Tango Snow and Fire weekend playlist, Jan 2019

I have a feeling that I'm doing the playlist publication for the final time. The old-fashioned blog format is barely clinging to life in 2019, and my DJ aspirations have shrunk too, as the new generation of the local DJs has grown. And lastly, after so many years of comments about orchestras and songs, I rolled through some of the most important stories about the tango musicians, and the stories still left untold are kind of peripheral. In fact I couldn't make myself to format and comment this list for a whole month... but I finally got to it.

001. Enrique Rodriguez - Armando Moreno "No te quiero mas" 1940 2:18
002. Enrique Rodriguez - Armando Moreno "En La Buena Y En La Mala" 1940 2:28
003.  Enrique Rodriguez - Armando Moreno "Llorar por una mujer" 1941 2:47
004. Carlitos Rolan  "Cuarteto2"  0:19
Get prepared to listen to Troilo's beautiful vals, "Flor de lino", "The flower of flax", often :) The beautiful celestial blue flower has become the mascot of our spring festival of tango. Let's all get excited about SLTF 2019 and welcome old friends of our community, Rod Relucio and Jenny Teters from Chicago, and first-time comers to Salt Lake Valley, Erin Malley and Doruk Golcu!!!

005. Anibal Troilo - Floreal Ruiz "Flor De Lino" 1947 2:49
006. Aníbal Troilo - Floreal Ruiz, Edmundo Rivero  "Lagrimitas de mi corazón" 1948 2:59
007. Anibal Troilo - Edmundo Rivero  "A unos ojos" 1949 3:10
008. Los Iracundos  "Puerto Montt rock" 1971 0:27
009. Osvaldo Fresedo - Roberto Ray "Nieblas del riachuelo" 1937 2:25
010. Osvaldo Fresedo - Roberto Ray "Sollozos" 1937 3:27
011. Osvaldo Fresedo - Roberto Ray "Recuerdos De Bohemia" 1935 2:36
012. Maya Kristalinskaya  "A za oknom"  0:16

Di Sarli and his band, from tangosalbardo blog

January is a wonderful opportunity to celebrate Carlos Di Sarli, the unsurpassed genius of elegance. He was born in Bahia Blanca on January 7, 1903. From the very first records of his orchestra in 1940 to the very last ones in the late 1950s, Di Sarli had an amazing knack for taking really old, really rough tango of his childhood, and making them shine like gemstones. This trio of Old Guard tangos reinterpreted by Di Sarli some two decades after they were composed is no exception. The first and the last ones are compositions of Ediardo Arolas (who even called his Model T a "Cachila", after a sparrow-like bird), the middle track has been composed by José Martínez. 
013. Carlos Di Sarli - Instrumental "La Trilla" 1940 2:21
014. Carlos Di Sarli - Instrumental "La Torcacita" 1941 2:37
015. Carlos Di Sarli - Instrumental "La Cachila" 1941 2:46
016. Soda Stereo  "Corazon elator"  0:28
Ricardo Tanturi was born on January 27, 1905, in one of the poorest barrios of Buenos Aires. Like his start singer, Alberto Castillo, he was a medical school graduate, but like Castillo, he gave up practicing medicine to play tango. Tanturi didn't call his band an "orquesta tipica". Instead, it was called "Los Indios", "The Indians" - not after the native tribes but after the favorite sports club. They always opened each live performance with the eponymous tango! 
017. Ricardo Tanturi - Alberto Castillo "La Vida Es Corta" 1941 2:26
018. Ricardo Tanturi - Alberto Castillo "Pocas palabras" 1941 2:27
019. Ricardo Tanturi - Alberto Castillo "La copa del olvido" 1942 2:31
020. Alla Pugacheva  "Etot mir"  0:33
Humorous and energetic valses of the following tanda let me showcase another January birthday boy, the singer Francisco Amor who shares the birthday and the birth place with Carlos Di Sarli (January 7, 1906, Bahia Blanca). Of Amor's long and distinguished career, we remember the most his 3 years with Francisco Canaro.
021. Enrique Rodriguez - El "Chato" Flores "Salud, Dinero Y Amor (Vals)" 1939 2:39
022. Francisco Canaro - Francisco Amor  "La zandunga" 1939 3:16
023. Francisco Canaro - Francisco Amor  "Cuando estaba enamorado" 1940 2:48
024. "Entry of Winter"  0:37
Roberto Rufino, "the kid from Abasto", one of the signature voices of Di Sarli's orchestra, is also a January birthday boy (born January 6, 1922). These hits from the romantic revival period pioneered by Di Sarli late in 1941, and soon adopted by the rest of tango orchestras.
025. Carlos Di Sarli - Roberto Rufino "Decíme Que Pasó" 1942 2:39
026. Carlos Di Sarli - Roberto Rufino "Adios te vas" 1943 2:27
027. Carlos Di Sarli - Roberto Rufino "Canta pajarito" 1943 3:16
028. Gilda  "Noches Vacias cortina"  0:22
Andrés Falgás, one of the quintessential voices of Biagi's orchestra, was born on January 15, 1916. A first-generation immigrant kid, he won his first tango prize at 17 and cut his first recording at 20. He spent most of his adult life touring Latin America. They made only 11 recordings in his mere 9 months of work together with Biagi, but these songs are spectacular.

