtrots, pasodobles and "tropical" genres_. Many orchestras dabbled in both genres, usually under different names, and only "crossing the lines" in recorded music. Rodriguez, however, dared to cover all genres at once, winning the market for the private parties, where bands capable of playing all beats were in special demand. And so in the popular culture of his day, Enrique Rodriguez received the highest acclaim for his foxtrots rather than for his excellent tangos. Tonight, we only have time for one vals tanda of Enrique Rodriguez, and then for one more of his tangofox. But the amazing energy of Rodriguez's tangos shouldn't be forgotten either, His is really an Orchestra of All Beats, exactly as claimed. 

25. Enrique Rodriguez - El "Chato" Flores "Los Piconeros (Vals)" 1939 2:47

26. Enrique Rodriguez - El "Chato" Flores "Las Espigadoras (Vals)" 1938 2:47

27. Enrique Rodriguez - Armando Moreno  "En el volga yo te espero" 1943 2:40

I couldn't resist prefacing one of the best hits of Roberto Maida, "Ciego", about the blindness of love, with a snippet of Russian ballad of the blind.... 

28. Sergey Nikitin  "Song of the Bkind " 1988 0:26

29. Francisco Canaro - Roberto Maida  "Ciego" 1935 2:57

30. Francisco Canaro - Roberto Maida "Recuerdos De Paris" 1937 3:12

31. Francisco Canaro - Roberto Maida "Condena (S.O.S.)" 1937 2:39

32. Gilda  "Noches Vacias cortina"  0:22

The signature song of the following tanda is Malvón, the hymn of the mallow-flower which is the symbol of our upcoming spring festival of tango!

33. Ricardo Tanturi - Enrique Campos "Oigo Tu Voz" 1943 3:09

34. Ricardo Tanturi - Enrique Campos "Malvón" 1943 2:59

35. Ricardo Tanturi - Enrique Campos "La Abandone Y No Sabia" 1944 2:50

36. Harry Roy  "South American Joe cortina 3"  0:21

Enrique Rodriguez is the reigning Rey del Fox, and we gotta play some of his signature foxtrots to celebrate his birthday tonight. As a side note: we've been to a tango marathon in Budapest where "Amor in Budapest" has been played, in lieu of "La Cumparsita", to close the milongas!

37. Enrique Rodriguez - Armando Moreno "Se va el tren" 1942 3:10

38. Enrique Rodriguez - Armando Moreno "No Apures Por Dios Postillon" 1945 2:59

39. Enrique Rodriguez - Armando Moreno "Amor en Budapest" 1940 2:42

40. Viktor Tsoy  "Good morning, last Hero cortina long" 1989 0:35

It's been less than two months since I finalized the story of Russian "Ojos Negros". Happy to play one of its best versions tonight!

41. Florindo Sassone =  Instrumental "Ojos Negros (Oscar Strok)" 1968 2:28

42. Florindo Sassone - Instrumental "Adios corazon (reverb)" 1968 2:16

43. Florindo Sassone - Instrumental  "Bar Exposicion" 1968 3:26

44. Zhanna Aguzarova "Old Hotel" 1987 0:22

"The dark side of Biagi"

45. Rodolfo Biagi - Hugo Duval  "Alguien" 1956 3:14

46. Rodolfo Biagi - Hugo Duval  "Solamente Dios y yo" 1958 2:30

47. Rodolfo Biagi - Hugo Duval  "Esperame en el cielo" 1958 2:52

a folk cortina presages a tanda of a very folk-minded orchestra of Juan de Dios Filiberto, the musician who insisted that there must be no divide between Argentine Tango and its other folkloric styles, and that all the rhythms of Criollo music go hand in hand. It's Filiberto's birth month too. The great violinist and orchestra leader has been born on the 8th of March 1885

48. Folk  "Shumel Kamysh "  0:23

49. Juan De Dios Filiberto - Instrumental "Tus Ojos Me Embelesan" 1935 2:34

50. Juan De Dios Filiberto - Instrumental "Pensando En Ti" 1935 2:50

51. Juan De Dios Filiberto - Instrumental "Palomita Blanca" 1959 2:35

In the run-up to the Passover, it's time for a new Israeli-themed cortina, a superbly Oriental Mizrahi music piece. Hag Pesach Sameach!