Biagi and Falgas at Luna Park - from Tangoarchive

029. Rodolfo Biagi - Andrés Falgás "Queja Indiana" 1939 2:24
030. Rodolfo Biagi - Andrés Falgás  "A mí no me interesa" 1940 2:43
031. Rodolfo Biagi - Andrés Falgás  "Son cosas del bandoneon" 1939 2:44
032. Vitas  "7, the element cortina" 2012 0:23
Di Sarli and Rufino again. Favorite milongas.
033. Carlos Di Sarli - Roberto Rufino "La Mulateada" 1941 2:22
034. Carlos Di Sarli - Roberto Rufino "Pena Mulata" 1941 2:27
035. Carlos Di Sarli - Roberto Rufino "Yo Soy De San Telmo" 1943 2:20
036. Alla Pugacheva  "Winter Night (Svecha gorela) cortina"  0:19
and we return to Francisco Amor's vocals - now in the genre of tango
037. Francisco Canaro - Francisco Amor "Cuartito Azul" 1941 2:43
038. Francisco Canaro - Francisco Amor "Copa de ajenjo" 1941 2:28
039. Francisco Canaro - Francisco Amor "En esta tarde gris" 1941 2:58
040. The Red Elvises "Cosmonaut Petrov 2 (-2 dB)" 1999 0:20
041. Edgardo Donato - Horacio Lagos "Se Va La Vida" 1936 2:44
042. Edgardo Donato - Horacio Lagos y Romeo Gavioli "Amando en silencio" 1941 2:51
043. Edgardo Donato - Lita Morales y Romeo Gavioli "Yo Te Amo" 1940 2:50
044. Alla Pugacheva  "Etot mir"  0:33
... and to the voice of Andrés Falgás, with valses
045. Rodolfo Biagi - Andrés Falgás  "El último adiós" 1940 2:09
046. Rodolfo Biagi - Andrés Falgás  "Dichas que viví" 1939 2:17
047. Rodolfo Biagi - Andres Falgas  "Dejame amarte aunque sea un dia" 1939 2:55
048. Gilda  "Noches Vacias cortina"  0:22
Paying homage to Di Sarli's earliest records, from before the Great Depression made him quit the bandleader job for much of the 1930s...
049. Sexteto Carlos di Sarli - Instrumental Carlos Di Sarli "Belen" 1929 2:44
050. Sexteto Carlos di Sarli - Ernesto Fama Carlos Di Sarli "Flora" 1930 2:38
051. Orquesta Tipica Victor (dir. A. Carabelli) - Instrumental "Coqueta" 1929 2:47
052. Gogol Bordello  "Pala Tute cortina 1" 2012 0:18
Tanturi's orchestra is best known by their vocal records, and when I play his instrumentals, it often ends up being a mixed vocal / instrumental set. But tonight, we are going for a whole tanda
053. Ricardo Tanturi - Instrumental "Argañaraz" 1940 2:22
054. Ricardo Tanturi - Instrumental "El buey solo" 1941 2:45
055. Ricardo Tanturi - Instrumental "Una Noche De Garufa" 1941 2:29
056. Lidiya Ruslanova  "Valenki 3 (cortina)"  0:24
With the Uruguayan  milonga tanda, I get a chance to celebrate Emilio Pellejero. As it usually happens with Uruguay, records are sparse (just 7 over 6 years!) and of uneven quality. And bios are a mystery. A birthday of January 1, 1911 is given, and it's about as much as I could figure out. But what a milonga!
057. Emilio Pellejero - Enalmar De Maria "Mi Vieja Linda" 1941 2:26
058. Ángel Sica - Roméo Gavioli "Rebeldia" 1942 2:20
059. Miguel Villasboas - Instrumental "La Milonga Que Hacia Falta" 1961 2:18
060. Alla Pugacheva  "Winter Night (Svecha gorela) cortina"  0:19
061. Osvaldo Fresedo - Roberto Ray  "Ojos tristes | Ojos muertos" 1938 2:37
062. Osvaldo Fresedo - Roberto Ray  "Dulce amargura" 1938 2:29
063. Osvaldo Fresedo - Roberto Ray "Angustia" 1938 2:39
064. Victor Tsoy  "Gruppa Krovi (cortina long)"  0:36
065. Fervor de  Buenos Aires  "Quien Sos" 2007 3:08
066. Fervor de Buenos Aires  "E.G.B." 2007 2:26
067. Ojos De Tango  "El Adios" 2011 3:13
068. Gilda  "No Me Arrepiento de Éste Amor cortina long"  0:40
069. Color Tango  "Illusion de mi vida" 2005 3:00
070. The Alex Krebs Tango Sextet  "Romance de Barrio" 2011 2:41
071. Osváldo Pugliese  "Desde El Alma" 1943 2:56
072. Alla Pugacheva "Million Scarlet Roses" 1982 0:19
We return to Tanturi's best hits - now the melodic ones, with the vocal of Enrique Campos
073. Ricardo Tanturi - Enrique Campos "La Abandone Y No Sabia" 1944 2:50
074. Ricardo Tanturi - Enrique Campos "Oigo Tu Voz" 1943 3:07
075. Ricardo Tanturi - Enrique Campos "Que Nunca Me Falte" 1943 2:42
076. Alla Pugacheva  "Etot mir"  0:33
Hector Varela, born on Jan 29, 1914, with his dramatic hits of the 1950s, is a perfect match for the crazy last hours of a good tango event. One may forget that Varela was a disciple, and arranger for, Juan D'Arienzo, and directed his own rhythmic, youthful tangos in the 1930s.  
077. Hector Varela - Argentino Ledesma "Fueron tres años" 1956 3:26
078. Hector Varela - Argentino Ledesma "Muchacha" 1956 3:19
079. Hector Varela - Argentino Ledesma "Si me hablaras corazon" 1956 3:18
080. Zhanna Aguzarova "Old Hotel" 1987 0:22