52. Zehava Ben  "Yerushalaim Shel Zahav cortina"  0:27

Astor Piazzolla was born in March too. March 11, 1921. The bandoneonist genius and one-time "enfant terrible" prankster of Troilo's orchestra who once to dreamed of nothing else than forgetting tango and leaving behind its Dark Ages, Piazzolla ended up being a savior of tango music in its darkest hour. It's as easy to love Piazzolla's Renewed Tango as it is hard to dance it. We start this mixed tanda with his superb 1982 "Oblivion"

53. Astor Piazzolla - Instrumental "Oblivion" 1982 3:36

54. Cirque du Soleil - Instrumental "Querer" 1994 4:37

55. Shigeru Umebayashi  "Yumeji's Theme (In the Mood for Love)" 2001 2:30

56. Zhanna Aguzarova "Cats" 1987 0:21

57. Alfredo De Angelis -  Instrumental "Pavadita" 1958 2:53

58. Alfredo De Angelis  -  Instrumental "Felicia " 1969 2:48

59. Alfredo De Angelis  -  Instrumental "Mi Dolor" 1959 2:51

60. Victor Tsoy  "Blood Type (cortina long)"  0:36

Which song is the highlight of the Ultimate Tanda? The irresistible soft hit of Remembranza, or the Pañuelito, the little white kerchief which is so dear to us because Erskine Maytorena made it a highlight of QTango Orchestra's repertoire? Or the sensual extreme of the "Pasional"?

61. Osvaldo Pugliese - Jorge Maciel "Remembranza" 1956 3:41

62. Osvaldo Pugliese - Jorge Maciel "El pañuelito" 1959 2:42

63. Osvaldo Pugliese - Alberto Morán "Pasional" 1951 3:26

and we close the night with a hit of a Russian-American prodigy recorded with a Hollywood-Latin band:

64. Xavier Cugat - Dinah Shore "La Cumparsita" 1939 3:10

Milonga Loca playlist, May 27, 2017

This holiday weekend, I was asked to take over a mixed-traditional and alternative milonga at a venue where I never played and never set up anything. We arrived 40 minutes early to make sure there are no big surprises. Soon, I started playing music - not for dancers yet, but more like a sound check and a mood-setter for the setup
01. Bajofondo/Ryota Komatsu  "Pa' Bailar (Con Ryota Komatsu)" 2007 3:59
02. Bajofondo "Leonel, El Feo" 2005 5:40
03. Otros Aires  "Perro Viejo" 2016 3:21
04. Leonid Bykov  "Smuglyanka cortina long"  0:33
05. Haris Alexiou  "To Tango Tis Nefelis" 1998 4:07
06. Hindi Zahra  "Beautiful Tango" 2011 3:57
07. Souad Massi  "Ghir Enta" 2008 5:06
First dancers show up, as if on a cue, right at the beginning of the first "scheduled", traditional tanda

08. Aya RL  "Skora"  0:33
09. Enrique Rodríguez - Armando Moreno "Adios para siempre" 1943 3:11
10. Enrique Rodríguez - Roberto Flores  "Te quiero ver escopeta" 1939 2:38
11. Enrique Rodríguez - Fernando Reyes "Alma en pena" 1946 3:05
12. Maya Kristalinskaya  "Nezhnost (Tenderness)"  0:17
13. Francisco Lomuto - Instrumental  "Criolla Linda" 1942 2:39
14. Francisco Lomuto - Instrumental  "Sentimiento guacho" 1942 2:55
15. Francisco Lomuto - Instrumental "Catamarca" 1943 2:34
16. Maya Kristalinskaya  "A za oknom"  0:16