Atahualpa Yupanqui in Paris, from Clarin

It's time to pay homage to the great Argentine folklore singer Atahualpa Yupanqui (born Héctor Roberto Chavero on Jan 31, 1908). A son of a mestizo father, he adopted the names of Inca royals for his scenic names. Communist beliefs caused Atahualpa Yupanqui many years of exile and many arrests, but he worked tirelessly to promote the folk motifs of the Pampas, including Southern, or Pampas, milonga style which permeates this slow milonga tanda. "Los Ejes De Mi Carreta", composed and frequently performed by Yupanqui, has been recorded by such classic tango orchestras as Canaro and Troilo, but I am more partial to this contemporary Peruvian cover:
081. Paco Mendoza & DJ Vadim  "Los Ejes De Mi Carreta" 2013 3:23
082. Hugo Diaz Trio  "Milonga Para Una Armonica" 1974 4:24
083. QTango Erskine Maytorena Qtango "Milonga Triste" 2011 4:17
084. Zhanna Aguzarova  "Miracle Land cortina"  0:31
085. Edgardo Donato - Romeo Gavioli y Lita Morales "Mi Serenata" 1940 3:01
086. Edgardo Donato - Horacio Lagos, Lita Morales y Romeo Gavioli "Sinfonía De Arrabal" 1940 3:09
087. Edgardo Donato - Horacio Lagos y Lita Morales "Carnaval De Mi Barrio" 1939 2:23
088. Edgardo Donato - Horacio Lagos y Lita Morales "Sinsabor" 1939 2:53
089. Zhanna Aguzarova  "Zvezda (The Star)" 1984 0:28
Violinist and bandleader Florindo Sassone was born an Jan 12, 1912 in Buenos Aires. A disciple of Fresedo and a fan of Di Sarli, Sassone was a master of melodic elegance in his own right. He made a stellar tango career in the 1930s, but, just as the tango music scene was beginning to get crowded by 1940, the 28 years old musician called it quits. So Sassone missed being a part of Tango's Golden Age. Yet he came back and organized his own orchestra again in the late 40s, and gradually returned to fame. And carried the flame of tango through its darkest era of the 1960 and 1970s, innovating, bringing tango to the international audiences, even remixing several antebellum European hits in the authentic Argentine style. Such tangos as The Song Of The Rose from the movie Casablanca, or Tango Notturno from the eponymous German talkie. But the one most dear to my heart is, of course, his cover of the 1928 Russian hit, "Ojos Negros".  

090. Florindo Sassone - Instrumental "Ojos Negros (Oscar Strok)" 1968 2:28
091. Florindo Sassone - Instrumental "Adios corazon" 1968 2:16
092. Florindo Sassone - Instrumental  "Bar Exposicion" 1968 3:26
093. Soda Stereo  "Profugos"  0:33
094. Enrique Rodriguez - El "Chato" Flores  "Las Espigadoras" 1938 2:47
095. Enrique Rodriguez - El "Chato" Flores "Los Piconeros (Vals)" 1939 2:47
096. Enrique Rodriguez - Armando Moreno  "En el volga yo te espero" 1943 2:40
097. Alla Pugacheva  "Winter Night (Svecha gorela) cortina"  0:19
we close the tributes with a beautiful dramatic vocal tanda of Di Sarli's late years
098. Carlos di Sarli - Mario Pomar  "Patotero sentimental" 1953 3:02
099. Carlos di Sarli - Mario Pomar  "No me pregunten por qué" 1952 3:33
100. Carlos di Sarli - Mario Pomar  "Duelo Criollo" 1953 2:25
101. Soda Stereo  "En la ciudad de furia"  0:24
102. Donato Racciatti - Olga Delgrossi "Hasta siempre amor" 1958 2:57
103. Donato Racciatti - Olga Delgrossi "Queriendote" 1955 2:49
104. Donato Racciatti - Olga Delgrossi "Sus Ojos Se Cerraron" 1956 2:47
105. Viktor Tsoy  "Good morning, last Hero cortina long" 1989 0:35
106. Alfredo de Angelis - Instrumental  "Mi Dolor" 1959 2:51
107. Alfredo de Angelis - Instrumental  "Pavadita" 1958 2:53
108. Alfredo de Angelis - Instrumental  "Felicia" 1969 2:48
109. Alfredo de Angelis - Instrumental  "La cumparsita (Matos Rodríguez)" 1961 3:35

Junando Practica playlist, December 2018

It feels so good to see the friends and fool around with the music :)

01. Paco Mendoza & DJ Vadim  "Los Ejes De Mi Carreta" 2013 3:23
D'Arienzo's birthday is December 14, and with his decades at the helm of orchestras, evolving styles, and never-wavering dedication to the rhythm, he's a great guy to celebrate in a playlist! And we start with the formative years of his orchestra, when his fresh, exuberant, youthful music exploded the atmosphere at El Chatecler and before his crazy pianist Rodolfo Biago left to convene his own band. 
02. Juan D'Arienzo - Instrumental  "La viruta" 1936 2:20
03. Juan D'Arienzo - Instrumental  "Champagne tango" 1938 2:26
04.  Juan D'Arienzo - Instrumental  "Ataniche" 1936 2:32
05. Zhanna Aguzarova  "Zvezda (The Star)" 1984 0:28
06. Carlos Di Sarli - Instrumental "La Trilla" 1940 2:21
07. Carlos Di Sarli - Instrumental "Shusheta" 1940 2:22
08. Carlos Di Sarli - Instrumental "Nobleza De Arrabal" 1940 2:07
09. Carlitos Rolan  "Cuarteto2"  0:19
Same eye-opener era of D'Arienzo Revolution. Unbelievable valses.
10. Juan D'Arienzo - Instrumental  "Pasion" 1937 2:37
11. Juan D'Arienzo - Instrumental  "Corazon De Artista" 1936 2:19
12. Juan D'Arienzo - Instrumental "Mentias" 1937 2:19
13. Soda Stereo  "En la ciudad de furia"  0:24

December 11th also marks Carlos Gardel's birthday - and the Day of Tango celebration. Of course Gardel's isn't quite the tango we dance to ... but I am ready to celebrate his with a super-hit which started his tango career in 1917. The song which marked the birth of the genre of tango cancion, of the fusion of poetry and music like never existed in tango before - "Mi noche triste". Let's dance to Canaro's excellent cover!
14. Francisco Canaro - Roberto Maida "Mi Noche Triste" 1936 2:44
and the second song of this Canaro-Maida tanda shall be Russian-inspired "Ojos negros", a traveling musical motif to which I devoted too many hours of research :)
15. Francisco Canaro - Roberto Maida "Ojos negros que fascinan" 1935 2:51
16. Francisco Canaro - Roberto Maida "Condena (S.O.S.)" 1937 2:39
17. Rodrigo  "Cuarteto"  0:29
Rhythmic yet complex, the songs of D'Arienzo's mature period are among my top favorites:
18. Juan D'Arienzo - Hector Maure "Enamorado (Metido)" 1943 2:33
19. Juan D'Arienzo - Hector Maure "Infamia" 1941 3:05
20. Juan D'Arienzo - Hector Maure "El olivo (El olvido)" 1941 2:51
21. Alla Pugacheva  "Etot mir"  0:33
We are only 3 weeks past the 115th anniversary of birth of Sebastian Piana, the composer who stubbornly created the whole genre of milongas for dancing, and who just wouldn't let the society reject the newborn milongas. Let's celebrate with Piana's earliest, slowest milonga compositions!
22. Francisco Canaro - Ernesto Famá "Milonga Sentimental" 1933, 1933 3:10
23. Francisco Canaro - Ernesto Famá "Milonga Del 900" 1933 2:54
24. Francisco Canaro - Roberto Maida "Milonga criolla" 1936 3:00
25. Tatyana Kabanova  "Mama, ya zhulika lyublyu cortina"  0:21
26. Edgardo Donato - Horacio Lagos "El Adios" 1938 3:09
27. Edgardo Donato - Romeo Gavioli y Lita Morales "Mi Serenata" 1940 3:02
28. Edgardo Donato - Horacio Lagos, Lita Morales y Romeo Gavio "Sinfonia de Arrabal" 1940 3:09
29. Soda Stereo  "En la ciudad de furia"  0:24
I started a tanda of instrumental music of early D'Arienzo and quickly realized that it's a bit out of place for the middle of the evening ... just a tad too straightforward at a time in the energy wave when something more complexly rhythmic would make a better fit. OK, fixing it mid-tanda then.
30. Juan D'Arienzo - Instrumental "Joaquina" 1935 3:01
31. Edgardo Donato - Horacio Lagos  "A oscuras" 1941 2:48
32. Edgardo Donato - Horacio Lagos  "Lagrimas" 1939 2:50
33. Carlitos Rolan  "Cuarteto2"  0:19