Todotango picture

May is the birthday month of one of the tango pioneers, an Afro-Argentine Félix Gutiérrez. "El Negro" Gutiérrez, born on May 19, 1909, has made his way into tango by a lucky chance. In his teens, Félix Gutiérrez was a promising amateur boxer, and, having won a championship in his hometown Mar del Plata, he decided to move to Buenos Aires to pursue a professional career. But he also liked to play guitar and to sing, so he wanted to continue taking guitar lessons in the capital city. The music school Gutiérrez chose was run by ... Julio de Caro's father. And soon, the 17 year-old aspiring boxer started singing in De Caro's orchestra, and abandoned plans of a career in sports. The times were getting tough with the start of the Great Depression. Like most musicians of the time, Felix tried making a living in different groups and in different styles, but nothing lasted. At last, he was invited to join the orchestra of Edgardo Donato, and won instant acclaim! Their first, seminal song, "El huracan", will be played late during the milonga. Let's start honoring Félix Gutiérrez with his stellar 1936 vals:
17. Edgardo Donato - Horacio Lagos "Quién Será (Vals)" 1941 2:15
18. Edgardo Donato - Horacio Lagos "Con tus besos" 1938 2:20
19. Edgardo Donato - Félix Gutiérrez "La Tapera (Vals)" 1936  2:54
20. Pink Floyd  "Goodbye Blue Sky cortina long 2"  0:29
21. Soha  "Mil Pasos" 2008 4:07
22. Alacran  "Reflejo De Luna" 2010 3:44
23. Cirque du Soleil "Querer" 1994 4:34
24.  "Noladeti La shalom cortina"  0:36
25. Fool's Garden "Lemon Tree" 1999 3:11
26. Jason Mraz  "I'm Yours" 2008 4:20
27. Damour Vocal Band  "Sway"  3:49
28. Lyube  "Bat'ka Makhno cortina 1"  0:18
29. Otros Aires  "Los Vino`" 2010 2:43
30. Kevin Johansen + the Nada "Sur o No Sur" 2002 4:53
31. Juan Carlos Cáceres "Tango Negro" 2003 3:45
32. Zhanna Aguzarova "Old Hotel" 1987 0:22
33. Pedro Laurenz - Juan Carlos Casas "Vieja Amiga" 1938 3:13
34. Pedro Laurenz - Juan Carlos Casas "Desconsuelo" 1940 2:29
35. Pedro Laurenz - Juan Carlos Casas "No me extrana" 1940 2:44
36.  "Nature doesn't have bad weather"  0:24
The 2nd tanda with the voice of Félix Gutiérrez and Donato's orchestra. I believe that "El huracan", "The hurricane", with its powerfully rhythmic, accelerated music was the forerunner of the D'Arienzo revolution, which is credited with saving tango a mere 3 years later. In the early 1930s, when the popularity of tango dancing waned and the economy was in the dumps, few tango orchestras could survive playing music for the remaining dancers. Many disbanded altogether; others, like Canaro's and Fresedo's, transitioned to performances, theaters, and movies. But Donato's mostly immigrant Uruguayan outfit stayed course, modernizing the vibe of the tango music in the process, getting the younger generation to pay attention to what once was their parents' dance form. In 1932, Edgardo Donato won a contract with a new recording studio, the ascendant "Victor". The orchestra needed to make a bold opening statement, and Donato hired Félix Gutiérrez and recorded "El huracan" for its debut. As it was customary for the era, the vocalist sings just a part of one of the three stanzas, and a part of one bridge - but in this case, the verse libre stanza about a rose bush destroyed by the hurricane is recited, bitterly, rather than sung. The lines of the bridge then tell of an insincere woman who destroyed the dreams, whose kisses were ice-cold and whose heart was full of hidden venom ... but without knowing the skipped lines, you might not guess that it was the woman who was metaphorized as the hurricane of destruction in the opening stanza. 
37. Edgardo Donato - Félix Gutiérrez "El Huracan" 1932 2:56
38. Edgardo Donato - Instrumental "El Estagiario" 1938 2:26
39. Edgardo Donato - Félix Gutiérrez "Santa Milonguita" 1933 2:23
40. Maya Kristalinskaya  "A za oknom"  0:16
41. Quinteto Pirincho - Instrumental "María Esther" 1943 2:31
42. Quinteto Pirincho - Instrumental "Francia" 1943 2:40
43. Quinteto Pirincho - Instrumental "Vibraciones del alma" 1956 2:51
44. "Hagedel Sheli"  0:28

Orquesta Romantica Milonguera has just released its first album, and the raspy voice of Marisol Martinez sounded quite remarkable, so I couldn't resist putting together a tanda. But with the studio speakers, I got an impression that the sound was somewhat dull, not as juicy as it seemed on the laptop... 
45. Romantica Milonguera - Marisol Martinez  "En esta noche de luna" 2017 3:37
46. Romantica Milonguera - Marisol Martinez  "Oigo tu voz" 2017 3:13
47. Romantica Milonguera - Marisol Martinez  "Solamente ella" 2017 3:22
48. Zhanna Aguzarova "Cats" 1987 0:21

Hector Maure

I often play tangos from D'Arienzo's earliest periods, both instrumental and with the voice of Echague, accented by ringing-crystal piano keys of Biagi (until 1938) and Polito (until 1940). Both Biagi and Polito left to lead their own orchestras, and took a number of key musicians with them (the first one achieved remarkable success, while the second one was kept off best venues and recording studios by the increased clout of Juan Polito's former employer). But as it happened repeatedly, "The King of the Beat" rebuilt his orchestra with a remarkable continuity. Fulvio Salamanca, another genius of piano, came to replace Polito. With the changing tastes of the times, D'Arienzo's music of the 1940s becomes slightly less exuberant, darker and deeper, while still true to the trademark domination of the beat. Some of the most beautiful records of this period feature the voice of Héctor Mauré (hired in the end of 1940), another aspiring teenage boxer (he fought for the Students Sports Association of BsAs) who abandoned boxing for tango. After the 1955 military coup, Héctor Mauré was blacklisted from TV and radio waves for his Peronist sympathies, but he fought back by contributing a lot of time and energy to keeping tango alive during its "darkest years" in the 1960s and 1970s. Let's celebrate Héctor Mauré by a 1941 tanda!