Get prepared to listen to Troilo's beautiful vals, "Flor de lino", "The flower of flax", often :) The beautiful celestial blue flower has become the mascot of our spring festival of tango. Let's all get excited about SLTF 2019 and welcome old friends of our community, Rod Relucio and Jenny Teters from Chicago, and first-time comers to Salt Lake Valley, Erin Malley and Doruk Golcu!!!
34. Anibal Troilo - Floreal Ruiz "Flor De Lino" 1947 2:49
35. Anibal Troilo - Floreal Ruiz "Romance De Barrio" 1947 2:35
36. Anibal Troilo - Alberto Marino y Floreal Ruiz "Palomita Blanca" 1944 3:20
37. Zhanna Aguzarova  "Zvezda (The Star)" 1984 0:28

Roberto Ray, 1935.
From tangos al bardo blog

On December 21, we celebrate the birthday of Roberto Ray, one of the truly indispensable voices of the formative years of vocal tango. In the 1920s, the dancing public believed that vocal tangos were only good for listening, and that a voice of a singer only distracted the dancers; at most, a few lines of a refrain were permitted to be sung. Then, together with such amazing talents as Francisco Fiorentino and Angel Vargas, Roberto Ray helped transformed the early, mostly instrumental danceable tango songs into a seamless union of the vocalist and the orchestra. Having started with Fresedo's orchestra in 1931, Roberto Ray was the first to blaze this path. The Argentines tend to believe that Ray didn't go far enough, that his singing retained too much of the operatic, Italian kind of a sweet flavor, and that only Fiorentino and Vargas mastered the rougher, more national vibe of singing. Still it was Roberto Ray's work which prepared the fertile ground for their success. Let's not forget that very few Argentine orchestras survived the disruptions of the Great Depression and continued to record through the mid-1930s. And in those trying times, Fresedo's remained the most elegant of the surviving bands!
Ray was born Roberto Raimondo on December 21, 1912, and he already had strong experience as an estribillista (refrain-singer) when he joined Fresedo's orchestra at the age of 19 in 1931. The times were very tough for the tango musicians, but the sweet, European voice of Ray (which never betrayed his barrio roots) helped Fresedo win the gigs with the rich and famous of the day. They stayed together for 8 years straight, and then Roberto Ray returned to Osvaldo Fresedo two more times. For tonight, I'm going to play the hits of the late 1930s, when Fresedo fully mastered inclusion of harp into the orchestra. It's just so breathtakingly beautiful!
38. Osvaldo Fresedo - Roberto Ray "Angustia" 1938 2:
39. Osvaldo Fresedo - Roberto Ray "No Quiero Verte Llorar" 1937 2:42
40. Osvaldo Fresedo - Roberto Ray "Nieblas del riachuelo" 1937 2:25
41. Aya RL  "Skora"  0:33
Hugo Duval was born on December 13, 1928. This December "birthday kid" was still a little child, indeed, when tango went through the height of its Golden Years. Duval started singing professionally at 17, and at 21, he joined Biagi's orchestra - and stayed with Don Rodolfo until the great pianist's death. Biagi's quarter century at the help of the orchestra had many amazing high points of evolving styles, and Duval's late-1950s hits, tragic and rhythmic at the same time, are definitively among the must-play Biagi recordings.
42. Rodolfo Biagi - Hugo Duval "Solamente dios y yo" 1958 2:33
43. Rodolfo Biagi - Hugo Duval  "Alguien" 1956 3:14
44. Rodolfo Biagi - Hugo Duval  "Esperame en el cielo" 1958 2:52
45. Harry Roy  "South American Joe cortina 1"  0:26
I haven't played candombe milongas for too long! (And thank you Laura for a great tanda!)
46. Miguel Caló - Raúl Berón  "Azabache" 1942 3:03
47. Alberto Castillo  "El Gatito en el Tejado" 1957 2:37
48. Romeo Gavioli "Tamboriles" 1956 2:56
49. Adam Aston  "Nikodem"  0:20
50. Francisco Lomuto - Jorge Omar "Madreselva" 1938 2:39
51. Francisco Lomuto - Jorge Omar "Por La Vuelta" 1939 2:34
52. Francisco Lomuto - Jorge Omar "Mano a mano" 1936 3:16
53. Soda Stereo  "En la ciudad de furia"  0:24
54. Enrique Rodriguez - Armando Moreno "Tango argentino" 1942 2:37
55. Enrique Rodriguez - Armando Moreno "El encopao" 1942 2:34
56. Enrique Rodriguez - Armando Moreno "Danza maligna" 1940 2:25
57. Alla Pugacheva  "Etot mir"  0:33
December is also the birthday month of Manuel Buzón (December 18, 1904 – July 14, 1954). A singer, pianist, and orchestra director, he's been involved with tango professionally since the age of 11, in Argentina and abroad, but his band has left only a handful of quality records, and so it's largely forgotten today. Tonight, I selected just one vals to commemorate this great musician. Let it be a mixed tanda of ever-more-energizing valses! Bailemos?
58. Manuel  Buzón - Osvaldo Moreno  "Pichon enamorado" 1942 2:18
59. Alberto Castillo  "Idilio Trunco" 1946 2:06
60. Edgardo Donato - Horacio Lagos, Lita Morales, Romeo Gavioli  "La shunca" 1941 2:35
61. Zhanna Aguzarova  "Zvezda (The Star)" 1984 0:28
And of course Osvaldo Pugliese is also to be celebrated in December! Born December 2, 1905, he grew to symbolize the greatness of tango and the freedom against oppression. One really can't give tribute to Pugliese's genius in one short paragraph! Perhaps you can follow the blog label to read what I have written about Saint Pugliese before ... and of course just one tanda can't do him justice. 
62. Osvaldo Pugliese - Roberto Chanel "Rondando Tu Esquina" 1945 2:49
63. Osvaldo Pugliese - Roberto Chanel "Corrientes Y Esmeralda" 1944 2:49
64. Osvaldo Pugliese - Roberto Chanel "La Abandone Y No Sabia" 1944 3:12
65. Lyube  "Bat'ka Makhno cortina 1"  0:18

Carlos Lazzari leading D'Arienzo memorial orchestra

We are finishing the night with the rhythmic madness and Pugliese-inspired suspense of very late D'Arienzo (and I must admit that I've been fooled by a mistaken annotation of one of the tracks in my collection, and played one recording of a band of D'Arienzo aficionados instead of the original ... although this band was anointed by King of the Beat himself in 1972 ... and its director, bandoneonist Carlos Lazzari, has been born in December too, on Dec. 9 1925, so it's only fair to celebrate him tonight) 
66. Los Solistas de D'Arienzo "El huracan" 1984 2:17
67. Juan D'Arienzo - Instrumental  "Zorro gris" 1973 2:03
68. Juan D'Arienzo - Instrumental "Este Es El Rey" 1971 3:12
69. Juan D'Arienzo - Instrumental "La Cumparsita" 1955 3:44