49. Juan D'Arienzo - Héctor Mauré  "Dime, mi amor" 1941 2:40
50. Juan D'Arienzo - Héctor Mauré  "Infamia" 1941 3:07
51. Juan D'Arienzo - Hector Maure  "El olivo (El olvido)" 1941 2:51
52. Endless Boogie  "High Drag cortina" 2017 0:22
The rhythmic energy continues with a tangofox tanda
53. Enrique Rodriguez - Armando Moreno  "Se va el tren" 1942 3:11
54. Enrique Rodriguez - Armando Moreno.  "No Apures Por Dios Postillon" 1945 2:59
55. Enrique Rodriguez - Roberto Flores "Para mi eres divina" 1938 2:28
56. Sergey Nikitin  "Pesnya Sleptsov " 1988 0:26
57. Lhasa De Sela  "La Cara de la Pared" 2005 4:23
58. Carlos Libedinsky  "Vi Luz y Subí" 2005 3:18
59. Shigeru Umebayashi "In The Mood For Love" 2001 2:29
In another intersection of my hobbies, tango and genealogy, my newly found third cousin Yakov, a great fan of brooding and foreboding music, shared a new album of Endless Boogie and I couldn't resist using some of the tracks for cortinas.
60. Endless Boogie  "Trash Dog cortina" 2017 0:21
A classic non-traditional tanda with a super-traditional arrabal vibe.
61. Orquesta Tipica Fervor de Buenos Aires "Quien Sos" 2007 3:08
62. Orquesta Tipica Fervor de Buenos Aires "E.G.B." 2007 2:26
63. Analíá Goldberg y Sexteto Ojos De Tango "El Adios" 2011 3:13
64. Maya Kristalinskaya  "A za oknom"  0:16
65. Zazie "J'envoie valser" 1995 2:52
It's close to midight and to milonga's end and it looks like folksy waltzes aren't cutting it, so I scrap this tanda and make a plan to keep playing only tangos in the remaining time. But, see below...
66. Zhanna Aguzarova "Old Hotel" 1987 0:22
67. Francisco Canaro - Roberto Maida "Solo una novia" 1935 3:23
68. Francisco Canaro - Roberto Maida "Condena (S.O.S.)" 1937 2:39
69. Francisco Canaro - Roberto Maida "Ojos negros que fascinan" 1935 2:51
70. Sandro de America  "Yo Te Amo cortina" 1968 0:23

March 1943 newspaper ad for Angel D'Agostino and
Angel Vargas. From late Michael Krugman's  blog

We've just marked birthday of Angel D'Agostino (25 May 1900 - 16 Jan 1991), a wonderful musician whose tangos, simple and beautiful, are so welcome at almost any moment in the milongas. D'Agostino was the milonguero's musician, and like the old milongueros, he not only liked dancing tango himself, but also partied, gambled, and forswore marriage. Almost all recordings of D'Agostino are with the voice of Angel Vargas, and the two Angels set a high standard for joint work of the orchestra and the singer in tango for the dancers. I already wrote about life of Angel Vargas, about his hardscrabble beginnings and a long road to recognition. The life path of Angel D'Agostino is, in some ways, exactly the opposite. He grew up in a family of classic pianists and received great musical education, but chose the bohemian life of a tanguero. A funny tidbit to add: as a child, D'Agostino played piano in a trio where the little violinist was Juan D'Arienzo!
71. Ángel D'Agostino - Ángel Vargas, glosas: Julian Centeya "Cafe Dominguez" 1955 2:58
72. Ángel D'Agostino - Ángel Vargas "Caricias" 1940 2:44
73. Ángel D'Agostino - Ángel Vargas "Ninguna" 1942 2:57
74. Marek Jackowski   "Oprócz blekitnego nieba"  0:23
75. Lucio Demare - Juan Carlos Miranda "Manana zarpa un barco" 1942 3:24
76. Lucio Demare - Juan Carlos Miranda "Pa' mi es igual" 1942 3:18
77. Lucio Demare - Juan Carlos Miranda "No te apures cara blanca" 1942 3:31
78. Alla Pugacheva  "Winter Night (Svecha gorela) cortina"  0:19
Wait, wait! A birthday girl walks in during the penultimate tanda ... and with a request to play Piazzolla's "Dede", a record which isn't even in my collection. But a vals it must be...
79. Osváldo Pugliese - Instrumental "Desde El Alma" 1943 2:56
80. Gypsy Folk  "Autumn Dew"  0:30
81. Osváldo Pugliese - Instrumental "Malandraca" 1949 2:52
82. Osváldo Pugliese - Instrumental "Tiny" 1945 2:42
83. Edgardo Donato - Instrumental  "La Cumparsita"  2:19
84. Harry Roy - La cumparsita [rumba] " 1936 2:58